Label |
S |
Musiktitel |
Play |
St |
T.-Stil |
Interpret |
Ps |
Begleitung |
Jahr |
Zeit |
Aufn.-Ort |
Aufn.-Dat. |
Vö.-Dat. |
Matrize |
Verweis |
GEMA-Nr. |
CAE/IPI |
Art.-Nr./EAN |
EAN/Art.-Nr |
Label 2 |
Musik: = Komponist, Text: = Texter |
Chart |
Bemerkung |
Musiker |
Quelle |
Seite |
O |
Modern 102 |
A |
Just A Little Bluesie |
|
|
|
Hadda Brooks, Jimmie Black, Basie Day, Al Wichard |
|
|
1945 |
|
|
|
|
|
|
|
|
|
|
|
Musik: Brooks, Hadda |
|
|
|
The Online Discographical Project |
|
|
Modern 102 |
B |
Swingin' The Boogie |
|
|
|
Hadda Brooks, Piano |
|
|
1945 |
|
|
|
|
|
|
|
|
|
|
|
Musik: Brooks, Hadda |
|
|
|
The Online Discographical Project |
|
|
Modern 111 |
A |
Blues In B Flat |
|
V |
|
Brooks, Hadda |
|
|
1945 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
Modern 111 |
B |
Deep Meditation |
➧ |
|
|
McGhee, Howard & His & His Combo |
|
|
1945 |
3:25 |
|
15.09.1945 |
|
JM2 |
(MM-111) |
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
Modern 112 |
A |
Nightmare Boogie |
➧ |
|
|
Traylor, Pearl |
|
|
1945 |
2:31 |
|
15.09.1945 |
10.08.1946 |
BH-7 |
(ModMusic) |
|
|
|
|
|
Musik: Traylor, Pearl |
|
|
|
Billboard Magazine |
|
|
Modern 112 |
B |
Lonesome Gal |
➧ |
|
|
Traylor, Pearl |
|
Hadda Brooks Sextette |
1945 |
2:39 |
|
15.09.1945 |
10.08.1946 |
BH-8 |
(ModMusic) |
|
|
|
|
|
Musik: Traylor, Pearl |
|
|
|
Billboard Magazine |
|
|
Modern 113 |
A |
Rocking The Boogie |
➧ |
V |
|
Brooks, Hadda (Trio) |
|
|
1945 |
3:00 |
|
|
|
|
(Modern) |
|
|
|
|
|
Musik: Brooks, Hadda |
|
|
|
The Online Discographical Project |
|
|
Modern 113 |
B |
Man I Love, The |
➧ |
V |
|
Brooks, Hadda (Trio) |
|
|
1945 |
2:43 |
|
|
|
|
(Modern) |
489813 |
00129786629 |
|
|
|
Musik: Gershwin, George/Text: Gershwin, Ira |
|
|
|
The Online Discographical Project |
|
COVER. Original filtern. |
Modern 114 |
A |
Daddy, Somebody's Got To Go |
➧ |
|
|
Traylor, Pearl |
|
|
1945 |
2:35 |
|
|
|
|
|
|
|
|
|
|
Musik: Traylor, Pearl |
|
|
|
The Online Discographical Project |
|
|
Modern 114 |
B |
Bluesin' The Boogie |
➧ |
V |
|
Brooks, Hadda |
|
|
1945 |
2:43 |
|
|
|
|
|
|
|
|
|
|
Musik: Brooks, Hadda |
|
|
|
The Online Discographical Project |
|
|
Modern 115 |
A |
Riding The Boogie |
➧ |
I |
|
Brooks, Hadda |
|
|
1945 |
2:44 |
|
|
|
|
|
|
|
|
|
|
Musik: Brooks, Hadda |
|
|
|
The Online Discographical Project |
|
|
Modern 115 |
B |
Blue Mood |
➧ |
I |
|
Brooks, Hadda |
|
|
1945 |
2:53 |
|
|
|
|
|
|
|
|
|
|
Musik: Brooks, Hadda |
|
|
|
The Online Discographical Project |
|
|
Modern 116 |
A |
Lovin' Lover |
➧ |
|
|
Perry, Jesse |
|
Happy Johnson & His Sextette |
1946 |
3:25 |
|
|
10.08.1946 |
|
|
|
|
|
|
|
Musik: Perry, Jesse |
|
|
|
Billboard Magazine |
|
|
Modern 116 |
B |
Mercy Mercy |
➧ |
|
|
Perry, Jesse |
|
Happy Johnson & His Sextette |
1946 |
3:12 |
|
|
10.08.1946 |
|
|
|
|
|
|
|
Musik: Perry, Jesse |
|
|
|
Billboard Magazine |
|
|
Modern 117 |
A |
You're The Great One |
➧ |
|
|
Perry, Jesse |
|
Happy Johnson & His Sextette |
1945 |
3:29 |
|
|
|
|
|
|
|
|
|
|
Musik: Perry, Jesse |
|
|
|
The Online Discographical Project |
|
|
Modern 117 |
B |
Jesse Boogie |
➧ |
|
|
Perry, Jesse |
|
Happy Johnson & His Sextette |
1945 |
2:33 |
|
|
|
|
|
|
|
|
|
|
Musik: Perry, Jesse |
|
|
|
The Online Discographical Project |
|
|
Modern 118 |
A |
I Used To Work In Chicago |
➧ |
|
|
Three Bits Of Rhythm |
|
|
1945 |
3:11 |
|
|
|
|
|
|
|
|
|
|
Musik: Nicht angegeben/DP |
|
|
|
The Online Discographical Project |
|
|
Modern 118 |
B |
That's The Boogie |
➧ |
|
|
Three Bits Of Rhythm |
|
|
1945 |
3:15 |
|
|
|
|
|
|
|
|
|
|
Musik: Rudolph/Langmaur/Williams |
|
|
|
The Online Discographical Project |
|
|
Modern 120 |
|
Play Boy Blues |
➧ |
|
|
Traylor, Pearl |
|
McGhee, Howard & His Orchestra |
1945 |
3:16 |
|
15.06.1945 |
10.08.1946 |
|
(ModMusic) |
|
|
|
|
|
Musik: Traylor, Pearl |
|
|
|
Billboard Magazine |
|
|
Modern 120 |
|
11:45 Swing |
➧ |
|
|
McGhee, Howard & His Orchestra |
|
|
1945 |
3:00 |
|
15.06.1945 |
10.08.1946 |
|
(ModMusic) |
|
|
|
|
|
Musik: McGhee, Howard |
|
|
|
Billboard Magazine |
|
|
Modern 122 |
A |
Jelly, Jelly |
➧ |
|
|
Happy Johnson & His Sextette |
|
Perry, Jesse |
1945 |
2:57 |
|
|
10.08.1946 |
|
|
|
|
|
|
|
Musik: Eckstein |
|
Vokalist (Tonträgerangabe) im Datenfeld „Begleitung“. |
|
Billboard Magazine |
|
|
Modern 122 |
B |
Brooklyn Stomp |
➧ |
|
|
Happy Johnson & His Sextette |
|
|
1946 |
3:13 |
|
|
10.08.1946 |
|
|
|
|
|
|
|
Musik: Johnson, Happy |
|
|
|
Billboard Magazine |
|
|
Modern 123 |
A |
Polonaise |
|
V |
|
Brooks, Hadda (Trio) |
|
|
1945 |
|
|
|
|
|
(ModMusic) |
|
|
|
|
|
Musik: Chopin, Frédéric |
|
|
|
The Online Discographical Project |
|
|
Modern 123 |
B |
Polonaise Boogie |
|
V |
|
Brooks, Hadda (Trio) |
|
|
1945 |
2:40 |
|
|
|
134-B-2 |
(ModMusic) |
|
|
|
|
|
Musik: Brooks, Hadda |
|
|
|
The Online Discographical Project |
|
|
Modern 124 |
|
Around The Clock (Part 1) |
➧ |
|
|
Traylor, Pearl |
|
McGhee, Howard & His Orchestra |
1945 |
3:03 |
|
15.06.1945 |
10.08.1946 |
|
|
|
|
|
|
|
|
|
|
|
Billboard Magazine |
|
|
Modern 124 |
|
Around The Clock (Part 2) |
➧ |
|
|
Traylor, Pearl |
|
McGhee, Howard & His Orchestra |
1945 |
3:11 |
|
15.06.1945 |
10.08.1946 |
|
|
|
|
|
|
|
|
|
|
|
Billboard Magazine |
|
|
Modern 127 |
A |
Jive I Like |
|
|
|
Traylor, Pearl |
|
|
1945 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
Modern 127 |
B |
Im Drunk |
|
|
|
Williams, Clarence |
|
|
1945 |
|
|
|
|
|
|
|
|
|
|
|
Musik: Williams, Clarence |
|
|
|
The Online Discographical Project |
|
|
Modern 131 |
A |
Travelin' Blues |
|
V |
|
Johnny Moore's 3 Blazers |
|
Brown, Charles |
1946 |
|
|
|
|
MM-131 |
|
|
|
|
|
|
Musik: Brown, Charles/Moore, Johnny/Williams, Edward |
|
Vokalist im Datenfeld „Begleitung“. |
|
The Online Discographical Project |
|
|
Modern 131 |
B |
It's The Talk Of The Town |
|
|
|
Johnny Moore's 3 Blazers |
|
|
1946 |
|
|
|
|
MM-133 |
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
Modern 133 |
A |
What Do You Know About Love |
|
|
|
Johnny Moore's 3 Blazers |
|
|
1946 |
|
|
|
13.04.1946 |
|
|
|
|
|
|
|
|
|
|
|
45cat |
|
|
Modern 133 |
B |
Society Boogie |
|
V |
|
Brooks, Hadda (Trio) |
|
|
1945 |
|
|
|
13.04.1946 |
MM-103 |
|
|
|
|
|
|
Musik: Brooks, Hadda |
|
|
|
45cat |
|
|
Modern 134 |
A |
Warsaw Concerto (Part 1) |
|
|
|
Johnny Moore's 3 Blazers |
|
|
1946 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
Modern 134 |
B |
Warsaw Concerto (Part 2) |
|
|
|
Johnny Moore's 3 Blazers |
|
|
1946 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
Modern 135 |
|
Morocco Blues |
|
V |
|
Brooks, Hadda |
|
|
1945 |
|
|
|
|
MM-103B |
|
|
|
|
|
|
|
|
|
|
45cat |
|
|
Modern 135 |
|
I'll Get Along Somehow |
|
|
|
Johnny Moore's 3 Blazers |
|
|
1946 |
|
|
|
|
MM-132 |
MOD20/731 |
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
Modern 136 |
A |
McGhee Jumps (Cool Fantasy-Part 1) |
|
|
|
McGhee, Howard & His Orchestra |
|
|
1945 |
2:52 |
|
15.09.1945 |
23.03.1946 |
|
|
|
|
|
|
|
Musik: McGhee, Howard |
|
|
|
Discogs |
|
|
Modern 136 |
B |
McGhee Special |
➧ |
|
|
McGhee, Howard & His Orchestra |
|
|
1945 |
2:24 |
|
15.09.1945 |
23.03.1946 |
|
|
|
|
|
|
|
Musik: McGhee, Howard |
|
|
|
Discogs |
|
|
Modern 139 |
A |
How Deep Is The Ocean |
|
V |
|
Johnny Moore's Three Blazers feat. Brown, Charles |
|
|
1946 |
3:03 |
|
|
|
MM219 |
|
|
|
| Album2715 |
|
Musik + Text: Berlin, Irving |
|
|
|
The Online Discographical Project |
|
COVER. Original filtern. |
Modern 139 |
B |
You Showed Me The Way (V. Charles Brown) |
|
|
|
Johnny Moore's Three Blazers |
|
|
1946 |
|
|
|
|
MM224 |
|
|
|
|
|
|
Musik: Green/Fitzgerald/Mccrea/Webb |
|
|
|
The Online Discographical Project |
|
|
Modern 140 |
|
Ectasy |
|
|
|
Johnny Alston Orchestra |
|
|
1945 |
|
|
|
|
MM245 |
(Modern) |
|
|
|
|
|
Musik: Alston |
|
|
|
The Online Discographical Project |
|
|
Modern 140 |
|
Everything Will Be All Right (V. Jeanne De Metz ) |
|
|
|
Johnny Alston Orchestra |
|
|
1945 |
|
|
|
|
MM243 |
(Modern) |
|
|
|
|
|
Musik: J. De Metz |
|
|
|
The Online Discographical Project |
|
|
Modern 142 |
A |
You Won't Let Me Go |
|
|
|
Johnny Moore's 3 Blazers |
|
|
1946 |
|
|
|
|
MM222 |
(Modern) |
|
|
|
|
|
Musik: Charles Brown ? |
|
|
|
The Online Discographical Project |
|
|
Modern 142 |
B |
Shuffle Boogie |
|
|
|
Will Rowland & His Orchestra |
|
|
1946 |
|
|
|
|
MM263=3 |
(Modern) |
|
|
|
|
|
Musik: Rowland, Will |
|
|
|
The Online Discographical Project |
|
|
Modern 143 |
|
You Left Me Forsaken |
|
|
|
Johnny Moore's 3 Blazers |
|
|
1946 |
|
|
|
|
MM220 |
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
Modern 143 |
|
So Long |
|
|
|
Johnny Moore's 3 Blazers |
|
|
1946 |
|
|
|
|
MM221 |
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
Modern 144 |
|
Red Light |
|
|
|
Johnny Alston Orchestra |
|
|
1945 |
|
|
|
|
MM267=2 |
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
Modern 144 |
|
Mr Fine |
|
|
|
Johnny Alston Orchestra |
|
|
1945 |
|
|
|
|
MM263 |
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
Modern 145 |
|
Grieg's Concerto |
|
V |
|
Brooks, Hadda |
|
|
1946 |
|
|
|
|
MM268 |
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
Modern 145 |
|
Grieg's Concerto Boogie |
|
V |
|
Brooks, Hadda |
|
|
1946 |
|
|
|
|
MM269 |
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
Modern 146 |
A |
You Won't Let Me Go |
|
V |
|
Brooks, Hadda (Trio) |
|
|
1946 |
|
|
|
|
MM348 |
ModMusic |
|
|
|
|
|
Musik: Johnson |
|
|
|
The Online Discographical Project |
|
|
Modern 146 |
B |
Basin Street Blues |
|
V |
|
Brooks, Hadda (Trio) |
|
|
1946 |
2:47 |
|
|
|
MM274 |
ModMusic |
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
Modern 147 |
|
Humoresque Boogie |
➧ |
V |
|
Brooks, Hadda |
|
|
1946 |
2:49 |
|
|
|
MM519 |
|
|
|
|
|
|
Musik: Brooks, Hadda |
|
|
|
The Online Discographical Project |
|
|
Modern 147 |
|
That's My Desire |
|
V |
|
Brooks, Hadda |
|
|
1946 |
|
|
|
|
MM516 |
|
|
|
|
|
|
Musik: Kressa, Helmy/Text: Loveday, Carroll |
|
|
|
The Online Discographical Project |
|
COVER. Original filtern. |
Modern 150 |
A |
Romance In The Dark |
➧ |
V |
|
Brooks, Hadda (Trio) |
|
|
1946 |
3:13 |
|
|
|
MM543-2 |
|
|
|
|
|
|
Musik: Coslow/Nielsen |
|
|
|
The Online Discographical Project |
|
|
Modern 150 |
B |
Trust In Me |
➧ |
V |
|
Brooks, Hadda |
|
|
1954 |
3:18 |
|
|
|
MM518-3 |
|
1212299 |
00000240075 |
|
|
|
Musik: Ager, Milton/Schwartz, Jean/Text: Wever, Ned |
|
Trio |
|
The Online Discographical Project |
|
COVER. Original filtern. |
Modern 151 |
A |
Sail On Blues (V. Charles Brown) |
|
|
|
Johnny Moore's 3 Blazers |
|
|
1946 |
|
|
|
|
MM311 |
|
|
|
|
|
|
Musik: Moore/Brown/Williams |
|
|
|
The Online Discographical Project |
|
|
Modern 151 |
B |
Blue Because Of You |
|
|
|
Johnny Moore's 3 Blazers |
|
|
1946 |
|
|
|
|
MM312 |
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
Modern 152 |
|
Make Believe Land |
|
|
|
Johnny Moore's 3 Blazers |
|
|
1946 |
|
|
|
|
MM313 |
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
Modern 153 |
A |
Don't Take Your Love From Me |
|
V |
|
Brooks, Hadda |
|
|
1946 |
|
|
|
|
MM584 |
|
689284 |
00058855632 |
|
|
|
Musik + Text: Nemo, Henry |
|
|
|
The Online Discographical Project |
|
COVER. Original filtern. |
Modern 153 |
B |
Hungarian Rhapsody No.2 |
|
V |
|
Brooks, Hadda |
|
|
1947 |
|
|
|
|
MM593 |
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
Modern 154 |
|
It Had To Be You |
|
|
|
Johnny Moore's 3 Blazers |
|
|
1946 |
|
|
|
|
? |
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
Modern 154 |
|
If You Should Ever Leave |
|
|
|
Johnny Moore's 3 Blazers |
|
|
1946 |
|
|
|
|
? |
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
Modern 155 |
|
That's Where I Come In |
|
V |
|
Brooks, Hadda |
|
|
1947 |
|
|
|
|
MM605 |
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
Modern 155 |
|
Don't You Think I Ought To Know |
|
V |
|
Brooks, Hadda |
|
|
1947 |
|
|
|
|
MM608 |
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
Modern 156 |
A |
Minuet In G Boogie |
➧ |
V |
|
Brooks, Hadda |
|
|
1947 |
2:28 |
|
|
|
MM629 |
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
Modern 156 |
B |
It All Depends On You |
|
V |
|
Brooks, Hadda |
|
|
1947 |
|
|
|
|
MM610 |
|
|
|
|
|
|
Musik: Henderson, Ray/Text: Brown, Lew/DeSylva, Buddy |
|
|
|
The Online Discographical Project |
|
COVER. Original filtern. |
Modern 157 |
A |
Hollywood House Party |
|
V |
|
Brooks, Hadda |
|
|
1946 |
|
|
|
|
MM322 |
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
Modern 157 |
B |
Honey Honey Honey |
|
V |
|
Brooks, Hadda |
|
|
1947 |
|
|
|
|
MM794 |
|
|
|
|
|
|
Musik: Donahoo/Green/Lamarre |
|
|
|
The Online Discographical Project |
|
|
Modern 158 |
|
Shanty In Old Shanty Town |
|
V |
|
Brooks, Hadda |
|
|
1947 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
Modern 158 |
|
Best Things In Life Are Free, The |
|
V |
|
Brooks, Hadda |
|
|
1947 |
|
|
|
|
|
|
|
|
|
|
|
Musik: Brown, Lew/DeSylva, Buddy/Text: Henderson, Ray |
|
|
|
The Online Discographical Project |
|
COVER. Original filtern. |
Modern 503 |
A |
Lord Will Make A Way Somehow, The |
|
|
|
Rev. Billips |
|
Kansas City Singers, The |
1946 |
|
Los Angeles |
|
|
MM-256-2 |
|
|
|
|
|
|
|
|
|
|
Discogs |
|
|
Modern 503 |
B |
When You Hear Them Golden Bells |
|
|
|
Rev. Billips |
|
Kansas City Singers, The |
1946 |
|
Los Angeles |
|
|
MM-257-2 |
|
|
|
|
|
|
|
|
|
|
Discogs |
|
|
Modern 504 |
|
If You See My Savior |
|
|
|
Rev. Billips |
|
|
1946 |
|
Los Angeles |
|
|
MM-259-2 |
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
Modern 504 |
|
He Knows How Much We Can Bear |
|
|
|
Rev. Billips |
|
|
1946 |
|
Los Angeles |
|
|
MM-258-2 |
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
Modern 505 |
|
Jezebel |
|
|
|
Rev. Billips |
|
|
1946 |
|
Los Angeles |
|
|
MM-261-2 |
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
Modern 505 |
|
Hide Me In Your Bosom |
|
|
|
Rev. Billips |
|
|
1946 |
|
Los Angeles |
|
|
MM-260-2 |
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
Modern 506 |
|
Organ Grinder Swing |
➧ |
|
|
Wynn, Jim & His Orchestra |
|
|
1946 |
2:59 |
Los Angeles |
|
28.12.1946 |
MM289-5 |
|
|
|
|
|
|
Musik: Hudson, Will/Text: Parish, Mitchell/Mills, Irving |
|
|
unbekannt (Trompete) unbekannt (Tenorsaxophonophon) Jim Wynn (Tenor,Bariton Saxophon) Luther "Lord" Luper (Piano, Gesang) Theodore "Teddy" Charles (Bass, Gesang) Teddy Shirley (Schlagzeug, Gesang) |
Billboard Magazine |
|
COVER. Original filtern. |
Modern 506 |
|
Just In Case You Change Your Mind |
➧ |
V |
|
Wynn, Jim & His Orchestra |
|
|
1946 |
3:09 |
Los Angeles |
|
28.12.1946 |
MM291-2 |
|
|
|
|
|
|
|
|
Gesang: „Luper, Lord“. |
unbekannt (Trompete) unbekannt (Tenorsaxophonophon) Jim Wynn (Tenor,Bariton Saxophon) Luther "Lord" Luper (Piano, Gesang) Theodore "Teddy" Charles (Bass, Gesang) Teddy Shirley (Schlagzeug, Gesang) |
Billboard Magazine |
|
|
Modern 507 |
A |
Get Yourself In Line |
➧ |
V |
|
Wynn, Jim & His Orchestra feat. Shirley, Theodore |
|
|
1946 |
3:09 |
Los Angeles |
|
01/1947 |
290-2 |
|
|
|
|
|
|
Musik + Text: Shirley, Theodore |
|
|
unbekannt (Trompete) unbekannt (Tenorsaxophonophon) Jim Wynn (Tenor,Bariton Saxophon) Luther "Lord" Luper (Piano, Gesang) Theodore "Teddy" Charles (Bass, Gesang) Teddy Shirley (Schlagzeug, Gesang) |
Jazz Discography Project |
|
|
Modern 507 |
B |
Wynn's Boogie |
➧ |
|
|
Wynn, Jim & His Orchestra |
|
|
1946 |
3:07 |
Los Angeles |
|
01/1947 |
290-2 |
|
|
|
|
|
|
Musik + Text: Wynn, Jim |
|
|
unbekannt (Trompete) unbekannt (Tenorsaxophonophon) Jim Wynn (Tenor,Bariton Saxophon) Luther "Lord" Luper (Piano, Gesang) Theodore "Teddy" Charles (Bass, Gesang) Teddy Shirley (Schlagzeug, Gesang) |
Jazz Discography Project |
|
|
Modern 508 |
A |
No Name Jive (Part 1) |
|
|
|
Brent, Jerry |
|
|
1946 |
|
Los Angeles |
|
|
MM-326 |
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
Modern 508 |
B |
No Name Jive (Part 2) |
|
|
|
Brent, Jerry |
|
|
1946 |
|
Los Angeles |
|
|
MM-327 |
|
|
|
|
|
|
Musik: Wagner |
|
|
|
The Online Discographical Project |
|
|
Modern 510 |
|
Roll 'em |
|
|
|
Brent, Jerry |
|
|
1946 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
Modern 510 |
|
Temptation |
|
|
|
Brent, Jerry |
|
|
1946 |
|
|
|
|
|
|
387482 |
01008296669 |
|
|
|
Musik: Brown, Nacio Herb/Text: Freed, Arthur |
|
|
|
The Online Discographical Project |
|
COVER. Original filtern. |
Modern 511 |
A |
Jole Blon |
➧ |
|
|
Choates, Harry |
|
|
1946 |
2:46 |
|
|
|
1314 |
|
|
|
|
|
|
Musik: Nicht angegeben/DP |
|
Interpreterschreibweise auf Modern 511: „Coates“. |
|
45cat |
|
|
Modern 511 |
B |
Basile Waltz |
➧ |
|
|
Choates, Harry |
|
|
1946 |
2:31 |
|
01.04.1946 |
|
1313 |
|
|
|
|
|
Starday 284 |
Musik: Nicht angegeben/DP |
|
Interpreterschreibweise auf Modern 511: „Coates“. |
|
45cat |
|
|
Modern 512 |
|
Dont Cry Baby |
|
|
|
Scamps, The |
|
|
1946 |
|
Los Angeles |
|
|
MM-342 |
|
|
|
|
|
|
Musik: Jones/franklin |
|
|
|
The Online Discographical Project |
|
|
Modern 512 |
|
More Than You Know |
|
|
|
Scamps, The |
|
|
1946 |
|
Los Angeles |
|
|
MM-346 |
|
|
|
|
|
|
Musik: Ackley/yoman |
|
|
|
The Online Discographical Project |
|
|
Modern 513 |
A |
Jeep's Blues |
|
|
|
Carpenter, Ike & His Orchestra |
|
|
1946 |
|
Los Angeles |
|
|
MM-510 |
|
|
|
|
|
|
Musik: Ellington, Mercer |
|
|
|
The Online Discographical Project |
|
|
Modern 513 |
B |
Things Aint What They Used To Be |
|
|
|
Carpenter, Ike |
|
|
1946 |
|
Los Angeles |
|
|
MM-513 |
|
|
|
|
|
|
Musik: Hodges/ellington |
|
|
|
The Online Discographical Project |
|
|
Modern 515 |
|
You're Driving Me Crazy |
|
|
|
Shackelford, Art (Sextet) |
|
|
1946 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
Modern 515 |
|
Guitar Stomp |
|
|
|
Shackelford, Art (Sextet) |
|
|
1946 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
Modern 517 |
|
Knight Stomp |
|
|
|
Brent, Jerry |
|
|
1946 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
Modern 517 |
|
New Steel Rag |
|
|
|
Brent, Jerry |
|
|
1946 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
Modern 519 |
|
Big Fat Mama |
|
|
|
Phillips, Gene |
|
|
1946 |
|
Los Angeles |
|
|
MM-532 |
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
Modern 519 |
|
Three Oclock In The Morning |
|
|
|
Phillips, Gene |
|
|
1946 |
|
Los Angeles |
|
|
MM-533 |
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
Modern 520 |
|
Gloomy Sunday |
|
|
|
Brent, Jerry |
|
|
1946 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
Modern 520 |
|
My Yiddische Momma |
|
|
|
Brent, Jerry |
|
|
1946 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
Modern 521 |
A |
Im Falling For You |
|
|
|
Scamps, The |
|
|
1947 |
|
Los Angeles |
|
|
MM-569 |
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
Modern 521 |
B |
Sweet Slumber |
|
|
|
Scamps, The |
|
|
1947 |
|
Los Angeles |
|
|
MM-570 |
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
Modern 522 |
A |
Take The A Train |
|
|
|
Carpenter, Ike |
|
|
1947 |
|
Los Angeles |
15.04.1947 |
|
MM-566-2 |
|
|
|
|
|
|
Musik: Ellington/strayhorn |
|
|
|
The Online Discographical Project |
|
|
Modern 522 |
B |
Keep Your Hands On The Table |
|
|
|
Carpenter, Ike |
|
|
1947 |
|
Los Angeles |
15.04.1947 |
|
MM-568-2 |
|
|
|
|
|
|
Musik: Marlow/maxwell |
|
|
|
The Online Discographical Project |
|
|
Modern 524 |
|
Margie |
|
|
|
Hayes, Edgar |
|
|
1947 |
|
Los Angeles |
|
|
MM-572 |
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
Modern 524 |
|
Stardust |
|
|
|
Hayes, Edgar |
|
|
1947 |
|
Los Angeles |
|
|
MM-571 |
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
Modern 527 |
A |
Big Legs |
➧ |
|
|
Phillips, Gene & His Rhythm Aces |
|
|
1947 |
2:59 |
|
|
|
MM-589 |
|
|
|
|
|
|
Musik + Text: Phillips, Gene |
|
|
|
The Online Discographical Project |
|
|
Modern 527 |
B |
Just A Dream |
|
|
|
Phillips, Gene & His Rhythm Aces |
|
|
1947 |
|
|
|
|
MM-591 |
|
|
|
|
|
|
Musik + Text: Phillips, Gene |
|
|
|
The Online Discographical Project |
|
|
Modern 529 |
|
Big Mama Jump |
|
|
|
Hopkins, Sam „Lightning“ |
|
|
1947 |
|
Houston |
|
|
|
Auch als Pseudonym oder Original, anderer Schreibweise auf „Gold Star“. Siehe auch: Bemerkung. |
|
|
|
|
|
Musik: Hopkins |
|
|
|
The Online Discographical Project |
|
|
Modern 529 |
|
Short Haired Woman |
|
|
|
Hopkins, Sam „Lightning“ |
|
|
1947 |
|
Houston |
|
|
|
Auch als Pseudonym oder Original, anderer Schreibweise auf „Gold Star“. Siehe auch: Bemerkung. |
|
|
|
|
|
Musik: Hopkins |
|
|
|
The Online Discographical Project |
|
|
Modern 532 |
|
Country Girl |
|
|
|
Hogg, Smokey |
|
|
1947 |
|
Houston |
|
|
|
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
Modern 532 |
|
Too Many Drivers |
|
|
|
Hogg, Smokey |
|
|
1947 |
|
Houston |
|
|
|
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
Modern 534 |
A |
Banjo Boogie |
➧ |
|
|
Lone Star Playboys |
|
|
1947 |
2:47 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
Modern 534 |
B |
Somehow New In My Dreams |
|
|
|
Lone Star Playboys |
|
|
1947 |
|
|
|
|
|
|
|
|
|
|
|
Musik: Walker |
|
|
|
The Online Discographical Project |
|
|
Modern 537 |
|
Day Dream |
|
|
|
Carpenter, Ike |
|
|
1947 |
|
Los Angeles |
15.04.1947 |
|
MM-567-4 |
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
Modern 537 |
|
Ickies Blues |
|
|
|
Carpenter, Ike |
|
|
1947 |
|
Los Angeles |
15.04.1947 |
|
MM-565-2 |
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
Modern 539 |
|
Man That Comes To My House, The |
|
|
|
Three Bits Of Rhythm |
|
|
1947 |
|
Los Angeles |
|
|
MM-577 |
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
Modern 539 |
|
Root Beer Sizzle Sazzle Sizzle |
|
|
|
Three Bits Of Rhythm |
|
|
1947 |
|
Los Angeles |
|
|
MM-575 |
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
Modern 543 |
A |
Shining Moon |
➧ |
V |
|
Lightnin' Hopkins |
|
|
1947 |
2:47 |
|
|
|
|
|
|
|
| |
|
Musik + Text: Lightnin' Hopkins |
|
|
|
RateYourMusic |
|
|
Modern 543 |
B |
Ida May |
|
V |
|
Lightnin' Hopkins |
|
|
1947 |
|
|
|
|
|
|
|
|
|
|
|
Musik + Text: Berlin, Irving |
|
|
|
RateYourMusic |
|
COVER. Original filtern. |
Modern 546 |
|
Rock Bottom |
➧ |
|
|
Phillips, Gene & His Rhythm Aces |
|
|
1947 |
2:38 |
Los Angeles |
|
|
MM-639 |
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
Modern 546 |
|
Fatso |
➧ |
|
|
Phillips, Gene & His Rhythm Aces |
|
|
1947 |
2:29 |
Los Angeles |
|
|
MM-637 |
|
|
|
|
|
|
Musik: Phillips |
|
|
|
The Online Discographical Project |
|
|
Modern 547 |
|
58th Street Jump |
|
|
|
Jackson, „Little Willie“ |
|
|
1947 |
|
Los Angeles |
|
|
MM-641-1 |
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
Modern 547 |
|
On The Sunny Side Of The Street |
|
|
|
Jackson, „Little Willie“ |
|
|
1947 |
|
Los Angeles |
|
|
MM-643-4 |
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
Modern 548 |
|
I Could Make You Love Me |
|
|
|
Phillips, Gene |
|
|
1947 |
|
Los Angeles |
|
|
MM-302 |
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
Modern 548 |
|
Boogie Everywhere |
|
|
|
Phillips, Gene |
|
|
1947 |
|
Los Angeles |
|
|
MM-303 |
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
Modern 550 |
|
Solitude |
|
|
|
Scamps, The |
|
|
1947 |
|
Los Angeles |
|
|
MM-648 |
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
Modern 550 |
|
Chicka Biddie Boogie |
|
|
|
Scamps, The |
|
|
1947 |
|
Los Angeles |
|
|
MM-649 |
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
Modern 552 |
A |
Mercy |
➧ |
V |
|
Lightnin' Hopkins |
|
|
1947 |
2:34 |
|
|
|
|
|
|
|
| |
|
Musik + Text: Lightnin' Hopkins |
|
|
|
RateYourMusic |
|
|
Modern 552 |
B |
What Can It Be |
➧ |
V |
|
Lightnin' Hopkins |
|
|
1947 |
2:38 |
|
|
|
|
|
|
|
|
|
|
Musik + Text: Lightnin' Hopkins |
|
|
|
RateYourMusic |
|
|
Modern 553 |
A |
Under The Double Eagle |
|
|
|
Art Shackelford Sextette |
|
|
1947 |
|
|
|
|
671-3 |
|
|
|
|
|
|
Musik: Wagner, Josef Franz |
|
|
|
The Online Discographical Project |
|
|
Modern 553 |
B |
Guitar Stomp No Ii |
|
|
|
Art Shackelford Sextette |
|
|
1947 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
Modern 556 |
|
Skinny Leg Woman |
|
|
|
Hogg, Smokey |
|
|
1947 |
|
Houston |
|
|
|
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
Modern 556 |
|
Unemployment Blues |
|
|
|
Hogg, Smokey |
|
|
1947 |
|
Houston |
|
|
|
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
Modern 557 |
|
Pinnochio Blues |
|
|
|
Wichard, Al (Sextet) |
|
|
1947 |
|
Los Angeles |
|
|
MM-693 |
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
Modern 557 |
|
Junction Drive |
|
|
|
Wichard, Al (Sextet) |
|
|
1947 |
|
Los Angeles |
|
|
MM-694 |
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
Modern 559 |
|
Hey Now |
|
|
|
Phillips, Gene & His Rhythm Aces |
|
|
1947 |
|
Los Angeles |
|
|
689-1 |
|
|
|
|
|
|
Musik: Small |
|
|
|
The Online Discographical Project |
|
|
Modern 559 |
|
Punkin Head Woman |
|
|
|
Phillips, Gene & His Rhythm Aces |
|
|
1947 |
|
Los Angeles |
|
|
MM-636 |
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
Modern 560 |
|
Wandering |
|
|
|
Scat Man |
|
|
1947 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
Modern 560 |
|
It's You |
|
|
|
Scat Man |
|
|
1947 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
Modern 561 |
|
Ill Never Smile Again |
|
|
|
Scamps, The |
|
|
1947 |
|
Los Angeles |
|
|
MM-651 |
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
Modern 561 |
|
Worry |
|
|
|
Scamps, The |
|
|
1947 |
|
Los Angeles |
|
|
MM-650 |
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
Modern 562 |
A |
Stumblin' |
|
|
|
Shakelford, Art (Sextette) |
|
|
1947 |
|
|
|
|
673-1 |
|
|
|
|
|
|
Musik: Confrey |
|
|
|
The Online Discographical Project |
|
|
Modern 562 |
B |
Lazy River |
|
|
|
Shakelford, Art (Sextette) |
|
|
1947 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
Modern 563 |
|
Where Did My Baby Go |
|
|
|
Hogg, Smokey |
|
|
1947 |
|
Houston |
31.10.1947 |
|
MM-699-4 |
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
Modern 563 |
|
Where Did My Boogie Go |
|
|
|
Hogg, Smokey |
|
|
1947 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
Modern 563 |
|
Anytime Is The Right Time |
|
|
|
Hogg, Smokey |
|
|
1947 |
|
Houston |
11.10.1947 |
|
MM-675-2 |
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
Modern 566 |
A |
Black And Blue |
|
|
|
Little Willie Jackson |
|
|
1947 |
|
Los Angeles |
|
|
MM-735-4 |
|
|
|
|
|
|
Musik: Brooks, Harry/Waller, Fats/Text: Razaf, Andy |
|
|
|
The Online Discographical Project |
|
COVER. Original filtern. |
Modern 566 |
B |
Jackson's Boogie |
|
|
|
Little Willie Jackson |
|
|
1947 |
|
Los Angeles |
|
|
MM-702-3 |
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
Modern 567 |
|
Id Like To Know You Better Than I Do |
|
|
|
Commanders, The |
|
|
1947 |
|
Los Angeles |
|
|
MM-712-5 |
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
Modern 567 |
|
Lonesome Road |
|
|
|
Commanders, The |
|
|
1947 |
|
Los Angeles |
|
|
MM-712-6 |
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
Modern 571 |
|
Shasta |
|
|
|
Little Willie Jackson |
|
|
1947 |
|
Los Angeles |
|
|
MM-812-3 |
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
Modern 571 |
|
I Ain't Got Nobody |
|
|
|
Little Willie Jackson |
|
|
1947 |
|
Los Angeles |
|
|
MM-640-1 |
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
Modern 572 |
|
Hey Lawdy Mama |
|
|
|
Phillips, Gene |
|
|
1947 |
|
Los Angeles |
|
|
MM-590 |
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
Modern 572 |
|
Honky Tonk Train |
|
|
|
Phillips, Gene |
|
|
1947 |
|
Los Angeles |
|
|
MM-760 |
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
Modern 573 |
|
Your Red Wagon |
|
|
|
Wichard, Al (Sextet) |
|
|
1947 |
|
Los Angeles |
|
|
MM-802-2 |
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
Modern 573 |
|
His Magestys Boogie |
|
|
|
Wichard, Al (Sextet) |
|
|
1947 |
|
Los Angeles |
|
|
MM-786-2 |
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
Modern 574 |
|
Long Tall Mama |
➧ |
|
|
Hogg, Smokey |
|
|
1947 |
2:37 |
Houston |
10.12.1947 |
|
MM-756-1 |
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
Modern 574 |
|
I Feel Good |
|
|
|
Hogg, Smokey |
|
|
1947 |
|
Houston |
10.12.1947 |
|
MM-758-1 |
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
Modern 582 |
A |
Swinging Wide Your Gate Of Love |
|
V |
|
Thompson, Hank & His Brazos Valley Boys |
|
|
1947 |
|
|
|
|
APP-34A |
Globe |
|
|
|
|
|
Musik: Thompson, Hank |
|
|
|
The Online Discographical Project |
|
|
Modern 582 |
B |
Whoa Sailor |
➧ |
V |
|
Thompson, Hank & His Brazos Valley Boys |
|
|
1947 |
2:12 |
|
|
|
|
Globe |
|
|
|
|
Capitol 40218 |
Musik: Thompson |
|
|
|
The Online Discographical Project |
|
|
Modern 584 |
|
Geneva Blues |
|
|
|
Wichard, Al (Sextet) |
|
|
1947 |
|
Los Angeles |
|
|
MM-805-4 |
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
Modern 584 |
|
Cake Jumps |
|
|
|
Wichard, Al (Sextet) |
|
|
1947 |
|
Los Angeles |
|
|
MM-787-2 |
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
Modern 586 |
|
Stinkin Drunk |
|
|
|
Phillips, Gene |
|
|
1947 |
|
Los Angeles |
|
|
MM-301 |
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
Modern 586 |
|
Royal Boogie |
|
|
|
Phillips, Gene |
|
|
1947 |
|
Los Angeles |
|
|
MM-792 |
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
Modern 587 |
|
Little Willie's Boogie |
|
|
|
Jackson, „Little Willie“ |
|
|
1947 |
|
Los Angeles |
|
|
811-3 |
|
|
|
|
|
|
Musik: Jackson/Jackson |
|
|
|
The Online Discographical Project |
|
|
Modern 587 |
|
You Can Depend On Me |
|
|
|
Jackson, „Little Willie“ |
|
Prince, Peppy |
1947 |
|
Los Angeles |
|
|
642-3 |
|
|
|
|
|
|
Musik: Carpenter, Charles/Hines, Earl/Text: Dunlap, Louis |
|
|
|
The Online Discographical Project |
|
COVER. Original filtern. |
Modern 594 |
A |
Walking Blues |
➧ |
V |
|
Lightnin' Hopkins |
|
|
1947 |
2:49 |
|
|
|
|
|
|
|
| |
|
Musik: Lightnin' Hopkins/Text: Johnson, Robert |
|
|
|
RateYourMusic |
|
|
Modern 594 |
B |
Lightning Blues |
➧ |
V |
|
Lightnin' Hopkins |
|
|
1947 |
2:35 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
RateYourMusic |
|
|
Modern 596 |
|
Jivin Little Woman |
|
|
|
Hogg, Smokey |
|
|
1947 |
|
Houston |
31.10.1947 |
|
MM-696-3 |
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
Modern 596 |
|
Worrying Over You |
|
|
|
Hogg, Smokey |
|
|
1947 |
|
Houston |
22.11.1947 |
|
MM-727-2 |
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
Modern 596 |
|
Worryin' Over You |
|
|
|
Hogg, Smokey |
|
|
1947 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
Modern 596 |
|
Jivin' Little Woman |
|
|
|
Hogg, Smokey |
|
|
1947 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
Modern 597 |
|
Eyes Have Not Seen |
|
|
|
Smith Jubilee Singers |
|
|
1947 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
Modern 597 |
|
Dig A Little Deeper |
|
|
|
Smith Jubilee Singers |
|
|
1947 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
Modern 599 |
|
Variety Bounce |
|
V |
|
Brooks, Hadda |
|
|
1947 |
|
Los Angeles |
|
|
MM594 |
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
Modern 599 |
|
More Than You Know |
|
|
|
Johnny Moore's Three Blazers |
|
|
1946 |
|
Los Angeles |
|
|
MM309 |
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
Modern 600 |
A |
Out Of The Blue |
➧ |
V |
|
Brooks, Hadda (Trio) |
|
|
1946 |
3:02 |
Los Angeles |
|
|
MM579-9 |
|
|
|
|
|
|
Musik: Nemo/jason |
|
|
|
The Online Discographical Project |
|
|
Modern 600 |
B |
Bully Wully Boogie |
|
V |
|
Brooks, Hadda (Trio) |
|
|
1948 |
|
Los Angeles |
|
|
MM-225-4 |
|
|
|
|
|
|
Musik: Brooks, Hadda |
|
|
|
The Online Discographical Project |
|
|
Modern 602 |
|
Tootsie Timesie |
|
V |
|
Brooks, Hadda |
|
|
1949 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
Modern 602 |
|
What Have I Done |
|
V |
|
Brooks, Hadda |
|
|
1949 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
Modern 603 |
|
Gettin' Down Wrong |
|
|
|
Phillips, Gene & His Rhythm Aces |
|
|
1948 |
|
Los Angeles |
|
|
MM-682 |
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
Modern 603 |
|
Ramblin' Woman |
|
|
|
Phillips, Gene & His Rhythm Aces |
|
|
1948 |
|
Los Angeles |
|
|
MM-763-3 |
|
|
|
|
|
|
Musik: Phillips |
|
|
|
The Online Discographical Project |
|
|
Modern 604 |
|
Gravels In My Pillow |
|
|
|
Wichard, Al (Sextet) |
|
|
1948 |
|
Los Angeles |
|
|
MM-785 |
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
Modern 604 |
|
Thelma Lee Blues |
|
|
|
Wichard, Al (Sextet) |
|
|
1948 |
|
Los Angeles |
|
|
MM-692 |
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
Modern 605 |
|
My Baby's Blues |
|
|
|
Jackson, „Little Willie“ |
|
|
1948 |
|
Los Angeles |
|
|
MM-737=4 |
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
Modern 605 |
|
Somewhere, Someday, Somehow |
|
|
|
Jackson, „Little Willie“ |
|
|
1948 |
|
Los Angeles |
|
|
MM-814=2 |
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
Modern 606 |
|
Oh Woman Oh Woman |
|
|
|
Hogg, Smokey |
|
|
1948 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
Modern 606 |
|
Golden Diamond Blues |
|
|
|
Hogg, Smokey |
|
|
1948 |
|
Houston |
|
|
MM-698=4 |
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
Modern 606 |
|
Oh Woman! Oh Woman! |
|
|
|
Hogg, Smokey |
|
|
1948 |
|
Houston |
|
|
MM-725=1 |
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
Modern 608 |
A |
Mad Hype |
➧ |
|
|
McGhee, Howard & His Orchestra |
|
|
1948 |
2:39 |
|
|
|
BN22 |
|
|
|
|
|
|
Musik: McGhee, Howard |
|
|
|
The Online Discographical Project |
|
|
Modern 608 |
B |
Rummage Bounce |
|
|
|
McGhee, Howard & His Orchestra |
|
|
1948 |
|
|
|
|
|
|
|
|
|
|
|
Musik: McGhee, Howard |
|
|
|
The Online Discographical Project |
|
|
Modern 611 |
|
Sweet Georgia Bop |
|
|
|
Wardell Gray & Vido Musso |
|
|
1948 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
Modern 611 |
|
Sweet Georgia Brown |
|
|
|
Wardell Gray & Vido Musso |
|
|
1948 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
Modern 612 |
|
Big Texas |
|
|
|
Guillory, Chuck |
|
|
1948 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
Modern 612 |
|
Chere Petite |
|
|
|
Guillory, Chuck |
|
|
1948 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
Modern 613 |
|
Peanut Vendor, The |
|
|
|
Jackson, „Little Willie“ |
|
|
1948 |
|
Los Angeles |
|
|
MM-745=2 |
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
Modern 613 |
|
Let's Jump |
|
|
|
Jackson, „Little Willie“ |
|
|
1948 |
|
Los Angeles |
|
|
MM-744=2 |
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
Modern 615 |
|
Be My So And So |
|
|
|
Hogg, Smokey |
|
|
1948 |
|
Houston |
|
|
MM-754=2 |
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
Modern 615 |
|
My Baby's Worrying Me |
|
|
|
Hogg, Smokey |
|
|
1948 |
|
Houston |
|
|
MM-724=1 |
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
Modern 615 |
|
My Baby Is Worryin' Me |
|
|
|
Hogg, Smokey |
|
|
1948 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
Modern 618 |
|
Cool Fantasy (Part 1) |
|
|
|
McGhee, Howard & His Orchestra |
|
|
1948 |
|
Los Angeles |
|
|
MM-136-2 |
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
Modern 618 |
|
Cool Fantasy (Part 2) |
➧ |
|
|
McGhee, Howard & His Orchestra |
|
|
1948 |
3:04 |
Los Angeles |
|
|
MM-136-3 |
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
Modern 624 |
|
I'm Still In Love With You |
➧ |
V |
|
Crayton, Pee Wee |
|
|
1948 |
2:26 |
|
|
|
|
|
|
|
|
|
Guyden 2048 |
Musik: T-Bone Walker/Text: Glenn, Charles |
|
|
|
Global Dog Prod. |
|
COVER. Original filtern. |
Modern 624 |
|
Im Still In Love With You |
|
|
|
Pee Wee Crayton And His Guitar |
|
|
1948 |
|
Los Angeles |
02.12.1948 |
|
MM-869-1 |
|
|
|
|
|
|
Musik: T/bone Walker |
|
|
|
The Online Discographical Project |
|
|
Modern 624 |
|
Blues After Hours |
➧ |
V |
|
Crayton, Pee Wee |
|
|
1948 |
3:05 |
Los Angeles |
02.12.1948 |
|
MM-867-1 |
|
|
|
|
|
|
|
|
|
|
www.musiktiteldb.de |
|
|
Modern 625 |
|
I've Been Fooled Before |
|
|
|
Phillips, Gene |
|
|
1948 |
|
Los Angeles |
|
|
MM-680 |
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
Modern 625 |
|
Honey Chile |
|
|
|
Phillips, Gene |
|
|
1948 |
|
Los Angeles |
|
|
MM-592 |
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
Modern 626 |
|
Hot Catfish, Pt1 |
|
|
|
Rowland, Will |
|
|
1948 |
|
Los Angeles |
|
|
MM-873 |
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
Modern 626 |
|
Hot Catfish, Pt2 |
|
|
|
Rowland, Will |
|
|
1948 |
|
Los Angeles |
|
|
MM-874 |
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
Modern 627 |
|
Boogie Chillun |
➧ |
V |
|
Hooker, John Lee |
|
|
1948 |
2:38 |
Detroit |
03.11.1948 |
|
|
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
Modern 627 |
|
Boogie Chillen' |
|
|
|
Hooker, John Lee & His Guitar |
|
|
1948 |
3:10 |
|
|
|
|
|
|
|
| 6b0fd018 |
|
Musik + Text: Hooker, John Lee |
|
|
|
www.musiktiteldb.de |
|
ORIGINAL. Cover filtern. |
Modern 627 |
|
Sallie Mae |
|
V |
|
Hooker, John Lee |
|
|
1948 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
Modern 627 |
|
Sally May |
|
V |
|
Hooker, John Lee |
|
|
1948 |
|
Detroit |
|
|
|
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
Modern 628 |
|
Famous Amos (Part 1) |
|
|
|
Davis, Eddie |
|
|
1948 |
|
Los Angeles |
|
|
MM-892 |
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
Modern 628 |
|
Famous Amos (Part 2) |
|
|
|
Davis, Eddie |
|
|
1948 |
|
Los Angeles |
|
|
MM-893 |
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
Modern 629 |
|
Slow Lope |
|
|
|
McShann, Hootie & His Orchestra |
|
|
1948 |
|
Los Angeles |
|
|
695-2 |
|
|
|
|
|
|
Musik: Wichard |
|
|
|
The Online Discographical Project |
|
|
Modern 629 |
|
Feeling So Sad |
|
|
|
Jimmy Witherspoon With Hootie Mcshann And His Orchestra |
|
|
1948 |
|
Los Angeles |
|
|
877-2 |
|
|
|
|
|
|
Musik: Williams/tate |
|
|
|
The Online Discographical Project |
|
|
Modern 630 |
|
New Year's Eve Blues |
➧ |
|
|
Hogg, Smokey |
|
|
1948 |
2:42 |
Houston |
|
|
MM-678=1 |
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
Modern 630 |
|
My Christmas Baby |
➧ |
|
|
Hogg, Smokey |
|
|
1948 |
2:23 |
Houston |
|
|
MM-676=1 |
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
Modern 631 |
|
Johnson's Boogie |
|
|
|
P. K. Johnson |
|
|
1948 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
Modern 631 |
|
Sunset Romp |
|
|
|
P. K. Johnson |
|
|
1948 |
|
|
|
|
882-1 |
|
|
|
|
|
|
Musik: Johnson |
|
|
|
The Online Discographical Project |
|
|
Modern 633 |
|
Georgia Brown Blues |
|
|
|
Broughton, Edna |
|
|
1948 |
|
Los Angeles |
|
|
MM-907 |
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
Modern 633 |
|
Hambone Blues |
|
|
|
Broughton, Edna |
|
|
1948 |
|
Los Angeles |
|
|
MM-906 |
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
Modern 634 |
|
P.S. I Love You |
➧ |
|
|
Wynn, Jim & His Orchestra |
|
|
1948 |
3:05 |
Los Angeles |
|
|
MM-908 |
|
|
|
|
|
|
|
|
|
|
Jazz Discography Project |
|
|
Modern 634 |
|
Cold-Blooded Boogie |
➧ |
|
|
Wynn, Jim & His Orchestra |
|
|
1948 |
2:47 |
Los Angeles |
|
|
MM-902-1-B |
|
|
|
|
|
|
|
|
|
|
Jazz Discography Project |
|
|
Modern 635 |
|
It's Better This Way |
|
|
|
Grissom, Jimmy |
|
|
1948 |
|
Los Angeles |
|
|
MM-905-2 |
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
Modern 635 |
|
Pretty Mama Boogie |
|
|
|
Grissom, Jimmy |
|
|
1948 |
|
Los Angeles |
|
|
MM-909-2 |
|
|
|
|
|
|
Musik: Grissom |
|
|
|
The Online Discographical Project |
|
|
Modern 637 |
|
Same Old Blues (V. Jimmy Witherspoon) |
|
|
|
McShann, Hootie & His Orchestra |
|
|
1948 |
|
Los Angeles |
|
|
MM-898-1 |
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
Modern 637 |
|
I Love You Just The Same (V. Jimmy Witherspoon) |
|
|
|
McShann, Hootie & His Orchestra |
|
|
1948 |
|
Los Angeles |
|
|
89903 |
|
|
|
|
|
|
Musik: Witherspoon/tate |
|
|
|
The Online Discographical Project |
|
|
Modern 638 |
|
Nightmare Boogie |
➧ |
V |
|
Brooks, Hadda |
|
|
1949 |
2:31 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
Modern 638 |
|
Little Blues |
|
V |
|
Brooks, Hadda |
|
|
1949 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
Modern 639 |
|
Groovin' High |
|
|
|
McGhee, Howard & His Orchestra |
|
|
1948 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
Modern 639 |
|
Groovin' High (Part 2) |
|
|
|
McGhee, Howard & His Orchestra |
|
|
1948 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
Modern 640 |
A |
Blue Lou (Part 1) |
➧ |
I |
|
Garner, Erroll |
|
|
1948 |
3:07 |
|
|
|
|
|
896615 |
00495567203 |
|
|
|
Musik: Sampson, Edgar |
|
|
|
The Online Discographical Project |
|
COVER. Original filtern. |
Modern 640 |
B |
Blue Lou (Part 2) |
➧ |
I |
|
Garner, Erroll |
|
|
1948 |
3:11 |
|
|
|
|
|
896615 |
00495567203 |
|
|
|
Musik: Sampson, Edgar |
|
|
|
The Online Discographical Project |
|
COVER. Original filtern. |
Modern 643 |
|
Central Avenue Blues |
➧ |
V |
|
Crayton, Pee Wee |
|
|
1947 |
2:44 |
Los Angeles |
|
|
MM-925-3 |
|
|
|
|
|
|
Musik: Crayton/taub |
|
|
|
Global Dog Prod. |
|
|
Modern 643 |
|
Texas Hop |
➧ |
V |
|
Crayton, Pee Wee |
|
|
1948 |
2:43 |
Los Angeles |
|
|
MM-924-1 |
|
|
|
| Sampler0802 |
|
Musik: Crayton, Pee Wee/Text: Taub, Jules |
|
|
|
www.musiktiteldb.de |
|
ORIGINAL. Cover filtern. |
Modern 644 |
|
686 Blues |
|
|
|
Banks And His Buddies |
|
|
1948 |
|
|
|
|
|
|
|
|
|
|
|
Musik: Banks/taub |
|
|
|
The Online Discographical Project |
|
|
Modern 644 |
|
East Side Boogie |
|
|
|
Banks And His Buddies |
|
|
1948 |
|
|
|
|
|
|
|
|
|
|
|
Musik: Banks/taub |
|
|
|
The Online Discographical Project |
|
|
Modern 645 |
|
Sailboat In The Moonlight |
|
V |
|
Brooks, Hadda |
|
|
1948 |
|
|
|
|
MM-961 |
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
Modern 645 |
|
Roses Of Picardy Boogie |
|
V |
|
Brooks, Hadda |
|
|
1948 |
|
|
|
|
MM-959 |
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
Modern 646 |
|
Going Home Blues |
|
|
|
McShann, Hootie |
|
|
1948 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
Modern 646 |
|
Drifting Blues |
|
|
|
McShann, Hootie |
|
|
1948 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
Modern 647 |
|
Can't Be Bothered With Love |
|
|
|
Grissom, Jimmie |
|
|
1948 |
|
Los Angeles |
|
|
MM-948=1 |
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
Modern 647 |
|
Just Call It The Blues |
|
|
|
Grissom, Jimmie |
|
|
1948 |
|
Los Angeles |
|
|
MM-946 |
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
Modern 649 |
|
I've Got My Love To Keep Me Warm |
|
V |
|
Brooks, Hadda |
|
|
1948 |
|
Los Angeles |
|
|
MM-960 |
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
Modern 649 |
|
Melody In "f" Boogie |
|
V |
|
Brooks, Hadda |
|
|
1948 |
|
Los Angeles |
|
|
MM-958 |
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
Modern 651 |
A |
Indiana |
➧ |
|
|
Previn, André |
|
|
1947 |
2:18 |
Pasadena |
|
|
MM-986 (M.M.-1-N) |
|
|
|
|
|
|
Musik: Macdonald/hanley |
|
|
|
The Online Discographical Project |
|
|
Modern 651 |
B |
Airmail Special |
|
|
|
Previn, André |
|
|
1947 |
|
Pasadena |
|
|
MM-4-N- |
|
|
|
|
|
|
Musik: Rusk/Godsen |
|
|
|
45cat |
|
|
Modern 652 |
A |
All The Things You Are |
➧ |
I |
|
Previn, André |
|
|
1947 |
3:51 |
Pasadena |
|
|
MM-987-N-2- |
|
582680 |
00343892736 |
| Album0999 |
|
Musik: Kern, Jerome/Text: Hammerstein II, Oscar |
|
|
|
www.ebay.de |
|
COVER. Original filtern. |
Modern 652 |
B |
Oh Lady Be Good |
|
|
|
Previn, André |
|
|
1947 |
|
Pasadena |
|
|
MM-989-N-3- |
|
490001 |
00129786629 |
|
|
|
Musik: Gershwin, George/Text: Gershwin, Ira |
|
|
|
www.ebay.de |
|
COVER. Original filtern. |
Modern 653 |
|
Dallas Blues |
|
|
|
Dixon, Floyd |
|
|
1949 |
|
Los Angeles |
|
|
MM-978 |
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
Modern 653 |
|
Helen |
|
|
|
Dixon, Floyd |
|
|
1949 |
|
Los Angeles |
|
|
MM-979 |
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
Modern 655 |
|
Sak-Ralation Blues |
|
|
|
Cotton, Sylvester |
|
|
1949 |
|
Los Angeles |
|
|
|
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
Modern 655 |
|
Ugly Woman Blues |
|
|
|
Cotton, Sylvester |
|
|
1949 |
|
Los Angeles |
|
|
|
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
Modern 656 |
|
Sleepy Time Gal |
|
|
|
Ebonaires, The |
|
|
1949 |
2:32 |
Los Angeles |
|
|
MM-974 |
|
641813 |
00009897247 |
| Sampler0793 |
|
Musik: Lorenzo, Ange/Whiting, Richard A./Text: Alden, Joseph R./Egan, Raymond B. |
|
|
|
The Online Discographical Project |
|
COVER. Original filtern. |
Modern 656 |
|
Song Of The Wanderer |
|
|
|
Ebonaires, The |
|
|
1948 |
2:50 |
Los Angeles |
|
|
MM-973 |
|
|
|
| Sampler0793 |
|
Musik + Text: Moret, Neil |
|
|
|
The Online Discographical Project |
|
|
Modern 657 |
|
Boogie Woogie Upstairs |
|
|
|
Wichard, Al (Sextet) |
|
|
1948 |
|
Los Angeles |
|
|
MM-963 |
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
Modern 657 |
|
Boogie Woogie Basement |
|
|
|
Wichard, Al (Sextet) |
|
|
1948 |
|
Los Angeles |
|
|
MM-962 |
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
Modern 658 |
|
Rock Island Blues |
|
V |
|
Crayton, Pee Wee |
|
|
1949 |
|
Los Angeles |
|
|
MM-872=1 |
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
Modern 658 |
|
When Darkness Falls |
|
V |
|
Crayton, Pee Wee |
|
|
1948 |
|
Los Angeles |
|
|
MM-927=2 |
|
|
|
|
|
Modern 675 |
|
|
|
|
The Online Discographical Project |
|
|
Modern 658 |
|
Bop Hop |
|
V |
|
Crayton, Pee Wee |
|
|
1949 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
Modern 659 |
|
Empty Bedroom Blues |
|
|
|
Sanders King |
|
|
1949 |
|
SF |
01.01.1949 |
|
MM-985 |
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
Modern 659 |
|
Imagination |
|
|
|
Sanders King |
|
|
1949 |
|
SF |
01.01.1949 |
|
MM-984 |
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
Modern 661 |
|
Rockola |
|
V |
|
Lutcher, Joe & His Band |
|
|
1949 |
|
Los Angeles |
|
|
MM-1005 |
|
|
|
|
|
|
|
|
|
|
45cat |
|
|
Modern 661 |
|
Pasadena Rhumboogie |
➧ |
V |
|
Lutcher, Joe & His Band |
|
|
1949 |
2:39 |
Los Angeles |
|
|
MM-1006 |
|
|
|
|
|
|
|
|
|
|
45cat |
|
|
Modern 662 |
|
Bewildered |
|
V |
|
Brooks, Hadda |
|
|
1949 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
Modern 663 |
|
Hoogie Boogie |
➧ |
V |
|
Hooker, John Lee |
|
|
1949 |
2:56 |
Detroit |
15.03.1949 |
|
MM-7039 |
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
Modern 663 |
|
Hobo Blues |
➧ |
V |
|
Hooker, John Lee |
|
|
1949 |
2:49 |
Detroit |
18.02.1949 |
|
|
|
|
|
| 6b0fd018 |
|
Musik: Besman, Bernard/Josea, Joe/Text: Hooker, John Lee |
|
|
|
Global Dog Prod. |
|
ORIGINAL. Cover filtern. |
Modern 664 |
|
Till I Grow Old |
|
|
|
Dixon, Floyd |
|
|
1949 |
|
Los Angeles |
|
|
MM-1019 |
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
Modern 664 |
|
That'll Get It |
|
|
|
Floyd Dixon Trio |
|
|
1949 |
|
Los Angeles |
01.01.1949 |
|
MM-998=5 |
|
|
|
|
|
|
Musik: Dixon |
|
|
|
The Online Discographical Project |
|
|
Modern 664 |
|
That'll Cut It |
|
|
|
Dixon, Floyd |
|
|
1949 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
Modern 665 |
|
Take Me Back Baby |
➧ |
V |
|
Witherspoon, Jimmy |
|
|
1948 |
2:41 |
Los Angeles |
|
|
MM-956 |
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
Modern 665 |
|
Jump Children |
➧ |
V |
|
Witherspoon, Jimmy |
|
|
1948 |
2:47 |
Los Angeles |
|
|
MM-955 |
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
Modern 666 |
|
We're Gonna Rock |
➧ |
V |
|
Moore, Bill |
|
|
1947 |
2:39 |
|
18.12.1947 |
|
D-823 |
|
|
|
|
|
Savoy 666 |
Musik + Text: Moore, William |
|
Bar. Sax.: „Williams, Paul“. |
|
YouTube |
|
|
Modern 666 |
|
Tinys Down Home |
|
|
|
Tiny Webb And His Guitar |
|
|
1949 |
|
|
|
|
1018-2 |
|
|
|
|
|
|
Musik: Webb, Tiny |
|
|
|
The Online Discographical Project |
|
|
Modern 667 |
|
Who's Heah |
|
|
|
Hogg, Smokey |
|
|
1949 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
Modern 667 |
|
Who's Heah! |
|
|
|
Hogg, Smokey |
|
|
1949 |
|
Los Angeles |
|
|
MM-1078 |
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
Modern 667 |
|
I'm Gonna Find Your Trick |
|
|
|
Hogg, Smokey |
|
|
1949 |
|
Los Angeles |
|
|
MM-1077 |
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
Modern 668 |
|
Rocky Mountain Blues |
|
|
|
Grissom, Jimmie |
|
|
1948 |
|
Los Angeles |
|
|
MM-947=3 |
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
Modern 668 |
|
Just Got Back |
|
|
|
Grissom, Jimmie |
|
|
1948 |
|
Los Angeles |
|
|
MM-945=2 |
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
Modern 669 |
A |
Jump Me Some Boogie |
|
|
|
Luke Jones Orchestra |
|
|
1949 |
|
Los Angeles |
|
|
1040-2 |
|
|
|
|
|
|
Musik: Jones |
|
|
|
The Online Discographical Project |
|
|
Modern 669 |
B |
Worried Life |
|
|
|
Red Mack With Luke Jones Orchestra |
|
|
1949 |
|
Los Angeles |
|
|
1038-2 |
|
|
|
|
|
|
Musik: (/) |
|
|
|
The Online Discographical Project |
|
|
Modern 670 |
A |
Mother-In-Law Blues |
|
|
|
Don Juan And His Guitar |
|
|
1949 |
|
|
|
|
B-673 |
|
|
|
|
|
|
Musik: (/) |
|
|
|
The Online Discographical Project |
|
|
Modern 671 |
|
Get On Board Little Children |
|
|
|
Prof. James Earle Hines |
|
|
1949 |
|
Los Angeles |
|
|
MM-1049=1 |
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
Modern 671 |
|
Daniel |
|
|
|
Prof. James Earle Hines |
|
|
1949 |
|
Los Angeles |
|
|
MM-1047=2 |
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
Modern 672 |
|
Mardi Gras |
|
V |
|
Lutcher, Joe |
|
|
1949 |
|
Los Angeles |
|
|
MM-1031 |
|
|
|
|
|
|
Musik + Text: Lutcher, Joe |
|
|
|
45cat |
|
|
Modern 672 |
|
Ojai |
|
|
|
Joe Lutcher And His Band |
|
|
1949 |
|
Los Angeles |
|
|
MM-1032 |
|
|
|
|
|
|
|
|
|
|
45cat |
|
|
Modern 674 |
A |
Rock And Roll |
➧ |
V |
|
Moore, Wild Bill |
|
|
1949 |
2:50 |
Los Angeles |
|
|
MM-1066=5 |
|
|
|
| YouTube |
|
|
|
|
|
The Online Discographical Project |
|
|
Modern 674 |
B |
Bright Light Blues |
|
V |
|
Moore, Wild Bill |
|
|
1949 |
|
Los Angeles |
|
|
MM-1068=1 |
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
Modern 675 |
|
When Darkness Falls |
|
V |
|
Crayton, Pee Wee |
|
|
1948 |
|
Los Angeles |
|
|
MM-927=2 |
|
|
|
|
|
Modern 658 |
|
|
|
|
The Online Discographical Project |
|
|
Modern 675 |
A |
Bop Hop, The |
|
V |
|
Crayton, Pee Wee |
|
|
1949 |
|
Los Angeles |
|
|
MM-1074=1 |
|
|
|
|
|
|
Musik: Crayton/taub |
|
|
|
The Online Discographical Project |
|
|
Modern 675 |
B |
I Love You So |
|
V |
|
Crayton, Pee Wee |
|
|
1948 |
|
Los Angeles |
|
|
MM-926 |
|
|
|
|
|
|
Musik: Crayton |
|
|
|
Global Dog Prod. |
|
|
Modern 676 |
|
Hungara |
|
V |
|
Brooks, Hadda (Trio) |
|
|
1949 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
Modern 676 |
|
Take Me |
|
V |
|
Brooks, Hadda (Trio) |
|
|
1949 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
Modern 677 |
|
Who's Been Jivin' With You |
|
V |
|
Witherspoon, Jimmy |
|
|
1949 |
|
Los Angeles |
|
|
MM-1070 |
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
Modern 677 |
|
Rain, Rain, Rain |
➧ |
V |
|
Witherspoon, Jimmy |
|
|
1949 |
2:45 |
Los Angeles |
|
|
MM-1071 |
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
Modern 680 |
|
Good For Nothing Joe |
➧ |
V |
|
Starr, Kay |
|
|
1949 |
3:24 |
Los Angeles |
04.08.1947 |
|
MM-1083 |
|
|
|
|
|
|
Musik: Rube Bloom / Ted Koehler |
|
“Just Jazz” |
|
The Online Discographical Project |
|
COVER. Original filtern. |
Modern 680 |
|
Ain't Misbehavin' |
➧ |
V |
|
Starr, Kay |
|
|
1969 |
1:54 |
Los Angeles |
04.08.1947 |
|
MM-1084 |
|
383008 |
00495567203 |
|
|
|
Musik: Brooks, Harry/Waller, Fats/Text: Razaf, Andy |
|
|
|
The Online Discographical Project |
|
COVER. Original filtern. |
Modern 684 |
|
Put Your Money Where Your Mouth Is |
|
|
|
Louis Barnett And His Boppers |
|
|
1949 |
|
Detroit |
|
|
B7057 |
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
Modern 684 |
|
Devil's Food Cake |
|
|
|
Louis Barnett And His Boppers |
|
|
1949 |
|
Detroit |
|
|
B7061 |
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
Modern 686 |
|
Midnight Whistle |
➧ |
|
|
Littlefield, Little Willie |
|
|
1949 |
2:52 |
Los Angeles |
01.10.1949 |
|
MM-1115 |
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
Modern 686 |
|
It's Midnight |
|
|
|
Littlefield, Little Willie |
|
|
1949 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
Modern 686 |
|
It's Midnight (No Place To Go) |
|
|
|
Littlefield, Little Willie |
|
|
1949 |
|
Los Angeles |
01.10.1949 |
|
MM-1116 |
|
|
|
|
|
|
Musik: Littlefield/taub |
|
|
|
The Online Discographical Project |
|
|
Modern 687 |
|
Primavera |
|
V |
|
Moore, Wild Bill |
|
|
1949 |
|
Los Angeles |
|
|
MM-1114=2 |
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
Modern 687 |
|
Double Bubble |
|
V |
|
Moore, Wild Bill |
|
|
1949 |
|
Los Angeles |
|
|
MM-1065=1 |
|
|
|
|
|
|
Musik: Moore, Bill |
|
|
|
The Online Discographical Project |
|
|
Modern 688 |
|
Whistlin And Moanin Blues |
|
V |
|
Hooker, John Lee |
|
|
1949 |
|
Detroit |
01.09.1949 |
|
|
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
Modern 688 |
|
Weeping Willow |
|
V |
|
Hooker, John Lee |
|
|
1949 |
|
Detroit |
01.09.1949 |
|
|
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
Modern 688 |
|
Whistlin' And Moanin' Blues |
➧ |
V |
|
Hooker, John Lee |
|
|
1949 |
3:08 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
Modern 689 |
|
I'll Never Know Why |
|
V |
|
Brooks, Hadda (Trio) |
|
|
1949 |
|
Los Angeles |
|
|
MM-724-6 |
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
Modern 689 |
|
When Your Lover Has Gone (V. Charles Brown) |
|
|
|
Johnny Moore's Three Blazers |
|
|
1949 |
|
Los Angeles |
|
|
MM-1075 |
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
Modern 690 |
|
Heavenly Highway |
|
|
|
Prof. James Earle Hines |
|
|
1949 |
|
Los Angeles |
|
|
MM-1058=1 |
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
Modern 690 |
|
Precious Lord |
|
|
|
Prof. James Earle Hines |
|
|
1949 |
|
Los Angeles |
|
|
MM-1060=1 |
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
Modern 691 |
|
Hightower Drive |
|
|
|
Turner, Big Joe |
|
|
1949 |
|
Los Angeles |
|
|
MM-822A |
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
Modern 691 |
|
Don't Talk Me To Death |
|
|
|
Turner, Big Joe |
|
|
1949 |
|
Los Angeles |
|
|
MM-1113 |
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
Modern 692 |
|
Someone To Watch Over Me |
➧ |
I |
|
Garner, Erroll |
|
|
1949 |
3:16 |
Los Angeles |
29.04.1947 |
|
MM-1134 |
|
|
|
|
|
|
Musik + Text: Gershwin, George/Gershwin, Ira |
|
Trio |
|
The Online Discographical Project |
|
COVER. Original filtern. |
Modern 692 |
|
Tenderly |
|
I |
|
Garner, Erroll (Trio) |
|
|
1947 |
3:04 |
Los Angeles |
29.04.1947 |
|
MM-1133 |
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
Modern 693 |
|
Strange Land |
|
|
|
Hawkins, Roy |
|
|
1949 |
|
Los Angeles |
|
|
MM-1151 |
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
Modern 693 |
|
Quarter To One |
|
|
|
Hawkins, Roy |
|
|
1949 |
|
Los Angeles |
|
|
MM-1150 |
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
Modern 695 |
A |
Body And Soul (Part 1) |
|
|
|
Gene Norman's Jazz |
|
|
1949 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
Modern 695 |
B |
Body And Soul (Part 2) |
|
|
|
Gene Norman's Jazz |
|
|
1949 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
Modern 696 |
|
Just You, Just Me |
|
|
|
Gene Norman's Just Jazz |
|
|
1947 |
|
Los Angeles |
29.04.1947 |
|
MM-1002 |
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
Modern 699 |
|
When I Had Money |
|
V |
|
Witherspoon, Jimmy |
|
|
1949 |
|
Los Angeles |
|
|
MM-1072 |
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
Modern 699 |
|
Sweet Lovin' Baby |
➧ |
V |
|
Witherspoon, Jimmy |
|
|
1948 |
2:31 |
Los Angeles |
15.01.1948 |
|
MM-803 |
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
Modern 700 |
|
Drifting Blues |
|
|
|
Floyd Dixon's Trio |
|
|
1947 |
|
Los Angeles |
06.01.1947 |
|
MM-996-4 |
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
Modern 700 |
|
Mississippi Blues |
|
|
|
Dixon, Floyd |
|
|
1949 |
|
Los Angeles |
15.05.1949 |
|
MM-1132-2 |
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
Modern 700 |
|
Drafting Blues |
|
|
|
Dixon, Floyd |
|
|
1949 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
Modern 704 |
|
Little School Girl |
|
|
|
Hogg, Smokey |
|
|
1947 |
|
|
10.12.1947 |
|
MM-755=1 |
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
Modern 704 |
|
Suitcase Blues |
|
|
|
Hogg, Smokey |
|
|
1947 |
|
|
10.12.1947 |
|
MM-977=2 |
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
Modern 705 |
|
It's Too Late To Change |
|
|
|
Hawkins, Roy |
|
|
1949 |
|
Los Angeles |
01.10.1949 |
|
MM-1178 |
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
Modern 705 |
|
West Express |
|
|
|
Hawkins, Roy |
|
|
1949 |
|
Los Angeles |
01.10.1949 |
|
MM-1179 |
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
Modern 707 |
A |
Long After Hours |
|
V |
|
Crayton, Pee Wee |
|
|
1949 |
|
Los Angeles |
01.09.1949 |
|
1162-AS |
|
|
|
|
|
|
Musik: Crayton/taub |
|
|
|
Global Dog Prod. |
|
|
Modern 707 |
B |
Brand New Woman |
|
V |
|
Crayton, Pee Wee |
|
|
1949 |
|
Los Angeles |
01.08.1949 |
|
1147-3 |
(Mod20-) |
|
|
|
|
|
Musik: Crayton/taub |
|
|
|
Global Dog Prod. |
|
|
Modern 708 |
|
Joe's Lament |
|
|
|
Joe Lutcher & His Orchestra |
|
|
1949 |
|
Los Angeles |
|
|
MM-1175=2 |
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
Modern 708 |
|
Foothill Drive |
|
V |
|
Lutcher, Joe & His Band |
|
|
1949 |
|
Los Angeles |
|
|
MM-1174=4 |
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
Modern 709 |
|
Farewell |
➧ |
|
|
Littlefield, Little Willie |
|
|
1949 |
2:53 |
Los Angeles |
01.07.1949 |
|
MM-1144 |
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
Modern 709 |
|
Drinkin' Hadacol |
➧ |
|
|
Littlefield, Little Willie |
|
|
1949 |
2:42 |
Los Angeles |
01.03.1949 |
|
MM-1117 |
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
Modern 710 |
A |
Gonna Write You A Letter |
|
|
|
Thomas, Jesse |
|
|
1949 |
|
Los Angeles |
01.11.1949 |
|
MM-1187-4 |
|
|
|
|
|
|
Musik: Thomas |
|
|
|
Global Dog Prod. |
|
|
Modern 710 |
B |
Texas Blues |
|
|
|
Thomas, Jesse |
|
|
1949 |
|
Los Angeles |
01.11.1949 |
|
MM-1190 |
|
|
|
|
|
|
Musik + Text: Thomas, Jesse |
|
|
|
Global Dog Prod. |
|
|
Modern 712 |
|
What Is This Thing Called Love |
|
V |
|
Starr, Kay |
|
|
1969 |
|
Los Angeles |
04.08.1947 |
|
MM-1085 |
|
730930 |
00058855632 |
|
|
|
Musik + Text: Porter, Cole |
|
|
|
The Online Discographical Project |
|
COVER. Original filtern. |
Modern 712 |
|
Them There Eyes |
➧ |
V |
|
Starr, Kay |
|
|
1947 |
1:51 |
Los Angeles |
04.08.1947 |
|
MM-1086 |
|
|
|
|
|
|
Musik: Pinkard, Maceo/Tauber, Doris/Text: Tracey, William |
|
|
|
The Online Discographical Project |
|
COVER. Original filtern. |
Modern 713 |
|
Anna Lucasta |
|
V |
|
Brooks, Hadda |
|
|
1947 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
Modern 713 |
|
Always |
|
V |
|
Brooks, Hadda |
|
|
1949 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
Modern 714 |
A |
Crawlin King Snake |
➧ |
V |
|
Hooker, John Lee |
|
|
1949 |
2:43 |
Detroit |
18.02.1949 |
|
B-7012 |
|
|
|
|
|
|
Musik: Hooker |
|
|
|
The Online Discographical Project |
|
|
Modern 714 |
B |
Drifting From Door To Door |
➧ |
V |
|
Hooker, John Lee |
|
|
1949 |
3:05 |
Detroit |
18.02.1949 |
|
|
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
Modern 715 |
|
I Gotta Guy |
|
|
|
Little Esther & Otis, Johnny & His Orchestra |
|
|
1949 |
|
Los Angeles |
|
|
|
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
Modern 715 |
|
Thursday Night Blues |
|
|
|
Little Esther & Otis, Johnny & His Orchestra |
|
|
1949 |
|
Los Angeles |
|
|
|
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
Modern 716 |
|
Merry Xmas |
➧ |
|
|
Littlefield, Little Willie |
|
|
1949 |
2:58 |
Los Angeles |
15.10.1949 |
|
MM-1221-1 |
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
Modern 716 |
|
Come On Baby |
➧ |
|
|
Littlefield, Little Willie |
|
|
1949 |
2:47 |
Los Angeles |
07.01.1949 |
|
MM-1143 |
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
Modern 719 |
|
Old Fashioned Baby |
|
V |
|
Crayton, Pee Wee |
|
|
1949 |
|
Los Angeles |
15.10.1949 |
|
MM-1224=3 |
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
Modern 719 |
|
Bounce Pee Wee |
|
V |
|
Crayton, Pee Wee |
|
|
1947 |
|
Los Angeles |
04.01.1947 |
|
MM-866 |
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
Modern 720 |
|
Mistreatin' Baby |
|
|
|
Hawkins, Roy |
|
|
1949 |
|
Los Angeles |
11.01.1949 |
|
1233-3 |
|
|
|
|
|
|
Musik: Hawkins |
|
|
|
Global Dog Prod. |
|
|
Modern 720 |
|
Sleepless Nights |
|
|
|
Hawkins, Roy |
|
|
1949 |
|
Los Angeles |
11.01.1949 |
|
1230-4 |
|
|
|
|
|
|
Musik: Hawkins/geddins |
|
|
|
Global Dog Prod. |
|
|
Modern 721 |
|
Big Fine Girl |
➧ |
V |
|
Witherspoon, Jimmy |
|
|
1949 |
2:27 |
Pasadena, CA |
09.05.1949 |
|
MM-1135 |
|
|
|
|
|
|
Musik + Text: Witherspoon, Jimmy |
|
|
|
The Online Discographical Project |
|
ORIGINAL. Cover filtern. |
Modern 721 |
|
No Rollin' Blues |
➧ |
V |
|
Witherspoon, Jimmy |
|
|
1949 |
3:24 |
Pasadena, CA |
09.05.1949 |
|
MM-1136 |
|
|
|
|
|
|
Musik: Witherspoon, Jimmy |
|
|
|
Global Dog Prod. |
|
|
Modern 722 |
|
Up And Down Blues |
➧ |
V |
|
McCracklin, Jimmy |
|
|
1949 |
3:04 |
Oakland |
11.01.1949 |
|
MM-1240=2 |
|
|
|
| Album2344 |
|
Musik + Text: McCracklin, Jimmy |
|
|
|
www.musiktiteldb.de |
|
|
Modern 722 |
|
Beer Drinkin' Woman |
➧ |
V |
|
McCracklin, Jimmy |
|
|
1949 |
3:00 |
Oakland |
11.01.1949 |
|
MM-1239=1 |
|
912715 |
00353326378 |
| Album2344 |
|
Musik + Text: Chatman, Peter |
|
|
|
The Online Discographical Project |
|
COVER. Original filtern. |
Modern 723 |
|
Early Morning Stroll |
|
|
|
Vivianne Greene |
|
|
1949 |
|
Los Angeles |
11.01.1949 |
|
MM-1243 |
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
Modern 723 |
|
Tonight You're Mine |
|
|
|
Vivianne Greene |
|
|
1949 |
|
Los Angeles |
11.01.1949 |
|
MM-1241 |
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
Modern 724 |
|
Milky White Way |
|
|
|
Dixon, Floyd |
|
|
1949 |
|
Los Angeles |
11.01.1949 |
|
MM-1246=3 |
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
Modern 724 |
|
Precious Lord |
|
|
|
Dixon, Floyd |
|
|
1949 |
|
Los Angeles |
11.01.1949 |
|
MM-1245=2 |
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
Modern 725 |
|
Forever And Ever |
|
|
|
Dixon, Floyd |
|
|
1949 |
|
Los Angeles |
15.12.1949 |
|
MM-1252-1 |
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
Modern 725 |
|
Cow Town |
|
|
|
Dixon, Floyd |
|
|
1949 |
|
Los Angeles |
15.12.1949 |
|
MM-1251-1 |
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
Modern 726 |
|
Moon Is Rising, The |
➧ |
|
|
Littlefield, Little Willie |
|
|
1949 |
2:44 |
Los Angeles |
15.10.1949 |
|
MM-1220-3 |
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
Modern 726 |
|
Frightened |
➧ |
|
|
Littlefield, Little Willie |
|
|
1949 |
2:50 |
Los Angeles |
15.12.1949 |
|
MM-1255-2 |
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
Modern 727 |
|
Roamin' Around |
|
|
|
Dixon, Floyd |
|
|
1949 |
|
Los Angeles |
01.01.1950 |
|
MM-1273=6 |
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
Modern 727 |
|
Gloomy Baby |
|
|
|
Dixon, Floyd |
|
|
1949 |
|
Los Angeles |
01.01.1950 |
|
MM-1271=1 |
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
Modern 728 |
A |
Deceiving Blues |
|
V |
|
McCracklin, Jimmy & His Blues Blasters |
|
|
1949 |
|
Los Angeles |
11.01.1949 |
|
MM-1238-2 |
|
|
|
|
|
|
Musik + Text: McCracklin, Jimmy |
|
|
|
Blues & Gospel Records 1890-1943 |
|
|
Modern 728 |
B |
I Think My Time Is Here |
➧ |
V |
|
McCracklin, Jimmy & His Blues Blasters |
|
|
1949 |
3:02 |
Los Angeles |
11.01.1949 |
|
MM-1237-2 |
|
|
|
| Album2344 |
|
Musik + Text: McCracklin, Jimmy |
|
|
|
Blues & Gospel Records 1890-1943 |
|
|
Modern 729 |
A |
Rockin' Chair Mama |
➧ |
|
|
Littlefield, Little Willie |
|
|
1949 |
2:46 |
Los Angeles |
02.01.1950 |
|
MM-1283=2 |
|
|
|
|
|
|
Musik: Littlefield |
|
|
|
Global Dog Prod. |
|
|
Modern 729 |
B |
Your Love Wasn't So |
|
|
|
Littlefield, Little Willie |
|
|
1949 |
|
Los Angeles |
11.01.1949 |
|
MM-1227=2 |
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
Modern 730 |
|
Playin' The Races |
➧ |
V |
|
Hooker, John Lee |
|
|
1950 |
3:10 |
Detroit |
27.02.1950 |
|
|
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
Modern 730 |
|
I'm A Howlin' Wolf |
|
V |
|
Hooker, John Lee |
|
|
1950 |
|
Detroit |
|
|
|
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
Modern 731 |
|
I'll Get Along Somehow |
|
V |
|
Johnny Moore's Three Blazers feat. Brown, Charles |
|
|
1946 |
3:12 |
Los Angeles |
|
|
MM-132 |
|
465051 |
00003915803 |
| Album2715 |
|
Musik + Text: Fields, Buddy/Marks, Gerald |
|
|
|
www.musiktiteldb.de |
|
|
Modern 731 |
|
What Do You Know About Love |
|
V |
|
Johnny Moore's Three Blazers feat. Brown, Charles |
|
|
1950 |
3:12 |
Los Angeles |
|
|
MM-132-B2 |
|
|
|
|
|
Modern 768 |
|
|
|
|
Global Dog Prod. |
|
|
Modern 732 |
|
Please Come Back |
|
V |
|
Crayton, Pee Wee |
|
|
1948 |
|
Los Angeles |
02.01.1950 |
|
MM-1294=1 |
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
Modern 732 |
|
Rockin' The Blues |
|
V |
|
Crayton, Pee Wee |
|
|
1948 |
|
Los Angeles |
02.01.1950 |
|
MM-1297=3 |
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
Modern 733 |
|
See See Rider |
|
|
|
Phillips, Gene & McVea, Jack |
|
|
1950 |
|
Los Angeles |
|
|
|
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
Modern 733 |
|
Slippin' And Slidin' |
|
|
|
Phillips, Gene & McVea, Jack |
|
|
1950 |
|
Los Angeles |
|
|
|
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
Modern 734 |
|
Why Do Things Happen To Me |
|
|
|
Hawkins, Roy |
|
|
1950 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
Modern 734 |
|
Why Do Everything Happen To Me |
|
|
|
Hawkins, Roy |
|
|
1950 |
|
Los Angeles |
02.01.1950 |
|
MM-1288=3 |
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
Modern 734 |
|
Royal Hawk |
|
|
|
Hawkins, Roy |
|
|
1950 |
|
Los Angeles |
02.01.1950 |
|
MM-1289 |
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
Modern 735 |
|
What More Can A Woman Do |
|
|
|
Hogg, Smokey |
|
|
1950 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
Modern 735 |
|
What More Can A Women Do |
|
|
|
Hogg, Smokey |
|
|
1947 |
|
Houston |
22.11.1947 |
|
MM-723=4 |
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
Modern 735 |
|
Everybody Got A Racket |
|
|
|
Hogg, Smokey |
|
|
1947 |
|
Houston |
10.12.1947 |
|
MM-753=2 |
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
Modern 736 |
|
Rag Mop |
|
|
|
Lutcher, Joe & His Orchestra |
|
|
1950 |
|
Los Angeles |
|
|
MM-1303 |
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
Modern 736 |
|
Beige Room |
|
|
|
Lutcher, Joe & His Orchestra |
|
|
1950 |
|
Los Angeles |
|
|
MM-1302 |
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
Modern 737 |
|
Drinkin' Beer |
|
V |
|
Witherspoon, Jimmy |
|
|
1950 |
|
Los Angeles |
02.01.1950 |
|
MM-1298 |
|
|
|
|
|
|
Musik: (/) |
|
|
|
The Online Discographical Project |
|
|
Modern 737 |
|
Hard Workin Blues |
|
V |
|
Witherspoon, Jimmy |
|
|
1950 |
|
Los Angeles |
02.01.1950 |
|
MM-1301 |
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
Modern 739 |
|
A Charge To Keep I Have |
|
|
|
Echoes Of Zion |
|
|
1950 |
|
Los Angeles |
02.01.1950 |
|
MM-1307 |
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
Modern 739 |
|
Those Chiming Bells |
|
|
|
Echoes Of Zion |
|
|
1950 |
|
Los Angeles |
02.01.1950 |
|
MM-1306 |
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
Modern 740 |
|
Read The Good Book |
➧ |
V |
|
King, Saunders |
|
|
1950 |
2:47 |
SF |
17.02.1950 |
|
MM-1309 |
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
Modern 740 |
|
Danny Boy |
➧ |
V |
|
King, Saunders |
|
|
1950 |
2:43 |
SF |
17.02.1950 |
|
MM-1308 |
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
Modern 741 |
|
Gotta Cut Out |
|
V |
|
McCracklin, Jimmy |
|
|
1949 |
2:30 |
Oakland |
|
|
MM-1290-5 |
|
|
|
| Album2344 |
|
Musik + Text: McCracklin, Jimmy |
|
|
|
www.musiktiteldb.de |
|
|
Modern 741 |
|
Bad Health Blues |
|
V |
|
McCracklin, Jimmy |
|
|
1949 |
3:27 |
Oakland |
|
|
MM-1292-1 |
|
|
|
| Album2344 |
|
Musik + Text: McCracklin, Jimmy |
|
|
|
www.musiktiteldb.de |
|
|
Modern 742 |
|
Some Rainy Day |
|
V |
|
Crayton, Pee Wee |
|
|
1950 |
|
Los Angeles |
02.01.1950 |
|
MM-1332=5 |
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
Modern 742 |
|
Huckle Boogie |
|
V |
|
Crayton, Pee Wee |
|
|
1950 |
|
Los Angeles |
02.01.1950 |
|
MM-1335=5 |
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
Modern 743 |
|
I Wonder What The Poor Folks Do |
|
|
|
Phillips, Gene |
|
|
1950 |
|
Los Angeles |
01.01.1950 |
|
MM-1277 |
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
Modern 743 |
|
To Each His Own |
|
|
|
Phillips, Gene & McVea, Jack |
|
|
1950 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
Modern 743 |
|
To Each His Own, Brother |
➧ |
|
|
Phillips, Gene |
|
|
1950 |
2:40 |
Los Angeles |
15.03.1950 |
|
MM-1322 |
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
Modern 744 |
|
Shuffle Boogie |
|
|
|
Dixon, Floyd |
|
|
1950 |
|
Los Angeles |
15.03.1950 |
|
MM-1329-4 |
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
Modern 744 |
|
People Like Me |
|
|
|
Dixon, Floyd |
|
|
1950 |
|
Los Angeles |
15.03.1950 |
|
MM-1326=4 |
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
Modern 744 |
|
Shuffle Blues |
|
|
|
Dixon, Floyd |
|
|
1950 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
Modern 745 |
A |
Better Luck Next Time (Part 1) |
|
V |
|
Witherspoon, Jimmy |
|
|
1950 |
|
Los Angeles |
02.01.1950 |
|
MM-1299-1A |
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
Modern 745 |
B |
Better Luck Next Time (Part 2) |
|
V |
|
Witherspoon, Jimmy |
|
|
1950 |
|
Los Angeles |
02.01.1950 |
|
MM-1299-2B |
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
Modern 746 |
|
Evening |
|
V |
|
Hooker, John Lee |
|
|
1950 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
Modern 746 |
|
No Friend Around |
➧ |
V |
|
Hooker, John Lee |
|
|
1950 |
2:57 |
Detroit |
|
|
|
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
Modern 746 |
|
Wednesday Evening |
➧ |
V |
|
Hooker, John Lee |
|
|
1950 |
2:58 |
Detroit |
27.02.1950 |
|
|
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
Modern 747 |
|
Tell Me Baby |
➧ |
|
|
Littlefield, Little Willie |
|
|
1950 |
2:50 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
Modern 747 |
|
Why Leave Me Alone |
|
|
|
Littlefield, Little Willie |
|
|
1950 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
Modern 747 |
|
Tell Me, Baby |
|
|
|
Littlefield, Little Willie |
|
|
1949 |
|
Los Angeles |
11.01.1949 |
|
MM-1226-3 |
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
Modern 747 |
|
Why Leave Me All Alone |
➧ |
|
|
Littlefield, Little Willie |
|
|
1949 |
3:11 |
Los Angeles |
15.12.1949 |
|
MM-1256-2 |
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
Modern 748 |
|
Good Old Blues |
|
|
|
Little Esther & Otis, Johnny & His Orchestra |
|
|
1950 |
|
Los Angeles |
|
|
|
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
Modern 748 |
|
Mean Old Gal |
|
|
|
Little Esther & Otis, Johnny & His Orchestra |
|
|
1950 |
|
Los Angeles |
|
|
|
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
Modern 749 |
|
Walkin' Boogie |
|
|
|
Bubber Cyphers |
|
|
1950 |
|
Los Angeles |
04.01.1950 |
|
MM-1336 |
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
Modern 749 |
|
I Need You |
|
|
|
Bubber Cyphers |
|
|
1950 |
|
Los Angeles |
04.01.1950 |
|
MM-1337 |
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
Modern 750 |
|
Wrong Doin' Woman |
|
|
|
Fritz, Joe |
|
|
1950 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
Modern 750 |
A |
If I Be Lucky |
|
|
|
Fritz, Joe |
|
|
1950 |
|
Los Angeles |
04.01.1950 |
|
MM-1338 |
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
Modern 750 |
B |
Wrong Doing Mama |
|
|
|
Joe |
|
|
1950 |
|
Los Angeles |
04.01.1950 |
|
MM-1339 |
|
|
|
|
|
|
Musik: Fritz |
|
Papoose |
|
The Online Discographical Project |
|
|
Modern 751 |
|
Boogie All Night Long |
|
|
|
Lillie Greenwood |
|
|
1950 |
|
Los Angeles |
04.01.1950 |
|
MM-1344-5 |
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
Modern 751 |
|
Heart Full Of Pain |
|
|
|
Greenwood, Lil |
|
|
1950 |
|
Los Angeles |
04.01.1950 |
|
MM-1346-3 |
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
Modern 752 |
|
On My Way |
|
|
|
Hawkins, Roy |
|
|
1950 |
|
Los Angeles |
02.01.1950 |
|
MM-1287-2 |
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
Modern 752 |
|
Where You Been |
|
|
|
Hawkins, Roy |
|
|
1950 |
|
Los Angeles |
02.01.1950 |
|
MM-1286-2 |
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
Modern 753 |
A |
This Is My Story |
|
|
|
Fisher, Herb |
|
|
1950 |
|
Los Angeles |
04.01.1950 |
|
1340-3 |
|
|
|
|
|
|
Musik: Fisher |
|
|
|
Global Dog Prod. |
|
|
Modern 753 |
B |
I'm Yours To Keep |
|
|
|
Fisher, Herb |
|
|
1950 |
|
Los Angeles |
04.01.1950 |
|
1342-3 |
|
|
|
|
|
|
Musik: Fisher |
|
|
|
Global Dog Prod. |
|
|
Modern 754 |
A |
Happy Pay Day |
|
|
|
Littlefield, Little Willie |
|
|
1950 |
|
Los Angeles |
06.01.1950 |
|
MM-1376=2 |
|
|
|
|
|
|
Musik: Holmes |
|
|
|
Global Dog Prod. |
|
|
Modern 754 |
B |
Cheerful Baby |
|
|
|
Littlefield, Little Willie |
|
|
1950 |
|
Los Angeles |
06.01.1950 |
|
MM-1375=3 |
|
|
|
|
|
|
Musik: Littlefield/taub |
|
|
|
Global Dog Prod. |
|
|
Modern 755 |
|
People Have Money |
|
|
|
Fisher, Herb |
|
|
1950 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
Modern 755 |
|
People Who Have Money Are Funny |
|
|
|
Herb Fisher And His Trio |
|
|
1950 |
|
Los Angeles |
04.01.1950 |
|
MM-1343=3 |
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
Modern 755 |
|
They'll Be Here |
|
|
|
Fisher, Herb |
|
|
1950 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
Modern 755 |
|
They'll Be There |
|
|
|
Herb Fisher And His Trio |
|
|
1950 |
|
Los Angeles |
04.01.1950 |
|
MM-1341=4 |
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
Modern 756 |
|
You Can't Go Back Home |
|
|
|
Phillips, Gene |
|
|
1950 |
|
Los Angeles |
01.01.1950 |
|
MM-1279 |
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
Modern 756 |
|
Woman, Woman, Woman |
|
|
|
Phillips, Gene |
|
|
1950 |
|
Los Angeles |
15.03.1950 |
|
MM-1325 |
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
Modern 757 |
|
Ain't Gonna Cry |
|
|
|
Greenwood, Lil |
|
|
1950 |
|
Los Angeles |
|
|
|
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
Modern 757 |
|
Come Back Baby |
|
|
|
Greenwood, Lil |
|
|
1950 |
|
Los Angeles |
|
|
|
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
Modern 758 |
|
You're Gonna Look Like A Monkey |
|
|
|
Hogg, Smokey |
|
|
1950 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
Modern 758 |
|
Way You Treat Me, The |
|
|
|
Hogg, Smokey |
|
|
1950 |
|
Los Angeles |
17.02.1950 |
|
MM-1310=3 |
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
Modern 758 |
|
You Gonna Look Like A Monkey |
|
|
|
Hogg, Smokey |
|
|
1950 |
|
Los Angeles |
17.02.1950 |
|
MM-1311=1 |
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
Modern 759 |
|
My Pal |
|
|
|
Sister Littleton |
|
|
|
|
Los Angeles |
|
|
MM-1355 |
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
Modern 759 |
|
Dark Hour Of Distress |
|
|
|
Sister Littleton |
|
|
|
|
Los Angeles |
|
|
MM-1356 |
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
Modern 761 |
|
I'll Be Lonely |
|
|
|
Dixon, Floyd |
|
|
1950 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
Modern 761 |
|
It's Getting Foggy |
|
|
|
Dixon, Floyd |
|
|
1950 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
Modern 761 |
A |
Ill Be Lonely |
|
|
|
Floyd Dixon Trio |
|
|
1950 |
|
Los Angeles |
15.03.1950 |
|
MM-1327-2 |
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
Modern 761 |
B |
Its Getting Foggy |
|
|
|
Floyd Dixon Trio |
|
|
1950 |
|
Los Angeles |
01.01.1950 |
|
MM-1270-1 |
|
|
|
|
|
|
Musik: Dixon/taub |
|
|
|
The Online Discographical Project |
|
|
Modern 762 |
|
Just Won't Let Her Go |
|
V |
|
McCracklin, Jimmy |
|
|
1949 |
2:58 |
Oakland |
11.01.1949 |
|
MM-1235=2 |
|
|
|
| Album2344 |
|
Musik + Text: McCracklin, Jimmy |
|
|
|
www.musiktiteldb.de |
|
|
Modern 762 |
|
Rockin' All Day |
|
V |
|
McCracklin, Jimmy |
|
|
1949 |
2:43 |
Oakland |
11.01.1949 |
|
MM-1236=2 |
|
|
|
| 4011222232373 |
|
Musik + Text: McCracklin, Jimmy |
|
|
|
www.musiktiteldb.de |
|
|
Modern 763 |
|
Louella Brown |
|
V |
|
Crayton, Pee Wee |
|
|
1950 |
|
|
02.01.1950 |
|
MM-1295=1 |
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
Modern 763 |
|
Answer To Blues After Hours |
|
V |
|
Crayton, Pee Wee |
|
|
1950 |
|
|
08.01.1950 |
|
MM-1349 |
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
Modern 764 |
A |
Don't Ever Move A Woman Into Your House |
➧ |
V |
|
Witherspoon, Jimmy |
|
|
1950 |
2:51 |
Los Angeles |
02.01.1950 |
|
MM-1300-2 |
|
|
|
|
|
|
Musik: (/) |
|
|
|
Global Dog Prod. |
|
|
Modern 764 |
B |
Doctor Blues |
➧ |
V |
|
Witherspoon, Jimmy |
|
|
1948 |
2:11 |
Los Angeles |
15.12.1947 |
|
MM-1073 |
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
Modern 765 |
|
My Temper Is Risin' |
|
|
|
Hawkins, Roy |
|
|
1950 |
|
Los Angeles |
22.05.1950 |
|
MM-1365=1 |
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
Modern 765 |
|
Wine Drinkin Woman |
|
|
|
Hawkins, Roy |
|
|
1950 |
|
Los Angeles |
22.05.1950 |
|
MM-1367=1 |
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
Modern 766 |
|
Lazy Boogie |
➧ |
V |
|
Brooks, Hadda |
|
|
1950 |
3:00 |
Los Angeles |
|
|
|
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
Modern 766 |
|
Can You Look Me In The Eye |
|
V |
|
Brooks, Hadda |
|
|
1950 |
|
Los Angeles |
|
|
|
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
Modern 767 |
|
Give Me Your Phone Number |
➧ |
V |
|
Hooker, John Lee |
|
|
1950 |
2:49 |
Detroit |
|
|
|
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
Modern 767 |
|
Rock And Roll |
|
V |
|
Hooker, John Lee |
|
|
1950 |
|
Detroit |
|
|
|
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
Modern 768 |
|
Nutmeg |
➧ |
V |
|
Brown, Charles |
|
|
1950 |
2:55 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
www.musiktiteldb.de |
|
|
Modern 768 |
|
What Do You Know About Love |
|
V |
|
Johnny Moore's Three Blazers feat. Brown, Charles |
|
|
1950 |
3:12 |
Los Angeles |
|
|
MM-132-B2 |
|
|
|
|
|
Modern 731 |
|
|
|
|
Global Dog Prod. |
|
|
Modern 769 |
|
This Time We're Through |
|
V |
|
Brooks, Hadda |
|
|
1950 |
|
Los Angeles |
|
|
|
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
Modern 769 |
|
Linger Awhile |
|
V |
|
Brooks, Hadda |
|
|
1950 |
|
Los Angeles |
|
|
|
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
Modern 770 |
|
You Brought It On Yourself |
|
|
|
Hogg, Smokey |
|
|
1950 |
|
Los Angeles |
06.01.1950 |
|
MM-1398=1 |
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
Modern 770 |
|
Classification Blues |
|
|
|
Hogg, Smokey |
|
|
1950 |
|
Los Angeles |
06.01.1950 |
|
MM-1396=1 |
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
Modern 771 |
|
I'm Going Crazy |
|
|
|
Greenwood, Lil |
|
|
1950 |
|
Los Angeles |
07.01.1950 |
|
MM-1402=1 |
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
Modern 771 |
|
Dissatisfied Blues |
|
|
|
Greenwood, Lil |
|
|
1950 |
|
Los Angeles |
07.01.1950 |
|
MM-1403=4 |
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
Modern 772 |
|
Failing By Degrees |
➧ |
V |
|
Witherspoon, Jimmy |
|
|
1950 |
3:10 |
Los Angeles |
07.01.1950 |
|
1406-GN |
|
|
|
|
|
|
Musik: Witherspoon "blues Jubilee" |
|
|
|
The Online Discographical Project |
|
|
Modern 772 |
|
New Orleans Woman |
➧ |
V |
|
Witherspoon, Jimmy |
|
|
1950 |
2:27 |
Los Angeles |
07.01.1950 |
|
1407-GN |
|
|
|
|
|
|
Musik: Witherspoon "blues Jubilee" |
|
|
|
Global Dog Prod. |
|
|
Modern 773 |
|
Too Many Women |
|
|
|
Broughton, Edna |
|
|
1950 |
|
Los Angeles |
|
|
|
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
Modern 773 |
|
Two Years Of Torture |
|
|
|
Broughton, Edna |
|
|
1950 |
|
Los Angeles |
|
|
|
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
Modern 774 |
|
Good Little Woman |
|
V |
|
Crayton, Pee Wee |
|
|
1950 |
|
Los Angeles |
04.01.1950 |
|
MM-1351=4 |
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
Modern 774 |
|
Dedicating The Blues |
|
V |
|
Crayton, Pee Wee |
|
|
1950 |
|
Los Angeles |
04.01.1950 |
|
MM-1352=5 |
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
Modern 775 |
|
Trouble All Around Me |
|
|
|
Littlefield, Little Willie |
|
|
1950 |
|
Los Angeles |
02.01.1950 |
|
MM-1282=4 |
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
Modern 775 |
|
Hit The Road |
|
|
|
Littlefield, Little Willie |
|
|
1950 |
|
Los Angeles |
02.01.1950 |
|
MM-1284=3 |
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
Modern 776 |
|
Baby Come Home |
|
|
|
Dixon, Floyd |
|
|
1950 |
|
Los Angeles |
15.03.1950 |
|
MM-1328=1 |
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
Modern 776 |
|
Play Boy Blues |
|
|
|
Dixon, Floyd |
|
|
1950 |
|
Los Angeles |
01.01.1950 |
|
MM-1272=4 |
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
Modern 777 |
|
You Had A Good Man |
|
|
|
Hawkins, Roy |
|
|
1950 |
|
Los Angeles |
22.05.1950 |
|
MM-1366=2 |
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
Modern 777 |
|
Just A Poor Boy |
|
|
|
Hawkins, Roy |
|
|
1950 |
|
Los Angeles |
22.05.1950 |
|
MM-1354=1 |
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
Modern 778 |
|
I've Got It Bad |
|
|
|
Champion, Mickey |
|
|
1950 |
|
Los Angeles |
08.01.1950 |
|
MM-1415 |
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
Modern 778 |
|
Everybody Knew It But Me |
|
|
|
Champion, Mickey |
|
|
1950 |
|
Los Angeles |
08.01.1950 |
|
MM-1416 |
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
Modern 779 |
A |
Million Dollar Secret |
➧ |
V |
|
Humes, Helen |
|
|
1950 |
3:12 |
Los Angeles |
08.01.1950 |
|
MM-1413 |
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
Modern 779 |
B |
I'm Gonna Let Him Ride |
➧ |
V |
|
Humes, Helen |
|
|
1950 |
1:48 |
Los Angeles |
08.01.1950 |
|
MM-1412 |
|
|
|
|
|
|
Musik: “blues Jubilee” |
|
|
|
Global Dog Prod. |
|
|
Modern 780 |
|
Looky Ploot |
➧ |
V |
|
Slay, Emitt |
|
Rhodes, Todd & His Toddlers |
1950 |
2:23 |
|
15.06.1950 |
|
B-8046 |
|
|
|
|
|
|
Musik + Text: Slay, Emitt |
|
|
|
The Online Discographical Project |
|
|
Modern 780 |
|
Belle Isle Boogie |
➧ |
I |
|
Rhodes, Todd & His Toddlers |
|
Rhodes, Todd & His Toddlers |
1950 |
3:03 |
|
15.06.1950 |
|
B-8044 |
|
|
|
|
|
|
Musik: Rhodes, Todd |
|
|
|
The Online Discographical Project |
|
|
Modern 781 |
|
You Never Miss A Good Woman |
|
|
|
Littlefield, Little Willie |
|
|
1950 |
|
Los Angeles |
15.12.1950 |
|
MM-1437=1 |
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
Modern 781 |
|
Ain't A Better Story Told |
|
|
|
Littlefield, Little Willie |
|
|
1950 |
|
Los Angeles |
15.12.1950 |
|
MM-1435=3 |
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
Modern 781 |
|
Ain't A Better Story |
|
|
|
Littlefield, Little Willie |
|
|
1950 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
Modern 782 |
A |
There Ain't Nothing Better |
|
V |
|
Witherspoon, Jimmy & His Gal Friday |
|
|
1950 |
|
Los Angeles |
08.01.1950 |
|
MM-1424-1 |
|
|
|
|
|
|
Musik: Szabo, Gabor/Text: Taub |
|
|
|
45cat |
|
|
Modern 782 |
B |
Just A Country Boy |
➧ |
V |
|
Witherspoon, Jimmy |
|
|
1950 |
3:06 |
Los Angeles |
08.01.1950 |
|
MM-1423-2 |
|
|
|
|
|
|
Musik: Szabo, Gabor/Text: Taub |
|
Titelschreibweise auf der Platte: „I'm Just A Country Boy“. |
|
45cat |
|
|
Modern 783 |
|
Possum Hunt |
|
|
|
Hogg, Smokey |
|
|
1950 |
|
Los Angeles |
06.01.1950 |
|
MM-1390=4 |
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
Modern 783 |
|
Let's Get Together And Drink Some Gin |
|
|
|
Hogg, Smokey |
|
|
1950 |
|
Los Angeles |
06.01.1950 |
|
MM-1393=1 |
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
Modern 784 |
|
Too Many Fish In The Sea |
|
|
|
Fisher, Herb |
|
|
1950 |
|
Los Angeles |
09.01.1950 |
|
MM-1427=7 |
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
Modern 784 |
|
Don't Take Me Away |
|
|
|
Fisher, Herb |
|
|
1950 |
|
Los Angeles |
09.01.1950 |
|
MM-1428=3 |
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
Modern 785 |
|
Merry Christmas |
|
|
|
Littlefield, Little Willie |
|
|
1950 |
|
Los Angeles |
|
|
MM-1221=1 |
Auch als Pseudonym oder Original, anderer Schreibweise auf „Modern 715“. Siehe auch: Bemerkung. |
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
Modern 785 |
|
Come On Baby |
➧ |
|
|
Littlefield, Little Willie |
|
|
1950 |
2:47 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
Modern 786 |
|
Trouble, Trouble |
|
|
|
Broughton, Edna |
|
|
1950 |
|
Los Angeles |
|
|
|
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
Modern 786 |
|
Ooh Wee Baby |
|
|
|
Broughton, Edna |
|
|
1950 |
|
Los Angeles |
|
|
|
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
Modern 787 |
|
White Christmas |
|
V |
|
Brooks, Hadda |
|
|
1950 |
|
Los Angeles |
|
|
|
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
Modern 787 |
|
Silent Night |
|
V |
|
Brooks, Hadda |
|
|
1950 |
|
Los Angeles |
|
|
|
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
Modern 788 |
|
Small Hotel |
|
|
|
Harry Fields And His New Yorkers |
|
|
1951 |
|
|
01.01.1951 |
|
MM-1484 |
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
Modern 788 |
|
Caravan |
|
|
|
Harry Fields And His New Yorkers |
|
|
1951 |
|
|
01.01.1951 |
|
MM-1487 |
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
Modern 790 |
|
One More Time |
|
V |
|
Hooker, John Lee |
|
|
1950 |
|
Detroit |
|
|
|
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
Modern 790 |
|
Let Your Daddy Ride |
➧ |
V |
|
Hooker, John Lee |
|
|
1950 |
2:37 |
Detroit |
27.02.1950 |
|
|
|
|
|
| |
|
Musik + Text: Hooker, John Lee |
|
|
|
Global Dog Prod. |
|
|
Modern 791 |
|
Boogie Cocktail |
|
I |
|
Davis, Maxwell |
|
|
1950 |
|
Los Angeles |
06.01.1950 |
|
MM-1444 |
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
Modern 791 |
|
Belmont Special |
|
I |
|
Davis, Maxwell |
|
|
1950 |
|
Los Angeles |
06.01.1950 |
|
MM-1447 |
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
Modern 792 |
A |
Hullabaloo |
|
|
|
Barton, June |
|
|
1950 |
|
Los Angeles |
06.01.1950 |
|
MM-1454 |
|
435813 |
00058855632 |
|
|
|
Musik: O'Keefe, Walter/Text: Dolan, Bert |
|
|
|
Global Dog Prod. |
|
COVER. Original filtern. |
Modern 792 |
B |
Lovesick Blues |
|
|
|
Barton, June |
|
|
1950 |
|
Los Angeles |
06.01.1950 |
|
MM-1453 |
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
Modern 793 |
A |
Once There Lived A Fool |
➧ |
V |
|
Witherspoon, Jimmy |
|
|
1950 |
2:40 |
Los Angeles |
06.01.1950 |
|
MM-1455 |
|
|
|
|
|
|
Musik: Jesse May Robinson |
|
|
|
Global Dog Prod. |
|
|
Modern 793 |
B |
Just A Ladies Man |
|
V |
|
Witherspoon, Jimmy |
|
|
1950 |
|
Los Angeles |
06.01.1950 |
|
MM-1458 |
|
|
|
|
|
|
Musik: Jake Jordan |
|
|
|
The Online Discographical Project |
|
|
Modern 794 |
|
Blues All Around Me |
|
|
|
Hawkins, Roy |
|
|
1950 |
|
Los Angeles |
22.08.1950 |
|
MM-1420=6 |
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
Modern 794 |
|
Mean Little Girl |
|
|
|
Hawkins, Roy |
|
|
1950 |
|
Los Angeles |
22.08.1950 |
|
MM-1421=4 |
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
Modern 794 |
|
Blues All Around |
|
|
|
Hawkins, Roy |
|
|
1950 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
Modern 795 |
|
I Feel Like A Million |
|
V |
|
Louis, Joe Hill |
|
|
1950 |
|
Memphis |
27.07.1950 |
|
MM-1459 |
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
Modern 795 |
|
Heartache Baby |
|
V |
|
Louis, Joe Hill |
|
|
1950 |
|
Memphis |
27.07.1950 |
|
MM-1460 |
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
Modern 796 |
|
Tired Of Travelin' |
|
V |
|
Crayton, Pee Wee |
|
|
1949 |
|
Los Angeles |
08.01.1949 |
|
MM-1149=4 |
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
Modern 796 |
|
Change Your Way Of Lovin' |
|
V |
|
Crayton, Pee Wee |
|
|
1950 |
|
Los Angeles |
02.01.1950 |
|
MM-1333=3 |
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
Modern 797 |
|
Doin' The Town |
|
|
|
Dixon, Floyd |
|
|
1949 |
|
Los Angeles |
15.12.1949 |
|
MM-1250=3 |
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
Modern 797 |
|
You Made A Fool Of Me |
|
|
|
Dixon, Floyd |
|
|
1949 |
|
Los Angeles |
15.12.1949 |
|
MM-1249=2 |
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
Modern 798 |
A |
You'll Be Crawlin' Home To Me |
|
|
|
Dolan, Jimmie |
|
|
|
|
|
|
|
730 |
|
|
|
|
|
|
Musik: Dolan |
|
|
|
The Online Discographical Project |
|
|
Modern 798 |
B |
Shadow Of Your Love, The |
|
|
|
Dolan, Jimmie |
|
|
|
|
|
|
|
652 |
|
|
|
|
|
|
Musik: Dolan/weber |
|
|
|
The Online Discographical Project |
|
|
Modern 799 |
|
I'm Gonna Let You Ride |
|
|
|
Helen Humes With Roy Milton's Band |
|
|
1950 |
|
Los Angeles |
08.01.1950 |
|
MM-1412 |
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
Modern 799 |
|
Million Dollar Secret |
|
|
|
Helen Humes With Roy Milton's Band |
|
|
1950 |
|
Los Angeles |
08.01.1950 |
|
MM-1413 |
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
Modern 800 |
|
Just Like Two Drops Of Water |
|
|
|
Barton, June |
|
|
1950 |
|
Los Angeles |
|
|
MM-1476 |
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
Modern 800 |
|
Chocolate Choo Choo |
|
|
|
Barton, June |
|
|
1950 |
|
Los Angeles |
|
|
MM-1475 |
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
Modern 801 |
A |
I've Been Lost |
|
|
|
Littlefield, Little Willie |
|
|
1950 |
|
Los Angeles |
|
|
MM-1434-1 |
|
|
|
|
|
|
Musik: Szabo/taub |
|
|
|
Global Dog Prod. |
|
|
Modern 801 |
B |
Once Was Lucky |
➧ |
|
|
Littlefield, Little Willie |
|
|
1950 |
3:05 |
Los Angeles |
02.01.1950 |
|
MM-1281=3 |
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
Modern 802 |
|
Smokey's Back In Town |
|
|
|
Hogg, Smokey |
|
|
1950 |
|
Los Angeles |
17.02.1950 |
|
MM-1315 |
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
Modern 802 |
|
Late Prowlin' Gal |
|
|
|
Hogg, Smokey |
|
|
1950 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
Modern 803 |
A |
No More Heart Full Of Pain |
|
|
|
Greenwood, Lilli |
|
|
|
|
Los Angeles |
|
|
MM-1471 |
|
|
|
|
|
|
Musik: Greenwood/taub "blues Jubilee" |
|
|
|
The Online Discographical Project |
|
|
Modern 803 |
B |
Open Your Eyes |
|
|
|
Greenwood, Lilli |
|
|
|
|
Los Angeles |
|
|
MM-1472 |
|
|
|
|
|
|
Musik: Greenwood/taub "blues Jubilee" |
|
|
|
The Online Discographical Project |
|
|
Modern 804 |
|
Let's Be Sweethearts Again |
|
V |
|
Brooks, Hadda |
|
|
1950 |
|
Los Angeles |
|
|
|
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
Modern 804 |
|
Keep Your Hands On Your Heart |
|
V |
|
Brooks, Hadda |
|
|
1950 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
Modern 805 |
|
Resistor |
|
I |
|
Davis, Maxwell |
|
|
1950 |
|
Los Angeles |
06.01.1950 |
|
MM-1445 |
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
Modern 805 |
|
Bristol Drive |
|
I |
|
Davis, Maxwell |
|
|
1950 |
|
Los Angeles |
06.01.1950 |
|
MM-1445 |
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
Modern 806 |
|
I'm Goin' Around In Circles |
➧ |
V |
|
Witherspoon, Jimmy |
|
|
1950 |
3:06 |
Los Angeles |
08.01.1950 |
|
1422-2 |
|
|
|
|
|
|
Musik: Taub |
|
|
|
The Online Discographical Project |
|
|
Modern 806 |
|
You Can't Kiss A Dream Goodnight |
➧ |
V |
|
Witherspoon, Jimmy |
|
|
1950 |
2:22 |
Los Angeles |
11.01.1950 |
|
1461-2 |
|
|
|
|
|
|
Musik: Motola/watkins |
|
|
|
Global Dog Prod. |
|
|
Modern 806 |
|
Going Around In Circles |
|
V |
|
Witherspoon, Jimmy |
|
|
1950 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
Modern 807 |
|
Rockin' |
|
|
|
The Robbins |
|
|
|
|
Los Angeles |
|
|
MM-1517 |
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
Modern 807 |
|
That's What The Good Book Says |
|
|
|
The Robbins |
|
|
|
|
Los Angeles |
|
|
MM-1518 |
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
Modern 808 |
|
I Gotta Gal Live Up On A Hill |
|
V |
|
Witherspoon, Jimmy |
|
|
1950 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
Modern 808 |
|
Ain't Nobody's Business |
➧ |
V |
|
Witherspoon, Jimmy |
|
|
1949 |
3:54 |
Los Angeles |
|
|
MM-1480 |
|
|
|
| 008811823023 |
|
Musik: Grainger, Porter/Text: Robbins, Everett |
|
|
|
Global Dog Prod. |
|
COVER. Original filtern. |
Modern 809 |
|
Now Tell Me Baby |
|
|
|
Mumbles Horton |
|
|
1950 |
|
Los Angeles |
02.01.1951 |
|
MM-1506=2 |
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
Modern 809 |
|
Little Boy Blue |
|
|
|
Mumbles Horton |
|
|
1950 |
|
Los Angeles |
02.01.1951 |
|
MM-1508=1 |
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
Modern 810 |
|
Doggone Shame |
|
|
|
Fisher, Herb |
|
|
1950 |
|
Los Angeles |
09.01.1950 |
|
MM-1429 |
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
Modern 810 |
|
Don't Want Nobody Else |
|
|
|
Fisher, Herb |
|
|
1950 |
|
Los Angeles |
09.01.1950 |
|
MM-1426=4 |
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
Modern 811 |
|
Sitting And Wondering |
|
|
|
Lillie Greenwood |
|
|
1950 |
|
Los Angeles |
07.01.1950 |
|
MM-1401=2 |
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
Modern 811 |
|
Young Blood |
|
|
|
Greenwood, Lilli |
|
|
1950 |
|
Los Angeles |
07.01.1950 |
|
MM-1400=2 |
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
Modern 812 |
|
I'm Never Satisfied |
|
|
|
Hawkins, Roy |
|
|
1950 |
|
Los Angeles |
22.08.1950 |
|
MM-1419=1 |
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
Modern 812 |
|
You're The Sweetest Thing |
|
|
|
Hawkins, Roy |
|
|
1950 |
|
Los Angeles |
22.08.1950 |
|
MM-1418=1 |
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
Modern 813 |
|
Boogie In The Park |
➧ |
V |
|
Louis, Joe Hill |
|
|
1950 |
2:47 |
Memphis |
11.11.1950 |
|
MM-1492=1 |
|
|
|
| 597114 |
|
Musik: Phillips, Sam/Text: Louis, Joe Hill |
|
|
|
Global Dog Prod. |
|
|
Modern 813 |
|
Cold Chills |
|
V |
|
Louis, Joe Hill |
|
|
1950 |
|
Memphis |
11.11.1950 |
|
MM-1493=3 |
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
Modern 814 |
|
John Lee's House Rent Boogie |
|
V |
|
Hooker, John Lee |
|
|
1950 |
3:01 |
Detroit |
16.11.1950 |
|
|
|
|
|
| |
|
Musik: |
|
|
|
Global Dog Prod. |
|
|
Modern 814 |
|
Queen Bee |
➧ |
V |
|
Hooker, John Lee |
|
|
1950 |
2:38 |
Detroit |
16.11.1950 |
|
|
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
Modern 815 |
|
Sleepless Blues |
|
|
|
Hogg, Smokey |
|
|
1951 |
|
Los Angeles |
|
|
1395-1 |
|
|
|
|
|
|
Musik: Taub |
|
|
|
Global Dog Prod. |
|
|
Modern 815 |
|
High Priced Meat |
|
|
|
Hogg, Smokey |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
Modern 816 |
|
Thinking Of You |
|
V |
|
Crayton, Pee Wee |
|
|
1951 |
|
Los Angeles |
02.01.1951 |
|
MM-1543=4 |
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
Modern 816 |
|
Poppa Stoppa |
|
V |
|
Crayton, Pee Wee |
|
|
1951 |
|
Los Angeles |
02.01.1951 |
|
MM-1542=3 |
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
Modern 817 |
|
What Have You Been Doing To Me |
|
|
|
Amos, Ira |
|
|
1951 |
|
Los Angeles |
|
|
MM-1525 |
|
|
|
|
|
|
Musik: Amos |
|
|
|
Global Dog Prod. |
|
|
Modern 817 |
|
Blue And Disgusted |
|
|
|
Amos, Ira |
|
|
1951 |
|
Los Angeles |
|
|
MM-1527 |
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
Modern 818 |
|
Forever |
|
|
|
Lewis, Richard & The Barons |
|
|
1951 |
|
Los Angeles |
|
|
MM-1532=3 |
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
Modern 818 |
|
Believe In Me |
|
|
|
Lewis, Richard & The Barons |
|
|
1951 |
|
Los Angeles |
|
|
MM-1535=2 |
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
Modern 819 |
|
When Night Falls |
|
|
|
Carter, Gory |
|
|
|
|
Los Angeles |
|
|
MM-1537 |
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
Modern 819 |
|
Seven Days |
➧ |
|
|
Carter, Gory |
|
|
|
2:36 |
Los Angeles |
|
|
MM-1536 |
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
Modern 821 |
|
Real Ugly Woman |
➧ |
V |
|
Witherspoon, Jimmy |
|
|
1951 |
2:47 |
Los Angeles |
02.01.1951 |
|
MM-1544 |
|
|
|
|
|
|
Musik: Stoller/lieber |
|
|
|
The Online Discographical Project |
|
|
Modern 821 |
|
Give My Heart Another Break |
➧ |
V |
|
Witherspoon, Jimmy |
|
|
1951 |
3:01 |
Los Angeles |
02.01.1951 |
|
MM-1545 |
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
Modern 822 |
|
Street Walkin Woman |
|
V |
|
Louis, Joe Hill |
|
|
1950 |
|
Memphis |
27.11.1950 |
|
MM-1541 |
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
Modern 822 |
|
Walkin' Talkin' Blues |
|
V |
|
Louis, Joe Hill |
|
|
1950 |
|
Memphis |
27.11.1950 |
|
MM-1540=3 |
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
Modern 823 |
|
Baby Please Don't Cry |
|
|
|
Fisher, Herb |
|
|
1951 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
Modern 823 |
|
Wine, Wine, Wine |
|
|
|
Herb Fisher Trio |
|
|
1951 |
|
Los Angeles |
|
|
MM-1528=3 |
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
Modern 824 |
|
Blue Nocturne |
|
|
|
Johnny Alston Orchestra |
|
|
1945 |
|
Los Angeles |
|
|
MM265=1 |
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
Modern 824 |
|
Brooklyn Jump |
|
|
|
Johnny Alston Orchestra |
|
|
1945 |
|
Los Angeles |
|
|
MM244=1 |
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
Modern 825 |
|
Schubert's Serenade Boogie |
|
V |
|
Brooks, Hadda |
|
|
1949 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
Modern 825 |
|
When A Woman Cries |
|
V |
|
Brooks, Hadda |
|
|
1949 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
Modern 826 |
|
Trouble Makin' Woman |
|
|
|
Hawkins, Roy |
|
|
1951 |
|
Los Angeles |
25.04.1951 |
|
MM-1549=5 |
|
|
|
|
|
|
Musik: Hawkins/taub |
|
|
|
Global Dog Prod. |
|
|
Modern 826 |
|
Thrill Is Gone, The |
|
|
|
Hawkins, Roy |
|
|
1951 |
2:52 |
Los Angeles |
25.04.1951 |
|
MM-1548 |
|
|
|
|
|
|
Musik: Darnell, Rick/Text: Hawkins, Roy |
|
|
|
Global Dog Prod. |
|
ORIGINAL. Cover filtern. |
Modern 827 |
|
Love And Friendship |
|
|
|
Jimmie Witherspoon |
|
|
1950 |
|
Los Angeles |
08.01.1950 |
|
1425 |
|
|
|
|
|
|
Musik: Szabo/taub |
|
|
|
The Online Discographical Project |
|
|
Modern 827 |
|
Practice What You Preach |
|
|
|
Jimmie Witherspoon |
|
|
|
|
Los Angeles |
|
|
1473 |
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
Modern 828 |
|
Eyesight To The Blind |
|
V |
|
Louis, Joe Hill |
|
|
1951 |
|
Memphis |
30.05.1951 |
|
1564 |
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
Modern 828 |
|
Going Down Slow |
|
V |
|
Louis, Joe Hill |
|
|
1951 |
|
Memphis |
30.05.1951 |
|
1565 |
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
Modern 829 |
|
How Can You Do It |
➧ |
V |
|
Hooker, John Lee |
|
|
1951 |
2:45 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
Modern 829 |
|
Tease Me Baby |
➧ |
V |
|
Hooker, John Lee |
|
|
1951 |
3:01 |
Detroit |
02.04.1951 |
|
MM-1561 |
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
Modern 829 |
|
Woman In My Life |
|
V |
|
Hooker, John Lee |
|
|
1951 |
|
Detroit |
02.04.1951 |
|
MM-1560 |
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
Modern 829 |
|
I'm In The Mood |
➧ |
V |
|
Hooker, John Lee |
|
|
1951 |
3:08 |
|
|
|
|
|
|
|
| TheEssential |
|
Musik + Text: Hooker, John Lee |
17.11.1951 |
|
|
Global Dog Prod. |
|
ORIGINAL. Cover filtern. |
Modern 830 |
|
Blow Joe Blow |
|
|
|
Houston, Joe |
|
|
1951 |
|
Los Angeles |
|
|
|
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
Modern 831 |
|
Tennessee Bounce |
|
|
|
Cole, Dick & Newborn, Phinus |
|
|
1951 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
Modern 831 |
|
Fine As Wine |
|
|
|
Cole, Dick & Newborn, Phinus |
|
|
1951 |
|
Los Angeles |
07.01.1951 |
|
MM-1602 |
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
Modern 831 |
|
Tennessee Bound |
|
|
|
Dick Cole With Phinias Newborn |
|
|
1951 |
|
Los Angeles |
07.01.1951 |
|
MM-1601 |
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
Modern 832 |
|
Bayou Bounce |
|
|
|
Ramp Davis |
|
|
1951 |
|
Los Angeles |
|
|
MM-1581 |
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
Modern 832 |
|
Blues Has Got Me, The |
|
|
|
Ramp Davis |
|
|
1951 |
|
Los Angeles |
|
|
MM-1580 |
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
Modern 833 |
|
Country Gal |
|
|
|
Hogg, Smokey |
|
|
1951 |
|
Dallas |
|
|
|
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
Modern 833 |
|
Too Many Drivers |
|
|
|
Hogg, Smokey |
|
|
1951 |
|
Dallas |
|
|
|
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
Modern 834 |
|
Mr. T-99 |
|
|
|
Johnny Ingram |
|
|
1951 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
Modern 834 |
|
Mr. T 99 |
|
|
|
Del Graham With Johnnie Ingram And His Rhythm Czars |
|
|
|
|
Los Angeles |
|
|
O-71AA |
|
|
|
|
|
|
Musik: Martin/hunt |
|
|
|
The Online Discographical Project |
|
|
Modern 834 |
|
What's Up |
|
|
|
Johnny Ingram |
|
|
1951 |
|
Los Angeles |
|
|
O-6AA |
|
|
|
|
|
|
Musik: Martin/hunt |
|
|
|
Global Dog Prod. |
|
|
Modern 835 |
|
I'm In The Mood |
➧ |
V |
|
Hooker, John Lee |
|
|
1951 |
3:08 |
Detroit |
07.08.1951 |
|
1636 |
|
|
|
| TheEssential |
|
Musik + Text: Hooker, John Lee |
17.11.1951 |
|
|
Joel Whitburn's Pop Memories 1890-1954 |
|
ORIGINAL. Cover filtern. |
Modern 835 |
|
How Can You Do It |
➧ |
V |
|
Hooker, John Lee |
|
|
1951 |
2:45 |
Detroit |
07.08.1951 |
|
1635 |
|
|
|
|
|
|
Musik: Hooker/taub |
|
|
|
RateYourMusic |
|
|
Modern 836 |
|
Fickle Woman |
|
V |
|
Witherspoon, Jimmy |
|
|
1951 |
|
Los Angeles |
|
|
MM-1645 |
|
|
|
|
|
|
Musik: Patrick |
|
|
|
Global Dog Prod. |
|
|
Modern 836 |
|
I Done Found Out |
|
V |
|
Witherspoon, Jimmy |
|
|
1951 |
|
Los Angeles |
|
|
MM-1646 |
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
Modern 837 |
|
Lump In My Throat |
|
|
|
Littlefield, Little Willie |
|
|
1951 |
|
Los Angeles |
|
|
MM-1647 |
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
Modern 837 |
|
Mean Mean Woman |
|
|
|
Littlefield, Little Willie |
|
|
1951 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
Modern 837 |
|
Mean, Mean Woman |
|
|
|
Littlefield, Little Willie |
|
|
|
|
Los Angeles |
|
|
MM-1648 |
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
Modern 839 |
|
Big Leg Woman |
|
V |
|
Louis, Joe Hill |
|
|
1951 |
|
Memphis |
07.01.1951 |
|
1631 |
|
|
|
|
|
|
|
|
The One Man Band |
|
The Online Discographical Project |
|
|
Modern 839 |
|
Gotta Go Baby |
➧ |
V |
|
Louis, Joe Hill |
|
|
1951 |
2:31 |
Memphis |
07.01.1951 |
|
1629 |
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
Modern 840 |
|
Talkin' Boogie |
|
|
|
Jackson, Lil' Son |
|
|
1951 |
|
Dallas |
|
|
MM-1672 |
|
|
|
|
|
|
|
|
|
|
RateYourMusic |
|
|
Modern 840 |
|
Milford Blues |
|
|
|
Jackson, Lil' Son |
|
|
1951 |
|
Dallas |
|
|
MM-1673 |
|
|
|
|
|
|
|
|
|
|
RateYourMusic |
|
|
Modern 841 |
|
Tough On Your Heart |
|
V |
|
Brooks, Hadda |
|
|
1950 |
|
Los Angeles |
|
|
|
MOD20- |
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
Modern 841 |
|
I Feel So Bad |
|
V |
|
Brooks, Hadda |
|
|
1950 |
|
Los Angeles |
|
|
|
MOD20- |
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
Modern 842 |
|
Gloom And Misery All Around |
|
|
|
Hawkins, Roy |
|
|
1951 |
|
Los Angeles |
14.09.1951 |
|
1679=4 |
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
Modern 842 |
|
I Walk Alone |
|
|
|
Hawkins, Roy |
|
|
1951 |
|
Los Angeles |
|
|
1551-2 |
|
|
|
|
|
|
Musik: Hawkins/taub |
|
|
|
Global Dog Prod. |
|
|
Modern 843 |
|
On My Way, Pt2 |
|
|
|
Rev. C.c. Campbell & Faith Temple Choir |
|
|
|
|
Los Angeles |
|
|
|
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
Modern 843 |
|
On My Way, Pt1 |
|
|
|
Rev. C.c. Campbell & Faith Temple Choir |
|
|
|
|
Los Angeles |
|
|
|
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
Modern 843 |
A |
On My Way (Part 1) |
|
|
|
Rev C.C. Chapman & Faith Temple Cho |
|
|
1951 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
Modern 843 |
B |
On My Way (Part 2) |
|
|
|
Rev C.C. Chapman & Faith Temple Cho |
|
|
1951 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
Modern 844 |
|
Patrol Wagon Blues |
|
|
|
Hogg, Smokey |
|
|
1951 |
|
Los Angeles |
|
|
MM-1693 |
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
Modern 844 |
|
You've Been Gone Too Long |
|
|
|
Hogg, Smokey |
|
|
1951 |
|
Los Angeles |
|
|
MM-1692 |
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
Modern 845 |
A |
I'm Just Wandering (Part 1) |
➧ |
V |
|
Witherspoon, Jimmy |
|
|
|
2:37 |
Los Angeles |
|
|
MM-1456 |
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
Modern 845 |
A |
I'm Just Wonderin' (Part 1) |
➧ |
V |
|
Witherspoon, Jimmy |
|
|
1951 |
2:35 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
Modern 845 |
B |
I'm Just Wandering (Part 2) |
|
V |
|
Witherspoon, Jimmy |
|
|
|
|
Los Angeles |
|
|
MM-1457 |
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
Modern 845 |
B |
I'm Just Wonderin' (Part 2) |
➧ |
V |
|
Witherspoon, Jimmy |
|
|
1951 |
2:26 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
Modern 846 |
|
Hey, Hey Baby |
|
V |
|
Humes, Helen |
|
|
1951 |
|
Los Angeles |
|
|
MM-1686 |
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
Modern 846 |
|
Laziest Gal In Town |
➧ |
V |
|
Humes, Helen |
|
|
1951 |
2:34 |
Los Angeles |
|
|
MM-1686 |
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
Modern 847 |
|
Turn Over A New Leaf |
➧ |
V |
|
Hooker, John Lee |
|
|
1951 |
3:12 |
Detroit |
09.01.1951 |
|
MM-1638 |
|
|
|
|
|
|
|
|
|
|
RateYourMusic |
|
|
Modern 847 |
|
Anybody Seen My Baby |
|
V |
|
Hooker, John Lee |
|
|
1951 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
RateYourMusic |
|
|
Modern 847 |
|
Anybody See My Baby |
|
V |
|
Hooker, John Lee |
|
|
1951 |
|
Detroit |
09.01.1951 |
|
MM-1637 |
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
Modern 848 |
|
Crying All Night Long |
|
V |
|
Bland, Robert |
|
|
1951 |
|
Memphis |
|
|
MM-1735 |
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
Modern 848 |
|
Dry Up, Baby |
|
V |
|
Bland, Robert |
|
|
1951 |
|
Memphis |
|
|
MM-1736 |
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
Modern 849 |
|
Down South Blues |
|
|
|
Driftin' Slim |
|
|
1951 |
|
North Little Rock |
11.01.1951 |
|
MM-1734 |
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
Modern 849 |
|
My Little Machine |
|
|
|
Driftin' Slim |
|
|
1951 |
|
North Little Rock |
11.01.1951 |
|
MM-1733 |
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
Modern 850 |
|
Houston's Hot House |
|
|
|
Houston, Joe |
|
|
|
|
Los Angeles |
|
|
MM-1732 |
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
Modern 850 |
|
Houston Hot House |
|
|
|
Houston, Joe |
|
|
1951 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
Modern 850 |
|
Have A Ball |
|
|
|
Houston, Joe |
|
|
1951 |
|
Los Angeles |
|
|
MM-1731 |
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
Modern 851 |
|
I Ain't In The Mood |
➧ |
V |
|
Humes, Helen |
|
|
1951 |
2:41 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
Modern 851 |
|
Living My Life My Way |
|
V |
|
Humes, Helen |
|
|
1951 |
|
Los Angeles |
|
|
1741 |
|
|
|
|
|
|
Musik: Humes |
|
|
|
Global Dog Prod. |
|
|
Modern 851 |
|
I Aint In The Mood |
|
V |
|
Humes, Helen |
|
|
1951 |
|
Los Angeles |
|
|
1739 |
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
Modern 852 |
|
Ground Hog Blues |
➧ |
V |
|
Hooker, John Lee |
|
|
1960 |
2:58 |
Detroit |
|
|
7550 |
|
|
|
| 230d6214 |
|
Musik + Text: Hooker, John Lee |
|
|
|
Global Dog Prod. |
|
ORIGINAL. Cover filtern. |
Modern 852 |
|
Louise |
➧ |
V |
|
Hooker, John Lee |
|
|
1951 |
3:04 |
Detroit |
|
|
|
|
|
|
| 230d6214 |
|
Musik + Text: Hooker, John Lee |
|
|
|
Global Dog Prod. |
|
|
Modern 853 |
|
I Don't Know Just What To Do |
|
|
|
Hawkins, Roy |
|
|
1951 |
|
Los Angeles |
14.09.1951 |
|
MM-1678 |
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
Modern 853 |
|
You're A Free Little Girl |
|
|
|
Hawkins, Roy |
|
|
1951 |
|
Los Angeles |
14.09.1951 |
|
MM-1681 |
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
Modern 854 |
|
A Life Of Trouble |
|
|
|
Littlefield, Little Willie |
|
|
0000 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
Modern 854 |
|
Too Late For Me |
|
|
|
Littlefield, Little Willie |
|
|
1951 |
|
Los Angeles |
01.08.1951 |
|
MM-1649 |
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
Modern 854 |
|
Life Of Trouble |
|
|
|
Littlefield, Little Willie |
|
|
1950 |
|
Los Angeles |
11.01.1950 |
|
MM-1436 |
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
Modern 855 |
|
He's A Mean Man |
|
|
|
Champion, Mickey |
|
|
|
|
Los Angeles |
|
|
MM-1742 |
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
Modern 855 |
|
Lovin' Jim |
|
|
|
Champion, Mickey |
|
|
|
|
Los Angeles |
|
|
MM-1743 |
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
Modern 856 |
|
Peace Of Mind |
|
V |
|
Louis, Joe Hill |
|
|
1951 |
|
Memphis |
|
|
1750 |
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
Modern 856 |
|
Chocolate Blonde |
|
V |
|
Louis, Joe Hill |
|
|
1951 |
|
Memphis |
|
|
1751 |
|
|
|
|
|
|
Musik: Louis, Joe Hill |
|
|
|
Global Dog Prod. |
|
|
Modern 857 |
|
Wind Is Blowing, The |
|
V |
|
Witherspoon, Jimmy |
|
|
|
|
Los Angeles |
|
|
1764 |
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
Modern 857 |
|
Wind Is Blowin', The |
➧ |
V |
|
Witherspoon, Jimmy |
|
|
0000 |
2:51 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
Modern 857 |
|
Would My Baby Make A Change |
➧ |
V |
|
Witherspoon, Jimmy |
|
|
|
2:34 |
Los Angeles |
|
|
1763 |
|
|
|
|
|
|
Musik: Witherspoon/taub |
|
|
|
Global Dog Prod. |
|
|
Modern 858 |
|
Time Out For The Blues |
|
|
|
Benny Carter Orchestra |
|
|
|
|
Los Angeles |
|
|
MM-1768 |
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
Modern 858 |
|
Cotton Tail |
|
|
|
Benny Carter Orchestra |
|
|
|
|
Los Angeles |
|
|
MM-1767 |
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
Modern 859 |
|
Would You |
|
|
|
Hawkins, Roy |
|
|
1952 |
|
Los Angeles |
08.01.1952 |
|
MM-1772 |
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
Modern 859 |
|
Highway 59 |
➧ |
|
|
Hawkins, Roy |
|
|
1952 |
2:24 |
Los Angeles |
08.01.1952 |
|
MM-1771 |
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
Modern 860 |
|
Just An Army Boy |
|
|
|
Gilmore, Boyd |
|
|
1952 |
|
Clarksdale, MS |
23.01.1952 |
|
MM-1781 |
|
|
|
|
|
|
Musik + Text: Clark, James |
|
|
|
Global Dog Prod. |
|
COVER. Original filtern. |
Modern 860 |
|
Ramblin' On My Mind |
|
|
|
Gilmore, Boyd |
|
|
1952 |
|
Clarksdale, MS |
23.01.1952 |
|
MM-1780=3 |
|
|
|
|
|
|
Musik + Text: Johnson, Robert |
|
|
|
Global Dog Prod. |
|
COVER. Original filtern. |
Modern 862 |
|
Rock Me Mama |
➧ |
V |
|
Hooker, John Lee |
|
|
1952 |
2:53 |
Detroit |
|
|
1798=3 |
|
|
|
|
|
|
|
|
|
|
RateYourMusic |
|
|
Modern 862 |
|
Cold Chills All Over Me |
➧ |
V |
|
Hooker, John Lee |
|
|
1952 |
3:10 |
Detroit |
|
|
1797 |
|
|
|
|
|
|
|
|
|
|
RateYourMusic |
|
|
Modern 863 |
|
Doin' The Lindy Hop |
|
|
|
Houston, Joe |
|
|
|
|
Baton Rouge, LA |
|
|
MM-1801 |
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
Modern 863 |
|
Sand Storm |
|
|
|
Houston, Joe |
|
|
|
|
Baton Rouge, LA |
|
|
MM-1802 |
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
Modern 864 |
|
Bad Woman, Bad Whiskey |
|
|
|
Little Junior Parker With The Blue Flames |
|
|
1952 |
|
Memphis |
04.01.1952 |
|
MM-1810 |
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
Modern 864 |
|
You're An Angel |
|
|
|
Little Junior Parker With The Blue Flames |
|
|
1952 |
|
Memphis |
04.01.1952 |
|
MM-1809 |
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
Modern 865 |
|
Surf Board |
|
|
|
Benny Carter Orchestra |
|
|
|
|
Los Angeles |
|
|
MM-1813 |
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
Modern 865 |
|
You're Too Beautiful |
|
|
|
Benny Carter Orchestra |
|
|
|
|
Los Angeles |
|
|
MM-1814 |
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
Modern 866 |
|
I Passed Your House Tonight |
|
|
|
Darian, Fred |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
Modern 866 |
|
Please Say You Love Me |
|
|
|
Darian, Fred |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
Modern 867 |
|
Weeping Willow |
|
|
|
Happy Joe Lewis |
|
|
1952 |
|
Los Angeles |
|
|
MM-1820 |
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
Modern 867 |
|
Let's Get High Together |
|
|
|
Happy Joe Lewis |
|
|
1952 |
|
Los Angeles |
|
|
MM-1819 |
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
Modern 868 |
A |
Good Lovin' |
|
V |
|
Bland, Bobby |
|
|
1952 |
2:25 |
W. Memphis |
04.01.1952 |
|
MM-1825 |
|
|
|
| Sampler0761 |
|
Musik: Bland, Bobby 'Blue'/Text: Taub, Jules |
|
|
|
www.musiktiteldb.de |
|
|
Modern 868 |
B |
Drifting From Town To Town |
|
V |
|
Bland, Bobby |
|
|
1952 |
|
W. Memphis |
04.01.1952 |
|
MM-1826 |
|
|
|
|
|
|
Musik: Bland, Bobby 'Blue'/Text: Taub, Jules |
|
|
|
RateYourMusic |
|
|
Modern 869 |
|
Thrill Hunt, The |
|
|
|
Hawkins, Roy |
|
|
0000 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
Modern 869 |
|
Doin' All Right |
|
|
|
Hawkins, Roy |
|
|
|
|
Los Angeles |
|
|
MM-1823 |
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
Modern 869 |
|
Thrill Hurt, The |
|
|
|
Hawkins, Roy |
|
|
|
|
Los Angeles |
|
|
MM-1824 |
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
Modern 870 |
|
Blue And Lonesome |
|
|
|
Jimmie Lee With Jay Frank's Orchestra |
|
|
1952 |
|
|
|
|
1830 |
|
|
|
|
|
|
Musik: Cheatum/taub |
|
|
|
The Online Discographical Project |
|
|
Modern 870 |
|
My Heart's Desire |
|
|
|
Jimmy Lee and Artis |
|
|
1952 |
|
Los Angeles |
|
|
1829 |
|
|
|
|
|
|
Musik: Turner/cheatum/taub |
|
|
|
Global Dog Prod. |
|
|
Modern 871 |
|
Bee Hive Boogie |
|
|
|
Burton, Ben |
|
|
0000 |
|
Los Angeles |
|
|
MM-1835 |
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
Modern 871 |
|
Blues And Jim |
|
|
|
Burton, Ben |
|
|
|
|
Los Angeles |
|
|
MM-1836 |
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
Modern 872 |
|
All In My Dreams |
|
|
|
Gilmore, Boyd |
|
|
1952 |
|
Clarksdale, MS |
04.01.1952 |
|
MM-1837 |
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
Modern 872 |
|
Take A Walk With Me |
|
|
|
Gilmore, Boyd |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
Modern 872 |
|
Take A Little Walk With Me |
|
|
|
Boyd Gilmore With Ike Turner's Band |
|
|
1952 |
|
Clarksdale, MS |
04.01.1952 |
|
MM-1838 |
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
Modern 875 |
|
Big Boy Pt1 |
|
|
|
Jim Giuffre And His Orchestra |
|
|
|
|
Los Angeles |
|
|
|
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
Modern 875 |
|
Big Boy Pt2 |
|
|
|
Jim Giuffre And His Orchestra |
|
|
1952 |
|
Los Angeles |
|
|
1856 |
|
|
|
|
|
|
Musik: Giuffre |
|
|
|
The Online Discographical Project |
|
|
Modern 875 |
A |
Big Boy (Part 1) |
|
I |
|
Giuffre, Jimmy |
|
|
0000 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
Modern 875 |
B |
Big Boy (Part 2) |
|
I |
|
Giuffre, Jimmy |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
Modern 876 |
|
It Hurts Me So |
➧ |
V |
|
Hooker, John Lee & Kirkland, Eddie (Little) |
|
|
1952 |
2:49 |
Detroit |
22.05.1952 |
|
MM-1857 |
|
|
|
|
|
|
Musik: Hooker, John Lee/Text: Taub |
|
|
|
Global Dog Prod. |
|
|
Modern 876 |
|
I Got Eyes For You |
➧ |
V |
|
Hooker, John Lee & Kirkland, Eddie (Little) |
|
|
1952 |
2:41 |
Detroit |
|
|
MM-1858 |
|
|
|
|
|
|
Musik: Hooker, John Lee/Text: Taub |
|
|
|
The Online Discographical Project |
|
|
Modern 877 |
|
Love My Baby |
|
V |
|
Witherspoon, Jimmy |
|
|
|
|
Los Angeles |
|
|
MM-1862 |
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
Modern 877 |
|
Daddy Pinocchio |
|
V |
|
Witherspoon, Jimmy |
|
|
0000 |
|
Los Angeles |
|
|
MM-1861 |
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
Modern 878 |
|
Moonrise Blues |
|
|
|
Charley Booker With Houston Boines Band |
|
|
1952 |
|
Clarksdale, MS |
23.01.1952 |
|
MM-1795 |
|
|
|
|
|
|
Musik: Booker |
|
|
|
The Online Discographical Project |
|
|
Modern 878 |
|
Charlie's Boogie Woogie |
|
|
|
Charley Booker With Houston Boines Band |
|
|
|
|
Clarksdale, MS |
|
|
MM-1852 |
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
Modern 878 |
|
Moonlight Blues |
|
|
|
Booker, Charley |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
Modern 878 |
|
Charley's Boogie Woogie |
|
|
|
Booker, Charley |
|
|
0000 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
Modern 879 |
|
Dig It |
|
|
|
Houston, Joe |
|
|
1952 |
|
Los Angeles |
09.01.1952 |
|
MM-1868 |
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
Modern 879 |
|
Boogie Woogie Woman |
|
|
|
Houston, Joe |
|
|
1952 |
|
Los Angeles |
09.01.1952 |
|
MM-1869 |
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
Modern 880 |
|
Everybody's Talking |
|
|
|
Sue, Mary |
|
|
1952 |
|
|
04.01.1952 |
|
MM-1859 |
|
|
|
|
|
|
Musik: Lee/turner |
|
|
|
Global Dog Prod. |
|
|
Modern 880 |
|
Love Is A Gamble |
|
|
|
Sue, Mary |
|
|
1952 |
|
|
04.01.1952 |
|
MM-1860 |
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
Modern 881 |
|
It's Rough-Vocals-Mari Jones |
|
|
|
Johnny Moore's Three Blazers |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
Modern 881 |
|
Gee It's Rough |
|
|
|
Johnny Moore's Three Blazers |
|
|
|
|
Los Angeles |
|
|
MM-1887 |
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
Modern 881 |
|
My Song |
|
|
|
Johnny Moore's Three Blazers |
|
|
0000 |
|
Los Angeles |
|
|
MM-1886 |
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
Modern 882 |
|
Gonna Let You Go |
|
|
|
Baby Face Turner |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
Modern 882 |
|
Blue Serenade |
|
|
|
Baby Face Turner |
|
|
0000 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
Modern 883 |
|
It's Bedtime Baby |
|
|
|
Agee, Ray |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
Modern 883 |
|
It's Bedtime, Baby |
|
|
|
Agee, Ray |
|
|
1952 |
|
Los Angeles |
07.01.1952 |
|
MM-1885 |
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
Modern 883 |
|
Flirtin' Blues |
|
|
|
Agee, Ray |
|
|
1952 |
|
Los Angeles |
07.01.1952 |
|
MM-1884 |
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
Modern 884 |
|
Highway 51 |
|
|
|
Hogg, Smokey |
|
|
1952 |
|
Los Angeles |
|
|
1893 |
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
Modern 884 |
|
Baby Don't You Tear My Clothes |
|
|
|
Hogg, Smokey |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
Modern 884 |
|
Baby, Don't You Tear My Clothes |
|
|
|
Hogg, Smokey |
|
|
1952 |
|
Los Angeles |
|
|
1892 |
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
Modern 885 |
|
Let's Talk It Over Baby |
|
|
|
Jimmy Lee and Artis |
|
|
1952 |
|
Los Angeles |
|
|
1890 |
|
|
|
|
|
|
Musik: Bruster/cheatum |
|
|
|
Global Dog Prod. |
|
|
Modern 885 |
|
Why Can't We See |
|
V |
|
Jay Franks And His Orch Feat. Jimmy Lee And Artis |
|
|
1952 |
|
Los Angeles |
|
|
1891 |
|
|
|
|
|
|
Musik: Cooper |
|
|
|
The Online Discographical Project |
|
|
Modern 886 |
|
Key To The Highway |
➧ |
V |
|
Hooker, John Lee |
|
|
1952 |
2:44 |
Los Angeles |
|
|
|
|
|
|
|
|
|
Musik + Text: Segar, Charles |
|
|
|
The Online Discographical Project |
|
COVER. Original filtern. |
Modern 886 |
|
Keys To The Highway |
|
V |
|
Hooker, John Lee |
|
|
1952 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
Modern 886 |
|
Bluebird Blues |
➧ |
V |
|
Hooker, John Lee |
|
|
1952 |
2:45 |
Los Angeles |
|
|
|
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
Modern 887 |
|
Trying |
|
|
|
Franks, Jay |
|
|
0000 |
|
Los Angeles |
|
|
|
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
Modern 887 |
|
Crying Blues |
|
|
|
Franks, Jay |
|
|
|
|
Los Angeles |
|
|
|
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
Modern 888 |
|
Johnny, Johnny |
|
|
|
Johnny Moore’s Three Blazers With Mari Jones |
|
|
1952 |
|
Los Angeles |
|
|
1911 |
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
Modern 888 |
|
Johnny Johnny |
|
|
|
Mari Jones & Johnny Moore's 3 Blaze |
|
|
1952 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
Modern 888 |
|
Lonesome Train |
|
|
|
Mari Jones & Johnny Moore's 3 Blaze |
|
|
1952 |
|
Los Angeles |
|
|
1912 |
|
|
|
|
|
|
Musik: Moore |
|
|
|
Global Dog Prod. |
|
|
Modern 890 |
|
Please Don't Leave Me |
|
|
|
Bivins, Cliff |
|
|
|
|
Los Angeles |
|
|
MM-1918 |
|
|
|
|
|
|
Musik: Blivins, Cliff/Text: Taub, Jules |
|
|
|
Global Dog Prod. |
|
|
Modern 890 |
|
Make Love To Me |
|
|
|
Bivins, Cliff |
|
|
0000 |
|
Los Angeles |
|
|
MM-1919 |
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
Modern 891 |
|
No More Blue Shadows Falling |
|
|
|
Agee, Ray |
|
|
0000 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
Modern 891 |
|
My Lonesome Days Are Gone |
|
|
|
Agee, Ray |
|
|
1952 |
|
Los Angeles |
15.10.1952 |
|
MM-1909 |
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
Modern 891 |
|
No More Blue Shadows Are Falling |
|
|
|
Agee, Ray |
|
|
1952 |
|
Los Angeles |
15.10.1952 |
|
MM-1910 |
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
Modern 892 |
|
Cool Evening |
|
V |
|
Crayton, Pee Wee |
|
|
0000 |
|
Los Angeles |
|
|
MM-1922 |
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
Modern 892 |
|
Have You Lost Your Love For Me |
|
V |
|
Crayton, Pee Wee |
|
|
|
|
Los Angeles |
|
|
MM-1923 |
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
Modern 893 |
|
New Boogie Chillum |
|
V |
|
Hooker, John Lee |
|
|
|
|
Detroit |
|
|
|
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
Modern 893 |
|
I Tried |
|
|
|
Cotton, Sylvester |
|
|
1952 |
|
Los Angeles |
|
|
MM-1927 |
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
Modern 893 |
|
New Boogie Chillun |
|
V |
|
Hooker, John Lee |
|
|
1952 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
Modern 894 |
|
Cherokee Boogie |
|
|
|
Burton, Ben |
|
|
|
|
Los Angeles |
|
|
MM-1916 |
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
Modern 894 |
|
Lover's Blues |
|
|
|
Burton, Ben |
|
|
0000 |
|
Los Angeles |
|
|
MM-1915 |
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
Modern 895 |
A |
Slow Your Speed |
|
V |
|
Witherspoon, Jimmy |
|
|
1953 |
|
Los Angeles |
|
01/1953 |
|
|
|
|
|
|
|
Musik + Text: Witherspoon, Jimmy |
|
|
|
45cat |
|
|
Modern 895 |
B |
Baby, Baby |
|
V |
|
Witherspoon, Jimmy |
|
|
1952 |
|
Los Angeles |
|
01/1953 |
1906 |
|
|
|
|
|
|
Musik + Text: Witherspoon, Jimmy |
|
|
|
45cat |
|
|
Modern 896 |
|
River Hips Mama |
|
|
|
Hogg, Smokey |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
Modern 896 |
|
River Hip Mama |
|
|
|
Smokey Hogg With Rhythm Acc. |
|
|
1952 |
|
Los Angeles |
|
|
1907 |
|
|
|
|
|
|
Musik: Hogg/taub |
|
|
|
The Online Discographical Project |
|
|
Modern 896 |
|
Too Late Old Man |
|
|
|
Hogg, Smokey |
|
|
1952 |
|
Los Angeles |
|
|
1908 |
|
|
|
|
|
|
Musik: Hogg |
|
|
|
Global Dog Prod. |
|
|
Modern 897 |
|
It's Been A Long Time Baby |
➧ |
V |
|
Hooker, John Lee |
|
|
1952 |
3:18 |
Detroit |
03.12.1952 |
|
MM-1928 |
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
Modern 897 |
|
Rock House Boogie |
➧ |
V |
|
Hooker, John Lee |
|
|
1952 |
2:56 |
Detroit |
03.12.1952 |
|
MM-1929 |
|
|
|
| Sampler0845 |
|
Musik: Hooker, John Lee/Text: Taub, Jules |
|
|
|
www.musiktiteldb.de |
|
|
Modern 898 |
|
Bad Luck Fallin' |
|
|
|
Hawkins, Roy |
|
|
1953 |
|
Los Angeles |
|
|
|
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
Modern 898 |
|
Condition I'm In, The |
|
|
|
Hawkins, Roy |
|
|
1953 |
|
Los Angeles |
|
|
|
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
Modern 899 |
|
All Right Baby |
|
|
|
Jimmy Lee and Artis |
|
|
1953 |
|
Los Angeles |
|
|
|
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
Modern 899 |
|
Why Do You Make Me Feel So Blue |
|
|
|
Jimmy Lee and Artis |
|
|
1953 |
|
Los Angeles |
|
|
|
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
Modern 900 |
|
Say It Isn't So |
|
V |
|
Jones, Mari |
|
|
1953 |
|
Los Angeles |
02.01.1953 |
|
MM-1945 |
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
Modern 900 |
|
Nightmare Blues |
|
V |
|
Jones, Mari |
|
|
1953 |
|
Los Angeles |
02.01.1953 |
|
MM-1944 |
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
Modern 901 |
|
It's Stormin' And Rainin' |
➧ |
V |
|
Hooker, John Lee |
|
|
1952 |
3:05 |
Detroit |
03.12.1952 |
|
MM-1952 |
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
Modern 901 |
|
Stormin' And Rainin' |
|
V |
|
Hooker, John Lee |
|
|
1953 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
RateYourMusic |
|
|
Modern 901 |
|
Ride 'til I Die |
➧ |
V |
|
Hooker, John Lee |
|
|
1952 |
2:59 |
Detroit |
03.12.1952 |
|
MM-1951 |
|
|
|
| 230d6214 |
|
Musik + Text: Hooker, John Lee |
|
|
|
RateYourMusic |
|
ORIGINAL. Cover filtern. |
Modern 902 |
|
Honey Jump-Pt.2, The |
|
|
|
McLollie, Oscar & His Honey Jumpers |
|
|
|
|
Los Angeles |
|
|
C-3004 |
|
|
|
|
|
|
Musik: Rafael Rene/leon Rene |
|
|
|
The Online Discographical Project |
|
|
Modern 902 |
|
Honey Jump, The |
|
|
|
McLollie, Oscar & His Honey Jumpers |
|
|
1953 |
2:25 |
Los Angeles |
|
|
|
|
|
|
| Album2327 |
|
Musik + Text: René, Leon |
|
|
|
www.musiktiteldb.de |
|
|
Modern 902 |
B |
Honey Jump, The (Part 2) |
|
|
|
McLollie, Oscar & His Honey Jumpers |
|
|
1953 |
2:59 |
|
|
|
|
|
|
|
| Album2327 |
|
Musik + Text: René, Leon |
|
|
|
www.musiktiteldb.de |
|
|
Modern 903 |
|
Each Step Of The Way |
|
V |
|
Witherspoon, Jimmy |
|
|
1953 |
|
Los Angeles |
02.01.1953 |
|
MM-1956 |
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
Modern 903 |
|
Let Jesus Fix It For You |
|
V |
|
Witherspoon, Jimmy |
|
|
1953 |
|
Los Angeles |
02.01.1953 |
|
MM-1955 |
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
Modern 904 |
|
Lord Keep Your Hand On Mine |
|
|
|
Little Ruth |
|
|
1953 |
|
Los Angeles |
|
|
|
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
Modern 904 |
|
Witness |
|
|
|
Little Ruth |
|
|
1953 |
|
Los Angeles |
|
|
|
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
Modern 905 |
|
Crazy Man Crazy |
|
|
|
Lucky Enois Quintet |
|
|
1953 |
|
Los Angeles |
04.01.1953 |
|
MM-1964 |
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
Modern 905 |
|
Zig Zag Ziggin' |
|
|
|
Lucky Enois Quintet |
|
|
1953 |
|
Los Angeles |
04.01.1953 |
|
MM-1965 |
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
Modern 907 |
|
That's What Love Can Do |
|
|
|
Jimmy Lee and Artis |
|
|
1953 |
|
Los Angeles |
|
|
|
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
Modern 907 |
|
That's Fat Jack |
|
|
|
Jimmy Lee and Artis |
|
|
1953 |
|
Los Angeles |
|
|
|
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
Modern 908 |
|
Please Take Me Back |
➧ |
V |
|
Hooker, John Lee |
|
|
1953 |
2:57 |
Detroit |
23.06.1953 |
|
MM-1971 |
|
|
|
|
|
|
|
|
|
|
RateYourMusic |
|
|
Modern 908 |
|
Love Money Can't Buy |
➧ |
V |
|
Hooker, John Lee |
|
|
1953 |
2:42 |
Detroit |
26.06.1953 |
|
MM-1970 |
|
|
|
|
|
|
|
|
|
|
www.musiktiteldb.de |
|
|
Modern 909 |
|
I'll Be Right On Down |
|
V |
|
Witherspoon, Jimmy |
|
|
1953 |
|
Los Angeles |
15.03.1953 |
|
MM-1963 |
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
Modern 909 |
|
Oh Mother, Dear Mother |
➧ |
V |
|
Witherspoon, Jimmy |
|
|
1953 |
2:39 |
Los Angeles |
15.03.1953 |
|
MM-1962 |
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
Modern 910 |
|
Dragnet Blues |
|
|
|
Johnny Moore's Three Blazers |
|
|
1953 |
|
Los Angeles |
15.05.1953 |
|
MM2000 |
|
|
|
|
|
|
Musik: Moore/hurley |
|
|
|
Global Dog Prod. |
|
|
Modern 910 |
|
Playing Numbers |
|
V |
|
Johnny Moore's Three Blazers Feat. Frankie Ervin |
|
|
1953 |
|
Los Angeles |
15.05.1953 |
|
MM2001 |
|
|
|
|
|
|
Musik: Moore/hurley/gordon |
|
|
|
The Online Discographical Project |
|
|
Modern 911 |
|
In The Home |
|
|
|
Johnny Moore's Three Blazers |
|
|
0000 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
Modern 911 |
|
Old Worry |
|
|
|
Johnny Moore's Three Blazers |
|
|
|
|
Los Angeles |
|
|
|
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
Modern 911 |
|
In The House |
|
|
|
Johnny Moore's Three Blazers |
|
|
|
|
Los Angeles |
|
|
|
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
Modern 912 |
|
K.c. Limited Pt2 |
|
|
|
Lucky Enois' Quintet |
|
|
1953 |
|
Los Angeles |
06.01.1953 |
|
MM-1975 |
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
Modern 912 |
|
K.c. Limited Pt1 |
|
|
|
Lucky Enois' Quintet |
|
|
1953 |
|
Los Angeles |
06.01.1953 |
|
MM-1974 |
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
Modern 913 |
|
Please Remember Me |
|
|
|
Stone, Lawrence |
|
|
|
|
Los Angeles |
|
|
|
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
Modern 913 |
|
I'll Surrender Dear |
|
|
|
Stone, Lawrence |
|
|
|
|
Los Angeles |
|
|
|
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
Modern 913 |
|
I'll Surrender Anytime |
|
|
|
Stone, Lawrence |
|
|
0000 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
Modern 914 |
|
Trials And Tribulation |
|
|
|
Townes, Eddie |
|
|
|
|
Los Angeles |
|
|
|
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
Modern 914 |
|
On The Bottom |
|
|
|
Townes, Eddie |
|
|
0000 |
|
Los Angeles |
|
|
|
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
Modern 914 |
|
Trials And Tribulations |
|
|
|
Townes, Eddie |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
Modern 915 |
|
All That Oil In Texas |
➧ |
|
|
McLollie, Oscar & His Honey Jumpers |
|
Bedell Forrest) |
1954 |
2:27 |
Los Angeles |
|
|
MM2018 |
|
|
|
| Album2327 |
|
Musik + Text: René, Leon |
|
|
|
Discogs |
|
|
Modern 915 |
|
Be Cool My Heart |
|
|
|
McLollie, Oscar & His Honey Jumpers |
|
Bedell Forrest |
1954 |
2:55 |
Los Angeles |
|
|
MM2019 |
|
|
|
| Sampler0791 |
|
Musik + Text: René, Leon |
|
|
|
Discogs |
|
ORIGINAL. Cover filtern. |
Modern 916 |
|
I Need Somebody |
|
V |
|
Hooker, John Lee |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
Modern 916 |
|
Too Much Boogie |
➧ |
V |
|
Hooker, John Lee |
|
|
0000 |
3:01 |
Detroit |
|
|
2016 |
|
|
|
|
|
|
Musik: Hooker |
|
|
|
Global Dog Prod. |
|
|
Modern 916 |
|
Need Somebody |
|
V |
|
Hooker, John Lee |
|
|
|
|
Detroit |
|
|
2017 |
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
Modern 917 |
|
Goin' Crazy |
|
|
|
Houston, Joe |
|
|
|
|
Los Angeles |
|
|
MM2013 |
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
Modern 917 |
|
Blow Crazy |
|
|
|
Houston, Joe |
|
|
|
|
Los Angeles |
|
|
MM2012 |
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
Modern 917 |
|
Blowin' Crazy |
|
|
|
Houston, Joe |
|
|
0000 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
Modern 917 |
|
Going Crazy |
|
|
|
Houston, Joe |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
Modern 918 |
|
You're Gonna Be Sorry |
|
|
|
Johnny Moore's Three Blazers |
|
|
|
|
Los Angeles |
|
|
MM2028 |
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
Modern 918 |
|
Too Late |
|
|
|
Johnny Moore's Three Blazers |
|
|
|
|
Los Angeles |
|
|
MM2020 |
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
Modern 919 |
|
New Love |
|
|
|
Stone, Lawrence |
|
|
0000 |
|
Los Angeles |
|
|
|
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
Modern 919 |
|
Too Much Lovin' |
|
|
|
Stone, Lawrence |
|
|
0000 |
|
Los Angeles |
|
|
|
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
Modern 920 |
|
God Gave Us Christmas |
➧ |
|
|
McLollie, Oscar & His Honey Jumpers |
|
|
1954 |
3:13 |
Los Angeles |
|
|
|
|
|
|
| Sampler0792 |
Modern 943 |
Musik + Text: Johnston, Albert |
|
|
|
www.musiktiteldb.de |
|
|
Modern 920 |
|
Lolly Pop |
|
|
|
McLollie, Oscar & His Honey Jumpers |
|
|
1954 |
2:34 |
Los Angeles |
|
|
2035 |
|
|
|
| Album2327 |
|
Musik + Text: René, Leon |
|
|
|
www.musiktiteldb.de |
|
|
Modern 921 |
A |
I Smell A Rat |
|
V |
|
Young Jessie |
|
|
1954 |
2:27 |
Los Angeles |
|
01.05.1954 |
2041 |
|
|
|
|
|
|
Musik: Stoller, Mike/Text: Leiber, Jerry |
|
|
|
45cat |
|
|
Modern 921 |
B |
Lonesome Desert |
|
V |
|
Young Jessie |
|
|
1954 |
|
Los Angeles |
|
01.05.1954 |
2040 |
|
|
|
|
|
|
Musik: Jessie, Ollie/Ling, Sam |
|
|
|
45cat |
|
|
Modern 922 |
|
We Walked Out In Jesus Name |
|
|
|
Sister Christine Sykes |
|
|
1954 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
Modern 922 |
|
Nothing Can Change |
|
|
|
Sister Christine Sykes |
|
|
1954 |
|
Los Angeles |
|
|
|
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
Modern 922 |
|
We Walked Out In Jesus' Name |
|
|
|
Sister Christine Sykes |
|
|
|
|
Los Angeles |
|
|
|
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
Modern 923 |
|
Gotta Boogie |
➧ |
V |
|
Hooker, John Lee |
|
|
1954 |
2:22 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
Modern 923 |
|
Down Child |
➧ |
V |
|
Hooker, John Lee |
|
|
1953 |
2:53 |
Detroit |
15.12.1953 |
|
MM2049 |
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
Modern 923 |
|
Gonna Boogie |
|
V |
|
Hooker, John Lee |
|
|
1953 |
|
Detroit |
15.12.1953 |
|
MM2050 |
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
Modern 924 |
|
Can't Do Nothing |
|
|
|
Hogg, Smokey |
|
|
1954 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
Modern 924 |
|
I Just Can't Help It |
|
|
|
Hogg, Smokey |
|
|
|
|
Los Angeles |
|
|
MM2052 |
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
Modern 924 |
|
Can't Do Nothin' |
|
|
|
Hogg, Smokey |
|
|
|
|
Los Angeles |
|
|
MM2051 |
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
Modern 924 |
|
Just Can't Help It |
|
|
|
Hogg, Smokey |
|
|
1954 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
Modern 926 |
|
Blues Blasters Boogie |
|
V |
|
McCracklin, Jimmy |
|
|
1954 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
Modern 926 |
|
Panic's On, The |
|
V |
|
McCracklin, Jimmy |
|
|
1954 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
Modern 927 |
|
Don't Have To Worry |
|
|
|
Thomas, Jerry |
|
|
1954 |
|
Los Angeles |
|
|
|
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
Modern 927 |
|
Lost Monday |
|
|
|
Thomas, Jerry |
|
|
1954 |
|
Los Angeles |
|
|
|
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
Modern 928 |
|
What You Call 'em Joe |
|
|
|
McLollie, Oscar & His Honey Jumpers |
|
|
1954 |
2:31 |
Los Angeles |
|
|
MM2072 |
|
|
|
|
|
|
|
|
|
|
www.musiktiteldb.de |
|
|
Modern 928 |
|
Mama Don't Like It |
|
|
|
McLollie, Oscar |
|
|
|
|
Los Angeles |
|
|
MM2071 |
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
Modern 928 |
|
Mama Don't Like |
|
|
|
McLollie, Oscar & His Honey Jumpers |
|
|
1954 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
Modern 929 |
|
Why Don't You Believe Me |
|
|
|
Love, Clayton |
|
|
|
|
Los Angeles |
|
|
MM2085 |
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
Modern 929 |
|
Wicked Little Woman |
|
|
|
Love, Clayton |
|
|
|
|
Los Angeles |
|
|
MM2084 |
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
Modern 930 |
|
I Miss You So |
|
|
|
Binder, Dennis |
|
|
1954 |
|
Los Angeles |
|
|
2086 |
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
Modern 930 |
|
Early Times |
|
|
|
Binder, Dennis |
|
|
1954 |
|
Los Angeles |
|
|
2087 |
|
|
|
|
|
|
Musik: Binder |
|
|
|
Global Dog Prod. |
|
|
Modern 931 |
|
Jump Me |
|
V |
|
Hooker, John Lee |
|
|
1954 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
Modern 931 |
|
Jump Me (One More Time) |
|
V |
|
Hooker, John Lee |
|
|
|
|
Detroit |
|
|
MM2089 |
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
Modern 931 |
|
I Wonder Little Darlin' |
|
V |
|
Hooker, John Lee |
|
|
1954 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
Modern 931 |
|
I Wonder Little Darling |
|
V |
|
Hooker, John Lee |
|
|
|
|
Detroit |
|
|
MM2088 |
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
Modern 932 |
A |
Wiggle Toe |
|
|
|
McLollie, Oscar & His Honey Jumpers |
|
|
1954 |
2:38 |
Los Angeles |
|
06/1954 |
2092 |
|
|
|
| Album2327 |
|
Musik + Text: Toombs, Rudy |
|
|
|
45cat |
|
|
Modern 932 |
B |
Hot Banana |
|
|
|
McLollie, Oscar & His Honey Jumpers |
|
|
1954 |
2:23 |
Los Angeles |
|
06/1954 |
2093 |
|
|
|
| Album2327 |
|
Musik: René, Leon/Text: Favors, George |
|
|
|
45cat |
|
|
Modern 933 |
A |
Tick Tock |
➧ |
V |
|
Marvin & Johnny |
|
Phillips, Marvin & His Orchestra |
1954 |
2:52 |
Los Angeles |
|
09/1954 |
2094 |
|
|
|
|
|
|
Musik + Text: Josea, Joe |
|
|
|
45cat |
|
|
Modern 933 |
B |
Cherry Pie |
➧ |
V |
|
Marvin & Johnny |
|
Phillips, Marvin & His Orchestra |
1954 |
2:47 |
Los Angeles |
|
09/1954 |
2095 |
|
570772 |
00228960349 |
| Sampler0818 |
|
Musik + Text: Josea, Joe/Phillips, Marvin |
|
|
|
45cat |
|
ORIGINAL. Cover filtern. |
Modern 934 |
|
Darlin' Share Your Love |
|
V |
|
McCracklin, Jimmy |
|
|
1954 |
|
Oakland |
|
|
MM2096 |
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
Modern 934 |
|
Give My Heart A Break |
|
V |
|
McCracklin, Jimmy |
|
|
1954 |
|
Oakland |
|
|
MM2097 |
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
Modern 935 |
|
Let's Talk It Over |
➧ |
V |
|
Hooker, John Lee |
|
|
1954 |
3:01 |
Detroit |
|
|
MM2099 |
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
Modern 935 |
|
I Tried Hard |
➧ |
V |
|
Hooker, John Lee |
|
|
|
2:54 |
Detroit |
|
|
MM2098 |
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
Modern 936 |
|
Bye, Bye, Fare Thee Well |
|
|
|
'Peppermint' Harris |
|
|
1951 |
|
Houston |
|
|
MM2108 |
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
Modern 936 |
|
Black Cat Bone |
|
|
|
'Peppermint' Harris |
|
|
1951 |
|
Houston |
|
|
MM2109 |
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
Modern 938 |
|
Ooh Daddy |
|
|
|
Peters, Linda |
Pseudonym |
|
1954 |
2:42 |
Los Angeles |
|
|
|
|
|
|
|
|
|
|
|
|
|
YouTube |
|
|
Modern 938 |
|
One More Chance |
|
|
|
Peters, Linda |
Pseudonym |
|
1954 |
|
Los Angeles |
|
|
|
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
Modern 939 |
|
It Wont Take Long |
|
|
|
The Native Boys |
|
|
|
|
Los Angeles |
|
|
2110 |
|
|
|
|
|
|
Musik: Josea |
|
|
|
The Online Discographical Project |
|
|
Modern 939 |
|
Native Girl |
|
|
|
Native Boys |
|
|
1954 |
2:23 |
Los Angeles |
|
|
2111 |
|
|
|
| Sampler0791 |
|
Musik + Text: Josea, Joe |
|
|
|
www.musiktiteldb.de |
|
|
Modern 939 |
|
It Won't Take Long |
|
|
|
Native Boys |
|
|
1954 |
3:16 |
|
|
|
|
|
|
|
| Sampler0791 |
|
Musik + Text: Josea, Joe |
|
|
|
www.musiktiteldb.de |
|
|
Modern 940 |
|
Take Your Shoes Off Pop |
|
|
|
McLollie, Oscar & His Honey Jumpers |
|
|
1954 |
2:09 |
|
|
|
|
|
|
|
|
|
London HL 8130 |
|
|
|
|
www.musiktiteldb.de |
|
|
Modern 940 |
|
Love Me Tonight |
|
|
|
McLollie, Oscar & His Honey Jumpers |
|
|
1955 |
2:41 |
Los Angeles |
|
|
2119 |
|
|
|
| Album2327 |
London HL 8130 |
Musik + Text: René, Leon |
|
|
|
www.musiktiteldb.de |
|
|
Modern 940 |
|
Take Your Shoes Off, Pop |
|
|
|
Oscar Mclollie And His Honeyjumpers |
|
|
|
|
|
|
|
2120 |
|
|
|
|
|
|
Musik: Horn/cuthers |
|
|
|
The Online Discographical Project |
|
|
Modern 941 |
|
Sugar |
|
|
|
Marvin & Johnny |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Marvin Phillips Orch |
|
The Online Discographical Project |
|
|
Modern 941 |
|
Kiss Me |
|
|
|
Marvin & Johnny |
|
|
|
|
|
|
|
2125 |
|
|
|
|
|
|
Musik: Ling |
|
Marvin Phillips Orch |
|
The Online Discographical Project |
|
|
Modern 942 |
|
Bad Boy |
|
V |
|
Hooker, John Lee |
|
|
1953 |
|
Detroit |
15.12.1953 |
|
MM2128 |
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
Modern 942 |
|
Cool Little Car |
➧ |
V |
|
Hooker, John Lee |
|
|
1953 |
3:15 |
Detroit |
15.12.1953 |
|
MM2127 |
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
Modern 943 |
|
God Gave Us Christmas |
➧ |
|
|
McLollie, Oscar & His Honey Jumpers |
|
|
1954 |
3:13 |
Los Angeles |
|
|
|
|
|
|
| Sampler0792 |
Modern 920 |
Musik + Text: Johnston, Albert |
|
|
|
www.musiktiteldb.de |
|
|
Modern 943 |
A |
Dig That Crazy Santa Claus |
➧ |
|
|
McLollie, Oscar & His Honey Jumpers |
|
|
50er |
2:33 |
Los Angeles |
|
|
MM2126 |
|
|
|
| Album2327 |
|
Musik: Johnston, Albert/Text: René, Leon/Rafael, René |
|
|
|
The Online Discographical Project |
|
|
Modern 944 |
|
I Wanna Love |
|
|
|
Maye, Arthur Lee & The Crowns |
|
|
1955 |
2:07 |
Culver City |
|
|
2130 |
|
|
|
| Sampler0791 |
|
Musik: Berry, Richard/Text: Josea, Joe |
|
|
|
www.musiktiteldb.de |
|
|
Modern 944 |
|
Set My Heart Free |
➧ |
|
|
Maye, Arthur Lee & The Crowns |
|
|
1955 |
2:59 |
Culver City |
|
|
2129 |
|
|
|
| Sampler0791 |
|
Musik: Hooker, John Lee/Text: Taub, Jules |
|
|
|
www.musiktiteldb.de |
|
|
Modern 945 |
|
Stairway To Love |
|
|
|
Poka-Dotts, The |
|
|
1955 |
3:03 |
Los Angeles |
|
|
|
|
|
|
| Sampler0794 |
|
Musik: Aiken, Willa/Salisbury, Barbara/Text: Davis, Maxwell |
|
|
|
www.musiktiteldb.de |
|
|
Modern 945 |
|
Ting-A-Ling |
|
|
|
Poka-Dotts, The |
|
|
1955 |
2:22 |
Los Angeles |
|
|
|
|
|
|
| Sampler0794 |
|
Musik + Text: Greene, Joe |
|
|
|
www.musiktiteldb.de |
|
|
Modern 946 |
|
Little Honey |
|
V |
|
Marvin & Johnny |
|
|
1955 |
|
Los Angeles |
|
|
|
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
Modern 946 |
|
Honey Girl |
|
V |
|
Marvin & Johnny |
|
|
1955 |
|
Los Angeles |
|
|
|
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
Modern 947 |
|
Wallflower |
|
|
|
Etta James And "the Peaches" |
|
|
1954 |
|
Los Angeles |
25.11.1954 |
|
2144 |
|
|
|
|
|
|
Musik: James Etta/p. Otis |
|
|
|
The Online Discographical Project |
|
|
Modern 947 |
|
Wallflower, The |
|
|
|
James, Etta & The Peaches |
|
|
1955 |
3:08 |
|
|
|
|
|
|
|
| Album2330 |
|
Musik: James, Etta/Text: Otis, P. |
|
|
|
www.musiktiteldb.de |
|
COVER. Original filtern. |
Modern 947 |
|
Hold Me, Squeeze Me |
|
|
|
James, Etta & The Peaches |
|
|
1954 |
2:31 |
Los Angeles |
25.11.1954 |
|
2145 |
|
|
|
| Sampler0793 |
|
Musik: Josea, Joe/Text: Taub, Jules/Ling, Sam |
|
|
|
www.musiktiteldb.de |
|
|
Modern 948 |
|
Shake, Holler And Run |
➧ |
V |
|
Hooker, John Lee |
|
|
1954 |
2:30 |
Detroit |
09.01.1954 |
|
2149 |
|
|
|
| 230d6214 |
|
Musik + Text: Calhoun, Charles E. |
|
|
|
The Online Discographical Project |
|
|
Modern 948 |
|
Half A Stranger |
➧ |
V |
|
Hooker, John Lee |
|
|
1954 |
3:09 |
Detroit |
09.01.1954 |
|
2148 |
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
Modern 948 |
|
Shake Holler And Run |
|
V |
|
Hooker, John Lee |
|
|
1955 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
Modern 949 |
|
Kokomo |
|
V |
|
Marvin & Johnny |
|
|
1955 |
|
Los Angeles |
|
|
|
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
Modern 949 |
|
Sometimes I Wonder |
|
V |
|
Marvin & Johnny |
|
|
1955 |
|
Los Angeles |
|
|
|
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
Modern 950 |
|
Pretty Girl |
|
|
|
Oscar Mclollie And The Honeyjumpers |
|
|
|
|
Los Angeles |
|
|
|
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
Modern 950 |
|
Hey Lolly Lolly |
|
|
|
Oscar Mclollie And The Honeyjumpers |
|
|
|
|
Los Angeles |
|
|
|
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
Modern 951 |
|
Please Forgive Me Baby |
|
V |
|
McCracklin, Jimmy |
|
|
1955 |
|
Oakland |
01.01.1955 |
|
|
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
Modern 951 |
|
Couldn't Be A Dream |
➧ |
V |
|
McCracklin, Jimmy |
|
|
1955 |
3:36 |
Oakland |
01.01.1955 |
|
|
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
Modern 952 |
A |
I Love You Yes I Do |
|
V |
|
Marvin & Johnny |
|
Phillips, Marvin & His Orchestra |
1955 |
|
Los Angeles |
|
|
2167 |
|
|
|
|
|
|
Musik + Text: Nathan |
|
|
|
45cat |
|
|
Modern 952 |
B |
Baby, Won't You Marry Me |
|
|
|
Marvin & Johnny |
|
Phillips, Marvin & His Orchestra |
1955 |
|
Los Angeles |
|
|
2168 |
|
|
|
|
|
|
Musik + Text: Ling |
|
|
|
45cat |
|
|
Modern 954 |
|
Lonely Girl |
|
|
|
Demilo, Codelia |
|
|
|
|
Los Angeles |
|
|
MM2172 |
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
Modern 954 |
|
Ain't Gonna Hush |
|
|
|
Demilo, Codelia |
|
|
|
|
Los Angeles |
|
|
MM2173 |
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
Modern 955 |
|
Eternal Love |
|
|
|
McLollie, Oscar & His Honey Jumpers |
|
|
1955 |
2:37 |
Los Angeles |
|
|
MM2175 |
|
|
|
| Album2327 |
|
Musik: Matola, George/Text: Taub, Jules |
|
|
|
www.musiktiteldb.de |
|
|
Modern 955 |
|
Pagliacci With A Broken Heart |
|
|
|
McLollie, Oscar |
|
|
|
|
Los Angeles |
|
|
MM2174 |
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
Modern 955 |
|
Pagliacci |
|
|
|
McLollie, Oscar & His Honey Jumpers |
|
|
1955 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
Modern 956 |
|
I Cry |
|
V |
|
Cadets, The |
|
|
1955 |
2:32 |
Culver City |
10.04.1955 |
|
MM2177 |
Auch als Pseudonym oder Original, anderer Schreibweise auf „Modern 963“. Siehe auch: Bemerkung. |
|
|
| Sampler0793 |
Modern 963 |
Musik + Text: Ellis, Betsy |
|
|
|
www.musiktiteldb.de |
|
|
Modern 956 |
|
Don't Be Angry |
➧ |
V |
|
Cadets, The |
|
|
1955 |
2:15 |
Culver City |
10.04.1955 |
|
MM2176 |
|
|
|
|
|
|
Musik: Mccoy/brown |
|
|
|
RateYourMusic |
|
|
Modern 957 |
|
Be Mine |
➧ |
V |
|
James, Etta |
|
|
1955 |
2:47 |
Los Angeles |
15.05.1955 |
|
2185 |
|
|
|
|
|
|
|
|
|
|
RateYourMusic |
|
|
Modern 957 |
|
Hey! Henry |
|
V |
|
James, Etta |
|
|
1955 |
3:01 |
Los Angeles |
15.05.1955 |
|
2184 |
|
|
|
| Album2330 |
|
Musik: Gallo, Frank/Text: Berry, Richard |
|
„Berry, Richard“ als Henry. |
|
The Online Discographical Project |
|
|
Modern 958 |
|
You Deceive Me |
|
V |
|
Hooker, John Lee |
|
|
1955 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
RateYourMusic |
|
|
Modern 958 |
|
Taxi Driver |
➧ |
V |
|
Hooker, John Lee |
|
|
1955 |
3:06 |
Detroit |
|
|
MM2186 |
|
|
|
|
|
|
|
|
|
|
RateYourMusic |
|
|
Modern 958 |
|
You Receive Me |
|
V |
|
Hooker, John Lee |
|
|
|
|
Detroit |
|
|
MM2187 |
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
Modern 959 |
|
Butter Ball |
➧ |
V |
|
Marvin & Johnny |
|
|
1955 |
2:52 |
Los Angeles |
|
|
|
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
Modern 959 |
|
Sugar Mama |
|
V |
|
Marvin & Johnny |
|
|
1955 |
|
Los Angeles |
|
|
|
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
Modern 960 |
|
Rollin' Stone |
➧ |
V |
|
Cadets, The |
|
|
1955 |
3:03 |
Culver City |
15.05.1955 |
|
MM2194 |
|
|
|
|
|
|
|
|
|
|
RateYourMusic |
|
|
Modern 960 |
|
Fine Lookin' Woman |
|
V |
|
Cadets, The |
|
|
1955 |
|
Culver City |
15.05.1955 |
|
MM2195 |
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
Modern 960 |
|
Fine Lookin' Baby |
|
V |
|
Cadets, The |
|
|
1955 |
|
Culver City |
15.05.1955 |
|
2195 |
Auch als Pseudonym oder Original, anderer Schreibweise auf „Modern 960“. Siehe auch: Bemerkung. |
|
|
|
|
Modern 963 |
Musik: Collins/davis/ling |
|
|
|
The Online Discographical Project |
|
|
Modern 961 |
A |
Mary Lou |
➧ |
V |
|
Young Jessie |
|
Davis, Maxwell & His Orchestra |
1955 |
3:00 |
Culver City |
10.04.1955 |
06/1955 |
2202 |
|
|
|
| Sampler0818 |
|
Musik + Text: Jessie, Ollie/Ling, Sam |
|
|
|
45cat |
|
ORIGINAL. Cover filtern. |
Modern 961 |
B |
Don't Think I Will |
|
V |
|
Young Jessie |
|
Davis, Maxwell & His Orchestra |
1955 |
2:37 |
Culver City |
10.04.1955 |
06/1955 |
2203 |
|
|
|
| Sampler0792 |
|
Musik + Text: Jessie, Ollie/Ling, Sam |
|
|
|
45cat |
|
|
Modern 962 |
|
Crazy Feeling |
➧ |
V |
|
James, Etta |
|
|
1955 |
3:18 |
Los Angeles |
15.05.1955 |
|
2199 |
|
|
|
| Sampler0796 |
|
Musik: James, Etta/Text: Taub, Jules |
|
|
|
www.musiktiteldb.de |
|
|
Modern 962 |
|
Good Rockin' Daddy |
➧ |
V |
|
James, Etta |
|
|
1955 |
2:31 |
Los Angeles |
15.05.1955 |
|
2198 |
|
|
|
| Sampler0818 |
|
Musik: Berry, Richard/Text: Josea, Joe |
|
|
|
Global Dog Prod. |
|
|
Modern 963 |
|
Fine Lookin' Baby |
|
V |
|
Cadets, The |
|
|
1955 |
|
Culver City |
15.05.1955 |
|
2195 |
Auch als Pseudonym oder Original, anderer Schreibweise auf „Modern 960“. Siehe auch: Bemerkung. |
|
|
|
|
Modern 960 |
Musik: Collins/davis/ling |
|
|
|
The Online Discographical Project |
|
|
Modern 963 |
|
I Cry |
|
V |
|
Cadets, The |
|
|
1955 |
2:32 |
Culver City |
10.04.1955 |
|
MM2177 |
Auch als Pseudonym oder Original, anderer Schreibweise auf „Modern 963“. Siehe auch: Bemerkung. |
|
|
| Sampler0793 |
Modern 956 |
Musik + Text: Ellis, Betsy |
|
|
|
www.musiktiteldb.de |
|
|
Modern 964 |
|
I Will Return |
|
|
|
Cobras, The |
|
|
|
|
Los Angeles |
|
|
MM2211 |
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
Modern 964 |
|
Sindy |
|
|
|
Cobras |
|
|
1954 |
2:56 |
Los Angeles |
|
|
MM2210 |
|
|
|
| Sampler0792 |
|
Musik + Text: Squires |
|
|
|
www.musiktiteldb.de |
|
|
Modern 965 |
|
Au La Bah |
|
|
|
Dolly Cooper And The Cadets |
|
|
|
|
Culver City |
|
|
MM2215 |
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
Modern 965 |
|
Ay La Bah |
|
V |
|
Cooper, Dolly |
|
|
1955 |
3:04 |
|
|
|
|
|
|
|
| Sampler0795 |
|
Musik: Watts, Mayme/Text: Wyche, Sidney |
|
|
|
www.musiktiteldb.de |
|
|
Modern 965 |
|
My Man |
➧ |
V |
|
Cooper, Dolly |
|
|
1955 |
2:09 |
Culver City |
|
|
MM2214 |
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
Modern 966 |
|
Sydicator, The |
|
V |
|
Hooker, John Lee |
|
|
|
|
Detroit |
|
|
MM2217 |
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
Modern 966 |
|
Syndicator, The |
|
V |
|
Hooker, John Lee |
|
|
1955 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
Modern 966 |
|
Hug And Squeeze Me |
|
V |
|
Hooker, John Lee |
|
|
1955 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
Modern 966 |
|
Hug And Squeeze |
➧ |
V |
|
Hooker, John Lee |
|
|
|
2:40 |
Detroit |
|
|
MM2216 |
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
Modern 967 |
|
Gonna Tell Your Mother |
|
V |
|
McCracklin, Jimmy |
|
|
1955 |
2:36 |
|
|
|
|
|
|
|
| Sampler0818 |
|
Musik: McCracklin, Jimmy/Text: Ling, Sam |
|
|
|
www.musiktiteldb.de |
|
|
Modern 967 |
|
I'm Gonna Tell Your Mother |
|
V |
|
McCracklin, Jimmy |
|
|
1955 |
|
Oakland |
08.01.1955 |
|
MM2218 |
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
Modern 967 |
|
That Ain't Right |
|
V |
|
McCracklin, Jimmy |
|
|
1955 |
|
Oakland |
08.01.1955 |
|
MM2219 |
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
Modern 968 |
|
Will You Love Me |
|
V |
|
Marvin & Johnny |
|
|
1955 |
|
Los Angeles |
|
|
|
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
Modern 968 |
|
Sweet Dreams |
|
V |
|
Marvin & Johnny |
|
|
1955 |
|
Los Angeles |
|
|
|
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
Modern 969 |
|
So Will I |
|
V |
|
Cadets, The |
|
|
1955 |
|
Culver City |
09.01.1955 |
|
MM2230 |
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
Modern 969 |
|
Annie Met Henry |
➧ |
V |
|
Cadets, The |
|
|
1955 |
2:37 |
Culver City |
09.01.1955 |
|
MM2231 |
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
Modern 970 |
|
Roll Hot Rod Roll |
➧ |
|
|
McLollie, Oscar & His Honey Jumpers |
|
|
1955 |
3:00 |
|
|
|
|
|
|
|
| Album2327 |
|
Musik + Text: Scott, Winfield |
|
|
|
www.musiktiteldb.de |
|
|
Modern 970 |
|
Convicted |
|
|
|
McLollie, Oscar & His Honey Jumpers |
|
|
1955 |
|
Los Angeles |
|
|
2235 |
|
|
|
|
|
Chess 2086 |
Musik: René, Leon |
|
|
|
Global Dog Prod. |
|
|
Modern 970 |
|
Roll, Hot Rod, Roll |
|
|
|
Oscar Mclollie And His “honeyjumpers” |
|
|
|
|
Los Angeles |
|
|
2234 |
|
|
|
|
|
|
Musik: Scott |
|
|
|
The Online Discographical Project |
|
|
Modern 971 |
|
If It Is Wrong |
|
V |
|
Cadets, The |
|
|
1955 |
|
Culver City |
15.10.1955 |
|
MM2237 |
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
Modern 971 |
|
Do You Wanna Rock |
➧ |
V |
|
Cadets, The |
|
|
1955 |
3:16 |
Culver City |
15.10.1955 |
|
MM2236 |
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
Modern 972 |
|
W-O-M-A-N |
➧ |
V |
|
James, Etta |
|
|
1955 |
2:42 |
Los Angeles |
15.10.1955 |
|
2239 |
|
|
|
|
|
|
Musik: Rogers/malloy/mitchell |
|
|
|
RateYourMusic |
|
|
Modern 972 |
|
That's All |
➧ |
V |
|
James, Etta |
|
|
1955 |
2:15 |
Los Angeles |
15.10.1955 |
|
2238 |
|
|
|
|
|
|
Musik: Davis/josea |
|
|
|
RateYourMusic |
|
|
Modern 973 |
A |
Nothing Seems Right |
|
V |
|
Young Jessie |
|
|
1955 |
3:08 |
Culver City |
|
03.12.1955 |
2240 |
|
|
|
|
|
|
Musik + Text: Jessie, Ollie/Ling, Sam |
|
|
|
45cat |
|
|
Modern 973 |
B |
Do You Love Me |
|
V |
|
Young Jessie |
|
|
1955 |
2:25 |
Culver City |
|
03.12.1955 |
2241 |
|
|
|
|
|
|
Musik + Text: Jessie, Ollie/Ling, Sam |
|
|
|
45cat |
|
|
Modern 974 |
|
Let Me Know |
|
V |
|
Marvin & Johnny |
|
|
1955 |
2:16 |
Los Angeles |
|
|
2257 |
|
|
|
| Sampler0794 |
|
Musik: Josea, Joe/Text: Lottie |
|
|
|
www.musiktiteldb.de |
|
|
Modern 974 |
|
Ain't That Right |
|
V |
|
Marvin & Johnny |
|
|
1955 |
2:07 |
Los Angeles |
|
|
2256 |
|
|
|
| Sampler0734 |
|
Musik: Josea, Joe/Text: Phillips, Marvin |
|
|
|
Global Dog Prod. |
|
|
Modern 975 |
|
Cold Chills |
|
|
|
Sounds |
|
|
1955 |
2:36 |
Los Angeles |
|
|
MM2252 |
|
|
|
| Sampler0794 |
|
Musik: Ling, Sam/Text: Robert |
|
|
|
www.musiktiteldb.de |
|
|
Modern 975 |
|
So Unneccessary |
|
|
|
Sounds |
|
|
1955 |
2:44 |
|
|
|
|
|
|
|
| Sampler0794 |
|
Musik: Ling, Sam/Text: Robert |
|
|
|
www.musiktiteldb.de |
|
|
Modern 975 |
|
So Unnecessary |
|
|
|
Sounds, The |
|
|
|
|
Los Angeles |
|
|
MM2253 |
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
Modern 977 |
A |
Teen Age Prayer |
➧ |
V |
|
Cooper, Dolly |
|
Davis, Maxwell & His Orchestra |
1955 |
2:25 |
Culver City |
|
10.12.1955 |
2266 |
|
1855711 |
00016962672 |
|
|
|
Musik + Text: Lowe, Bernie/Reichner, Bickley S. |
|
|
|
45cat |
|
COVER. Original filtern. |
Modern 977 |
B |
Down So Long |
|
V |
|
Cooper, Dolly |
|
Davis, Maxwell & His Orchestra |
1955 |
|
Culver City |
|
10.12.1955 |
2267 |
|
|
|
|
|
|
Musik + Text: Cooper/Davis/Ling |
|
|
|
45cat |
|
|
Modern 978 |
|
Lookin' For A Woman |
➧ |
V |
|
Hooker, John Lee |
|
|
1955 |
3:11 |
Detroit |
01.01.1956 |
|
MM2277 |
|
|
|
|
|
|
|
|
|
|
RateYourMusic |
|
|
Modern 978 |
|
I'm Ready |
➧ |
V |
|
Hooker, John Lee |
|
|
1955 |
2:41 |
Detroit |
01.01.1956 |
|
MM2278 |
|
|
|
|
|
|
|
|
|
|
RateYourMusic |
|
|
Modern 980 |
A |
Never Lose Faith In Me |
|
|
|
Honey Boys |
|
|
1955 |
2:43 |
Los Angeles |
|
|
2258 |
|
|
|
| Sampler0794 |
|
Musik: Lewis, Curtis/Text: McCoy, Jacqueline |
|
|
|
www.musiktiteldb.de |
|
|
Modern 980 |
B |
Vippity Vop |
|
|
|
Honey Boys |
|
|
1955 |
2:54 |
Los Angeles |
|
|
2259 |
|
|
|
| Sampler0794 |
|
Musik: Dasher, Joe/Text: McCoy, Jacqueline |
|
|
|
www.musiktiteldb.de |
|
|
Modern 981 |
|
Anything For You |
|
|
|
Sounds |
|
|
1955 |
2:16 |
Los Angeles |
|
|
2294 |
|
|
|
| Sampler0795 |
|
Musik: Ling, Sam/Text: Byrd, Robert |
|
|
|
www.musiktiteldb.de |
|
|
Modern 981 |
|
Sweet Sixteen |
|
|
|
Sounds |
|
|
1955 |
3:05 |
Los Angeles |
|
|
2293 |
|
|
|
| Sampler0795 |
|
Musik: Freed, Alan/Text: Paul, Lynn |
|
|
|
www.musiktiteldb.de |
|
|
Modern 982 |
A |
Wonderful, Wonderful One |
|
|
|
Phillips, Marvin |
|
|
1956 |
2:40 |
Los Angeles |
15.01.1956 |
02/1956 |
MM2283 |
|
|
|
|
|
|
Musik + Text: Lottie/Josea |
|
|
|
45cat |
|
|
Modern 982 |
B |
Yes I Do |
|
V |
|
Phillips, Marvin |
|
|
1956 |
2:00 |
Los Angeles |
15.01.1956 |
02/1956 |
MM2284 |
|
|
|
|
|
|
Musik + Text: Lottie/Ling |
|
|
|
45cat |
|
|
Modern 983 |
A |
Long Tall Woman |
|
V |
|
James, Elmore & His Broomdusters |
|
|
1956 |
2:54 |
Chicago |
04.01.1956 |
03.03.1956 |
2286=2 |
|
|
|
|
|
|
Musik: James, Elmore/Text: Josea, Joe |
|
|
|
45cat |
|
|
Modern 983 |
B |
Wild About You |
➧ |
V |
|
James, Elmore & His Broomdusters |
|
|
1956 |
3:18 |
Chicago |
04.01.1956 |
03.03.1956 |
2285=4 |
|
|
|
| Deezer |
|
Musik: James, Elmore/Text: Josea, Joe |
|
|
|
45cat |
|
ORIGINAL. Cover filtern. |
Modern 984 |
|
Number One |
|
V |
|
James, Etta |
|
|
1955 |
|
Los Angeles |
01.01.1956 |
|
2287 |
|
|
|
|
|
|
Musik: Ling |
|
|
|
RateYourMusic |
|
|
Modern 984 |
|
I'm A Fool |
➧ |
V |
|
James, Etta |
|
|
1955 |
2:29 |
Los Angeles |
01.01.1956 |
|
2288 |
|
|
|
|
|
Oldies 45 084 |
Musik: Berry/josea |
|
|
|
RateYourMusic |
|
|
Modern 985 |
A |
Church Bells May Ring |
➧ |
V |
|
Cadets, The |
|
|
1957 |
2:11 |
|
15.02.1956 |
03/1956 |
MM3000 |
|
944859 |
00028311409 |
| Sampler0794 |
|
Musik: Willows, The/Text: Craft, Morty |
|
|
|
45cat |
|
COVER. Original filtern. |
Modern 985 |
B |
Heartbreak Hotel |
➧ |
V |
|
Cadets, The |
|
|
1956 |
2:19 |
Culver City |
02.01.1956 |
03/1956 |
MM3001 |
|
|
|
|
|
|
Musik: Axton/Durden, Tommy/Text: Presley, Elvis |
|
|
|
45cat |
|
COVER. Original filtern. |
Modern 986 |
|
Every Day And Every Night |
➧ |
V |
|
Cooper, Dolly |
|
|
1955 |
2:12 |
Los Angeles |
15.03.1956 |
|
MM3011 |
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
Modern 986 |
|
Teen Age Wedding Bells |
|
V |
|
Cooper, Dolly |
|
|
1956 |
|
Los Angeles |
15.03.1956 |
|
MM3010 |
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
Modern 987 |
|
I Wanna Know Why |
➧ |
|
|
Cliques, The |
|
|
1956 |
2:26 |
Los Angeles |
02.01.1956 |
|
3003 |
|
|
|
| Album2307 |
|
Musik: Ling, Sam/Taub, Jules/Text: Josea, J. |
|
|
|
www.musiktiteldb.de |
|
|
Modern 987 |
|
Girl In My Dreams, The |
➧ |
|
|
Cliques, The |
|
|
1956 |
2:59 |
Los Angeles |
02.01.1956 |
|
3002 |
|
|
|
| 8911731c |
|
Musik: Davis, Maxwell/Josea, Joe/Text: Ling, Sam/Taub, Jules |
19.05.1956 |
|
|
Joel Whitburn's Pop Memories 1890-1954 |
|
ORIGINAL. Cover filtern. |
Modern 988 |
A |
Tears Of Joy |
➧ |
V |
|
James, Etta 'Miss Peaches' |
|
|
1956 |
2:26 |
Los Angeles |
15.03.1956 |
05/1956 |
3012 |
|
|
|
|
|
|
Musik + Text: Leiber, Jerry/Stoller, Mike |
|
|
|
45cat |
|
|
Modern 988 |
B |
Shortnin' Bread Rock |
➧ |
V |
|
James, Etta 'Miss Peaches' |
|
|
1956 |
2:30 |
|
05.03.1956 |
05/1956 |
3013 |
|
|
|
|
|
|
Musik + Text: Morgan/Brandt |
|
|
|
45cat |
|
|
Modern 989 |
|
I Want You |
|
|
|
Gunter, Shirley & The Flairs |
|
|
1955 |
2:45 |
Culver City |
15.05.1956 |
|
MM3031 |
|
|
|
| Sampler0794 |
|
Musik: Davis, Maxwell/Text: Josea, Joe |
|
|
|
www.musiktiteldb.de |
|
|
Modern 989 |
|
Headin' Home |
|
|
|
Gunter, Shirley & The Flairs |
|
|
1956 |
|
Culver City |
15.05.1956 |
|
MM3030 |
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
Modern 990 |
|
It's All Over |
|
I |
|
Hawks, The |
|
|
1956 |
2:24 |
NO |
04.01.1956 |
|
3028 |
|
|
|
| Sampler0795 |
|
Musik: Hawks/Text: Ling, Sam |
|
|
|
www.musiktiteldb.de |
|
|
Modern 990 |
|
Ever Since You Been Gone |
|
I |
|
Hawks, The |
|
|
1956 |
|
NO |
04.01.1956 |
|
3029 |
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
Modern 991 |
|
No Love For Me |
|
|
|
Beasley, Jimmy |
|
|
1956 |
|
NO |
04.01.1956 |
|
MM3025 |
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
Modern 991 |
|
Ella Jane |
|
|
|
Beasley, Jimmy |
|
|
1956 |
|
NO |
04.01.1956 |
|
MM3024 |
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
Modern 992 |
|
You Are The First One |
|
|
|
Rockets |
|
|
1956 |
2:49 |
Los Angeles |
15.05.1956 |
|
MM3038 |
|
|
|
| Sampler0795 |
|
Musik + Text: Scott, Winfield |
|
|
|
www.musiktiteldb.de |
|
|
Modern 992 |
|
Be Lovey Dovey |
➧ |
|
|
Rockets |
|
|
1956 |
2:08 |
Los Angeles |
15.05.1956 |
|
MM3039 |
|
|
|
| Sampler0795 |
|
Musik: Carrol, Gregory/Text: Harrison, Larry |
|
|
|
www.musiktiteldb.de |
|
|
Modern 993 |
|
Have Mercy Miss Percy |
➧ |
|
|
Long Tall Marvin |
|
|
1956 |
2:31 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
Modern 993 |
|
Tell Me Darlin' |
|
|
|
Long Tall Marvin |
|
|
1956 |
|
Los Angeles |
|
|
|
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
Modern 994 |
A |
Stranded in The Jungle |
➧ |
V |
|
Cadets, The |
|
|
1956 |
3:02 |
Culver City |
15.03.1956 |
07.07.1956 |
3049 |
|
|
|
| Sampler0257 |
London HLU 8313 |
Musik: Smith, Ernestine/Text: Johnson, James |
14.07.1956 |
|
|
45cat |
|
COVER. Original filtern. |
Modern 994 |
B |
I Want You |
|
V |
|
Cadets, The |
|
|
1956 |
2:45 |
Culver City |
15.03.1956 |
07.07.1956 |
3050 |
|
|
|
|
|
London HLU 8313 |
Musik + Text: Davis/Josea |
|
|
|
45cat |
|
|
Modern 995 |
|
My Desire |
➧ |
|
|
Cliques, The |
|
|
1956 |
2:47 |
Culver City |
|
|
3055 |
|
|
|
| Sampler0795 |
Regency 525 |
Musik: Josea, Joe/Text: Ling, Sam |
|
|
|
www.musiktiteldb.de |
|
|
Modern 995 |
|
I'm In Love With A Girl |
➧ |
|
|
Cliques, The |
|
|
1956 |
2:15 |
Culver City |
|
|
3056 |
|
|
|
| Sampler0795 |
Regency 525 |
Musik: Belvin, Jesse/Text: Ling, Sam |
|
|
|
www.musiktiteldb.de |
|
|
Modern 996 |
|
Don't Feel Sorry For Me |
➧ |
|
|
Beasley, Jimmy |
|
|
1956 |
2:14 |
NO |
04.01.1956 |
|
MM3053 |
|
|
|
|
|
Oldies 45 085 |
|
|
|
|
Global Dog Prod. |
|
|
Modern 996 |
|
Little Coquette |
|
|
|
Beasley, Jimmy |
|
|
1956 |
|
NO |
04.01.1956 |
|
MM3054 |
|
|
|
|
|
Regency 518 |
|
|
|
|
Global Dog Prod. |
|
|
Modern 997 |
|
Don't Fall In Love Too Soon |
|
|
|
Tonettes |
|
|
1956 |
|
Los Angeles |
|
|
MM3068 |
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
Modern 997 |
|
Tonight You Belong To Me |
|
|
|
Tonettes |
|
|
1956 |
|
Los Angeles |
|
|
MM3067 |
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
Modern 998 |
|
Fools We Mortals Be |
➧ |
V |
|
James, Etta |
|
|
1956 |
2:20 |
Los Angeles |
07.01.1956 |
|
3062 |
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
Modern 998 |
|
Tough Lover |
➧ |
V |
|
James, Etta |
|
|
1956 |
2:09 |
Los Angeles |
07.01.1956 |
|
3061 |
|
|
|
|
|
|
Musik: James |
|
|
|
Global Dog Prod. |
|
|
Modern 999 |
A |
Hey Rube |
➧ |
V |
|
Rocketeers, The |
|
|
1956 |
2:41 |
Los Angeles |
|
09/1956 |
3076 |
|
|
|
| Sampler0795 |
|
Musik + Text: Johnson, Scot |
|
|
|
45cat |
|
|
Modern 999 |
B |
Talk It Over Baby |
|
V |
|
Rocketeers, The |
|
|
1956 |
2:18 |
Los Angeles |
|
09/1956 |
3077 |
|
|
|
| Sampler0795 |
|
Musik: House, Vincent/Text: Josea, Joe |
|
|
|
45cat |
|
|