Label |
S |
Musiktitel |
St |
Stil |
Interpret |
Ps |
Begleitung |
Jahr |
Zeit |
Kbps |
Aufnahmeort |
Aufn.-Dat. |
Vö.-Dat. |
Matrize |
Verweis |
GEMA-Nr. |
CAE/IPI |
Art.-Nr./EAN |
EAN/Art.-Nr |
Label 2 |
Komponist |
Texter |
Charteinst. |
Hp |
W |
Pkt |
Bemerkung |
Musiker |
Quelle |
Seite |
Musik-Quelle |
O |
Equinox 70000 |
A |
Dear Delilah |
V |
|
Grapefruit |
|
|
1967 |
2:36 |
|
|
|
|
|
|
|
|
|
|
|
Alexander, George |
Alexander, George |
02.03.1968 |
98 |
1 |
669 |
|
|
Joel Whitburn's Pop Memories 1890-1954 |
|
|
|
Equinox 70000 |
B |
Dead Boot |
V |
|
Grapefruit |
|
|
1967 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
|
Equinox 70001 |
|
New Song |
V |
|
Ilford Subway |
|
|
1968 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
|
Equinox 70001 |
|
3rd Prophecy |
V |
|
Ilford Subway |
|
|
1968 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
|
Equinox 70004 |
|
Bedtime Story |
V |
|
Glad, The |
|
|
1968 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
|
Equinox 70004 |
|
Say What You Mean |
V |
|
Glad, The |
|
|
1968 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
|
Equinox 70005 |
A |
Elevator |
V |
|
Grapefruit |
|
|
1968 |
2:05 |
|
|
|
|
|
|
|
|
| |
|
Alexander, George |
Alexander, George |
|
|
|
|
|
|
www.ebay.de |
|
|
|
Equinox 70005 |
B |
Yes |
V |
|
Grapefruit |
|
|
1968 |
|
|
|
|
|
|
|
|
|
|
|
|
Perry, John |
Perry, John |
|
|
|
|
|
|
www.ebay.de |
|
|
|
Equinox 70006 |
|
A New Tomorrow |
V |
|
Glad, The |
|
|
1968 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
|
Equinox 70006 |
|
Pickin' Up The Pieces |
V |
|
Glad, The |
|
|
1968 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
|
Equinox 70008 |
|
C'mon Marianne |
V |
|
Grapefruit |
|
|
1968 |
2:10 |
|
|
|
|
|
|
|
|
| 4031778020101 |
|
Bloodworth, Raymond |
Brown, Russell |
|
|
|
|
|
|
Global Dog Prod. |
|
|
Cover |
Equinox 70008 |
|
Ain't It Good |
V |
|
Grapefruit |
|
|
1968 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Global Dog Prod. |
|
|
|