Label |
S |
Musiktitel |
St |
Stil |
Interpret |
Ps |
Begleitung |
Jahr |
Zeit |
Kbps |
Aufnahmeort |
Aufn.-Dat. |
Vö.-Dat. |
Matrize |
Verweis |
GEMA-Nr. |
CAE/IPI |
Art.-Nr./EAN |
EAN/Art.-Nr |
Label 2 |
Komponist |
Texter |
Charteinst. |
Hp |
W |
Pkt |
Bemerkung |
Musiker |
Quelle |
Seite |
Musik-Quelle |
O |
Broadway 5000 |
|
Swing Low Sweet Chariot |
V |
|
Jubilee Gospel Singers |
|
|
1924 |
3:02 |
|
New York City |
15.07.1924 |
|
1812=1 |
|
|
|
|
|
|
|
|
|
|
|
|
Pseudonym von „Norfolk Jubilee Quartet“. |
|
BGR |
0684 |
|
|
Broadway 5000 |
|
I'm A Pilgrim |
V |
|
Jubilee Gospel Singers |
|
|
1924 |
2:52 |
|
New York City |
15.07.1924 |
|
1804=2 |
|
|
|
|
|
|
Spiritual |
|
|
|
|
|
Pseudonym von „Norfolk Jubilee Quartet“. |
|
BGR |
0683 |
|
|
Broadway 5001 |
|
Salt Lake City Blues |
V |
|
Harris, Casey |
|
|
1924 |
|
|
|
15.09.1924 |
|
1892=PM |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
|
Broadway 5001 |
|
Salty Dog Blues |
V |
|
Harris, Casey |
|
|
1924 |
|
|
|
15.09.1924 |
|
1893=PM |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
|
Broadway 5002 |
|
Sit Down Sit Down I Can't Sit Down |
V |
|
Virginia Jubilee Singers |
Pseudonym |
|
1925 |
2:39 |
|
New York City |
15.03.1925 |
|
2057=2 PM |
|
|
|
|
|
|
|
|
|
|
|
|
Pseudonym von „Norfolk Jubilee Quartet“. |
|
BGR |
0684 |
|
|
Broadway 5002 |
|
Somebody's Always Talking About Me |
V |
|
Virginia Jubilee Singers |
Pseudonym |
|
1925 |
2:37 |
|
New York City |
15.03.1925 |
|
2056=2 PM |
|
|
|
|
|
|
|
|
|
|
|
|
Pseudonym von „Norfolk Jubilee Quartet“. |
|
BGR |
0684 |
|
|
Broadway 5003 |
|
I Heard The Voice Of Jesus Say Come Unto Me |
V |
|
Birmingham Quartet |
|
|
1928 |
|
|
|
15.10.1928 |
|
2691=2 PM |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
|
Broadway 5003 |
|
Fight On, Your Time Ain't Long |
V |
|
Birmingham Quartet |
|
|
1928 |
|
|
|
15.10.1928 |
|
2687=3 PM |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
|
Broadway 5004 |
|
Baptize Me |
V |
|
Gates, J. M. (Rev.) |
|
|
1926 |
2:32 |
VBR |
|
15.08.1926 |
|
6762=3 |
|
|
|
|
|
Conqueror 7078 |
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
De |
|
Broadway 5004 |
|
After A While |
V |
|
Gates, J. M. (Rev.) |
|
|
1926 |
3:08 |
VBR |
|
15.08.1926 |
|
6765=1 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
De |
|
Broadway 5005 |
|
Little Low Down Mama Blues |
V |
|
Patterson, Lila |
Pseudonym |
|
1926 |
|
|
|
15.12.1926 |
|
4019=2 PM |
|
|
|
|
|
|
|
|
|
|
|
|
Pseudonym von Rainey, Ma |
|
The Online Discographical Project |
|
|
|
Broadway 5005 |
|
I Couldn't Hear Nobody Pray |
V |
|
Broadway Sextet |
|
|
1923 |
|
|
|
15.07.1923 |
|
6062 |
|
|
|
|
|
|
(alternate Issue!) |
|
|
|
|
|
Wiseman |
|
The Online Discographical Project |
|
|
|
Broadway 5005 |
|
Grieving Hearted Blues |
V |
|
Patterson, Lila |
Pseudonym |
|
1926 |
|
|
|
15.12.1926 |
|
4020=2 |
|
|
|
|
|
|
|
|
|
|
|
|
Pseudonym von Rainey, Ma |
|
The Online Discographical Project |
|
|
|
Broadway 5005 |
|
Sign Of Judgement |
V |
|
Broadway Sextet |
|
|
1923 |
|
|
|
15.07.1923 |
|
6085 |
|
|
|
|
|
|
(alternate Issue!) |
|
|
|
|
|
Wiseman |
|
The Online Discographical Project |
|
|
|
Broadway 5006 |
|
Humming Blues |
V |
|
Drake, Bernice |
Pseudonym |
|
1926 |
3:03 |
|
Chicago |
15.09.1926 |
|
P3019-2 |
|
|
|
|
|
|
Robinson, Elzadie |
Robinson, Elzadie |
|
|
|
|
(alternate Issue) |
|
Moanin' Low: A Discography Of Female Popular Vocal Recordings |
|
|
|
Broadway 5006 |
|
Houston Bound |
V |
|
Drake, Bernice |
Pseudonym |
|
1926 |
2:50 |
|
Chicago |
15.10.1926 |
|
2751-1 |
|
|
|
|
|
|
Robinson, Elzadie |
Robinson, Elzadie |
|
|
|
|
|
|
Moanin' Low: A Discography Of Female Popular Vocal Recordings |
|
|
|
Broadway 5006 |
|
Love Me Like You Used To Do |
V |
|
Lee, Bessie |
|
|
1925 |
|
|
|
15.12.1925 |
|
2365=1 PM |
|
|
|
|
|
|
Carter, Paul |
Carter, Paul |
|
|
|
|
|
|
The Online Discographical Project |
|
|
|
Broadway 5006 |
|
He Likes It Slow |
V |
|
Lee, Bessie |
|
|
1925 |
|
|
|
15.12.1925 |
|
P2363=1 |
|
|
|
|
|
Silvertone 3525 |
Overstreet, Benton |
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
|
Broadway 5007 |
|
Whosoever Will May Come |
V |
|
Biddleville Quintette |
|
|
1927 |
|
|
|
15.06.1927 |
|
2699=2 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
|
Broadway 5007 |
|
Show Pity Lord |
V |
|
Birmingham Quartet |
|
|
1928 |
|
|
|
15.10.1928 |
|
2697=2 PM |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
|
Broadway 5008 |
|
Dying Gambler |
V |
|
Gates, J. M. (Rev.) |
|
|
1926 |
2:48 |
VBR |
|
15.08.1926 |
|
6763=2 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
De |
|
Broadway 5008 |
|
Praying For The Pastor |
V |
|
Gates, J. M. (Rev.) |
|
|
1926 |
2:50 |
VBR |
|
15.08.1926 |
|
6764=2 |
|
|
|
|
|
Conqueror 7083 |
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
De |
|
Broadway 5010 |
|
Soon This Morning |
V |
|
Patterson, Lila |
Pseudonym |
|
1926 |
|
|
|
15.11.1926 |
|
4018=2 PM |
|
|
|
|
|
|
|
|
|
|
|
|
Pseudonym von Rainey, Ma |
|
The Online Discographical Project |
|
|
|
Broadway 5010 |
|
Don't Fish In My Sea |
V |
|
Patterson, Lila |
Pseudonym |
|
1926 |
2:52 |
|
|
15.11.1926 |
|
4021=2 PM |
|
|
|
|
|
|
Rainey, Ma |
Smith |
|
|
|
|
Pseudonym von Rainey, Ma |
|
The Online Discographical Project |
|
|
|
Broadway 5011 |
|
Louisiana Bo Bo |
V |
|
Virginia Jubilee Singers |
Pseudonym |
|
1926 |
2:48 |
|
New York City |
15.10.1926 |
|
2721-3 |
|
|
|
|
|
|
Nixon, Ted |
|
|
|
|
|
Pseudonym von „Norfolk Jubilee Quartet“. |
|
BGR |
0684 |
|
|
Broadway 5011 |
|
Queen St. Rag |
V |
|
Virginia Jubilee Singers |
Pseudonym |
|
1926 |
2:59 |
|
New York City |
15.10.1926 |
|
2719-3 |
|
|
|
|
|
|
|
|
|
|
|
|
Pseudonym von „Norfolk Jubilee Quartet“. |
|
BGR |
0684 |
|
|
Broadway 5015 |
|
Will My Mother Know Me There |
V |
|
Lowe, Arthur |
|
|
1927 |
|
|
|
15.06.1927 |
|
4554=1 PM |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
|
Broadway 5015 |
|
Royal Telephone, The |
V |
|
Blind Arthur Lowe |
|
|
1927 |
|
|
|
15.06.1927 |
|
4553=2 PM |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
|
Broadway 5016 |
|
Hard O Lord |
V |
|
Lewis, Katie |
|
|
1927 |
|
|
|
15.07.1927 |
|
4637=1 |
|
|
|
|
|
|
Cox, Ida |
|
|
|
|
|
Ida Cox |
|
The Online Discographical Project |
|
|
|
Broadway 5016 |
|
Mercy Blues |
V |
|
Lewis, Kate |
|
|
1927 |
|
|
|
15.07.1927 |
|
4638=2 |
|
|
|
|
|
|
Cox, Ida |
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
|
Broadway 5017 |
|
Water Bound Blues |
V |
|
Barr, Martha |
|
|
1927 |
|
|
|
15.07.1927 |
|
4646 PM |
|
|
|
|
|
|
|
|
|
|
|
|
Alice Pearson |
|
The Online Discographical Project |
|
|
|
Broadway 5017 |
|
Memphis Earthquake |
V |
|
Barr, Martha |
|
|
1927 |
|
|
|
15.07.1927 |
|
4643=PM |
|
|
|
|
|
|
|
|
|
|
|
|
Alice Pearson |
|
The Online Discographical Project |
|
|
|
Broadway 5018 |
|
Dead Drunk Blues |
V |
|
Patterson, Lila |
Pseudonym |
|
1927 |
2:53 |
|
|
15.08.1927 |
09/1927 |
733 |
|
|
|
|
|
|
Thomas, George W. |
Wallace, Sippie |
|
|
|
|
Pseudonym von Rainey, Ma |
|
The Online Discographical Project |
|
|
Cover |
Broadway 5018 |
|
Misery Blues |
V |
|
Patterson, Lila |
Pseudonym |
|
1927 |
2:40 |
|
New York City |
15.08.1927 |
09/1927 |
4707=1 |
|
|
|
|
|
|
Cox, Ida |
Rainey, Gertrude Ma |
|
|
|
|
Pseudonym von Rainey, Ma |
|
Moanin' Low: A Discography Of Female Popular Vocal Recordings |
|
|
|
Broadway 5019 |
|
Six Thirty Blues |
V |
|
Mann, Estelle |
Pseudonym |
|
1927 |
|
|
Chicago |
15.07.1927 |
|
4681=1 |
|
|
|
|
|
|
Henderson, Bertha |
Henderson, Bertha |
|
|
|
|
Pseudonym von „Henderson, Bertha“. |
|
Moanin' Low: A Discography Of Female Popular Vocal Recordings |
0252 |
|
|
Broadway 5019 |
|
Black Border Letter |
V |
|
Mann, Estelle |
Pseudonym |
|
1927 |
|
|
Chicago |
15.07.1927 |
|
4680=2 |
|
|
|
|
|
|
Henderson, Bertha |
Henderson, Bertha |
|
|
|
|
Pseudonym von „Henderson, Bertha“. |
|
Moanin' Low: A Discography Of Female Popular Vocal Recordings |
0252 |
|
|
Broadway 5020 |
|
Off To Buffalo |
V |
|
Steve Carr's Rhythm Aces |
Pseudonym |
|
1927 |
|
|
|
15.05.1927 |
|
2828 |
|
|
|
|
|
|
Candullo, Joe |
Carroll, l. |
|
|
|
|
|
|
The Online Discographical Project |
|
|
Cover |
Broadway 5020 |
|
Swamp Blues |
V |
|
Steve Carr's Rhythm Aces |
Pseudonym |
|
1927 |
|
|
|
15.05.1927 |
|
2827 |
|
363006 |
00007962673 |
|
|
|
Bivens, Burke |
Sterling, Andrew B. |
|
|
|
|
|
|
The Online Discographical Project |
|
|
Cover |
Broadway 5023 |
|
Bottomland |
V |
|
Williams, Clarence & His Orchestra |
|
|
1927 |
3:12 |
VBR |
|
15.07.1927 |
|
2838=PM |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
De |
|
Broadway 5023 |
|
Shooting The Pistol |
V |
|
Williams, Clarence & His Orchestra |
|
|
1927 |
2:41 |
VBR |
|
15.07.1927 |
|
2837=2 PM |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
De |
|
Broadway 5024 |
|
This Train Is Bound For Glory |
V |
|
Jacob Singers |
|
|
1925 |
|
|
|
15.09.1925 |
|
P2269=2 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
|
Broadway 5024 |
|
Lord I'm Troubled |
V |
|
Jacob Singers |
|
|
1925 |
|
|
|
15.09.1925 |
|
P2260=2 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
|
Broadway 5025 |
|
Funeral Train A-Coming, The |
V |
|
Gates, J. M. (Rev.) |
|
|
1926 |
2:46 |
VBR |
|
15.11.1926 |
|
6927=1 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
De |
|
Broadway 5025 |
|
I Know I Got Religion |
V |
|
Gates, J. M. (Rev.) |
|
|
1926 |
2:41 |
VBR |
|
15.11.1926 |
|
6929=1,2 |
|
|
|
|
|
|
Gates, Jim M. |
Gates, Jim M. |
|
|
|
|
|
|
The Online Discographical Project |
|
De |
|
Broadway 5026 |
|
I've Left The World Behind |
V |
|
Gates, J. M. (Rev.) |
|
|
1926 |
|
|
|
15.11.1926 |
|
6932=1 |
|
|
|
|
|
Banner 1903 |
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
|
Broadway 5026 |
|
I'm Going If It Takes All My Life |
V |
|
Gates, J. M. (Rev.) |
|
|
1926 |
|
|
|
15.11.1926 |
|
6935=1 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
|
Broadway 5028 |
|
Lone Grave |
V |
|
Johnson, Ki Ki |
|
|
1928 |
3:02 |
VBR |
Long Island City, N.Y.C. |
15.08.1928 |
|
128-A |
|
|
|
|
|
QRS 7001 |
Nicht angegeben/DP |
|
|
|
|
|
|
|
BGR |
0455 |
De |
|
Broadway 5028 |
|
Look What A Hole I'm In |
V |
|
Johnson, Ki Ki |
|
|
1928 |
3:00 |
VBR |
Long Island City, N.Y.C. |
15.08.1928 |
|
134-A |
|
|
|
|
|
QRS 7001 |
Nicht angegeben/DP |
|
|
|
|
|
|
|
BGR |
0455 |
De |
|
Broadway 5030 |
|
Wrong Woman Blues |
V |
|
Johnson, Ki Ki |
|
|
1928 |
3:07 |
VBR |
Long Island City, N.Y.C. |
15.08.1928 |
|
140=A |
|
|
|
|
|
QRS 7003 |
Nicht angegeben/DP |
|
|
|
|
|
|
|
BGR |
0455 |
De |
|
Broadway 5030 |
|
Lady, Your Clock Ain't Right |
V |
|
Johnson, Ki Ki |
|
|
1928 |
3:08 |
VBR |
Long Island City, N.Y.C. |
15.08.1928 |
|
142 |
|
|
|
|
|
QRS 7003 |
Nicht angegeben/DP |
|
|
|
|
|
|
|
BGR |
0455 |
De |
|
Broadway 5031 |
|
Pussy Cat Rag |
V |
|
Old South Quartette |
|
|
1928 |
2:39 |
VBR |
Long Island City, N.Y.C. |
15.08.1928 |
|
Q164 |
|
|
|
|
|
QRS 7006 |
|
|
|
|
|
|
|
|
BGR |
0691 |
De |
|
Broadway 5031 |
|
Bohunkus And Josephus |
V |
|
Old South Quartette |
|
|
1928 |
2:53 |
VBR |
Long Island City, N.Y.C. |
15.08.1928 |
|
Q162=A |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
BGR |
0691 |
De |
|
Broadway 5032 |
|
Hopeless Blues |
V |
|
Bell, Anna |
|
|
1928 |
3:06 |
VBR |
|
15.09.1928 |
|
Q0171=A |
|
|
|
|
|
QRS 7007 |
|
|
|
|
|
|
|
|
www.musiktiteldb.de |
|
De |
|
Broadway 5032 |
|
Every Woman Blues |
V |
|
Bell, Anna |
|
|
1928 |
3:07 |
VBR |
|
15.09.1928 |
|
Q172=A |
|
|
|
| Sampler0775 |
QRS 7007 |
Smith, Clara |
Miller, Stanley |
|
|
|
|
|
|
www.musiktiteldb.de |
|
De |
|
Broadway 5033 |
|
Kitchen Woman Blues |
V |
|
Bell, Anna |
|
|
1928 |
2:53 |
VBR |
|
15.08.1928 |
|
173=A |
|
|
|
| Sampler0775 |
QRS 7008 |
Williams, Clarence |
Williams, Clarence |
|
|
|
|
|
|
www.musiktiteldb.de |
|
De |
|
Broadway 5033 |
|
Lock Step Blues |
V |
|
Bell, Anna |
|
|
1928 |
2:59 |
VBR |
|
15.08.1928 |
|
174 |
|
|
|
|
|
QRS 7008 |
|
|
|
|
|
|
|
|
www.musiktiteldb.de |
|
De |
|
Broadway 5034 |
A |
West End Blues |
V |
|
Henderson, Katherine |
|
Williams, Clarence & his Orchestra |
1928 |
2:58 |
VBR |
New York City |
15.09.1928 |
|
Q235-A |
|
710469 |
00343667743 |
|
|
QRS 7024 |
Oliver, Joe/Williams, Clarence |
Oliver, Joe/Williams, Clarence |
|
|
|
|
|
|
Moanin' Low: A Discography Of Female Popular Vocal Recordings |
0253 |
De |
Cover |
Broadway 5034 |
B |
St. Louis Blues |
V |
|
Henderson, Katherine |
|
Williams, Clarence & his Orchestra |
1928 |
2:59 |
VBR |
New York City |
15.09.1928 |
|
Q236=A |
|
523430 |
00013337224 |
|
|
QRS 7024 |
Handy, William Christopher |
Handy, William Christopher |
|
|
|
|
|
|
Moanin' Low: A Discography Of Female Popular Vocal Recordings |
0253 |
De |
Cover |
Broadway 5035 |
|
Beedle Um Bum |
V |
|
Harlem Dudes |
|
|
1928 |
|
|
|
15.12.1928 |
|
21036=3 |
|
|
|
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|
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|
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|
The Online Discographical Project |
|
|
|
Broadway 5035 |
|
Selling That Stuff |
V |
|
Harlem Dudes |
|
|
1928 |
|
|
|
15.12.1928 |
|
21035=3 |
|
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|
The Online Discographical Project |
|
|
|
Broadway 5036 |
|
Do You Want To Be A Lover Of The Lord |
V |
|
Virginia Jubilee Singers |
Pseudonym |
|
1926 |
2:48 |
|
New York City |
15.01.1926 |
|
2399-1-2 |
|
|
|
|
|
|
|
|
|
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|
Pseudonym von „Norfolk Jubilee Quartet“. |
|
BGR |
0684 |
|
|
Broadway 5036 |
|
Oh The Shoes That My Lord Gave Me |
V |
|
Virginia Jubilee Singers |
Pseudonym |
|
1926 |
2:51 |
|
New York City |
15.10.1926 |
|
2713-4 |
|
|
|
|
|
|
|
|
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|
|
|
Pseudonym von „Norfolk Jubilee Quartet“. |
|
BGR |
0684 |
|
|
Broadway 5037 |
|
Barrel House Man |
V |
|
Duke, Bernice |
Pseudonym |
|
1926 |
3:12 |
|
|
15.10.1926 |
|
3053=1 |
|
|
|
| Album2652 |
|
Ezell, Will |
Robinson, Elzadie |
|
|
|
|
|
|
www.musiktiteldb.de |
|
|
|
Broadway 5037 |
|
Sawmill Blues |
V |
|
Duke, Bernice |
Pseudonym |
|
1926 |
2:53 |
|
|
15.10.1926 |
|
3054=2 |
|
|
|
| Album2652 |
|
Ezell, Will |
Ezell, Will |
|
|
|
|
|
|
www.musiktiteldb.de |
|
|
|
Broadway 5038 |
|
Whiskey Blues |
V |
|
Duke, Bernice |
Pseudonym |
|
1927 |
2:50 |
|
Chicago |
15.07.1927 |
|
P4667-2 |
|
|
|
|
|
|
Ezell, Will |
Ezell, Will |
|
|
|
|
Pseudonym von „Robinson, Elzadie“. Am Piano: „Ezell, Will“. |
|
Moanin' Low: A Discography Of Female Popular Vocal Recordings |
|
|
|
Broadway 5038 |
|
Back Door Blues |
V |
|
Duke, Bernice |
Pseudonym |
|
1927 |
3:06 |
|
Chicago |
15.07.1927 |
|
P4666-2 |
|
|
|
| Album2652 |
|
Robinson, Elzadie |
Williams, J. M. |
|
|
|
|
Pseudonym von „Robinson, Elzadie“. Am Piano: „Ezell, Will“. |
|
Moanin' Low: A Discography Of Female Popular Vocal Recordings |
|
|
|
Broadway 5039 |
|
Half Cup Of Tea |
V |
|
Memphis Showboys |
|
|
1927 |
2:50 |
|
|
15.08.1927 |
|
P4774 |
|
|
|
|
|
|
Sane, Dan/Stokes, Frank |
Sane, Dan/Stokes, Frank |
|
|
|
|
Pseudonym von „Beale Street Sheiks“. |
|
The Online Discographical Project |
|
|
|
Broadway 5039 |
|
Sweet To Mama |
V |
|
Memphis Showboys |
|
|
1927 |
2:52 |
|
|
15.08.1927 |
|
P4773 |
|
|
|
|
|
|
Sane, Dan/Stokes, Frank |
Sane, Dan/Stokes, Frank |
|
|
|
|
Pseudonym von „Beale Street Sheiks“. |
|
The Online Discographical Project |
|
|
|
Broadway 5040 |
|
Blake's Worried Blues |
V |
|
Martin, Blind George |
Pseudonym |
|
1926 |
3:06 |
|
Chicago |
15.10.1926 |
|
P3060=2 |
|
|
|
|
|
|
Blind Blake |
Blake Blind |
|
|
|
|
Pseudonym von „Blind Blake“. |
|
BGR |
|
|
|
Broadway 5040 |
|
Tampa Bound |
V |
|
Martin, Blind George |
Pseudonym |
|
1926 |
2:44 |
|
Chicago |
15.10.1926 |
|
P3062=2 |
|
|
|
|
|
|
Blake, Charles |
Blake, Charles |
|
|
|
|
Pseudonym von „Blind Blake“. |
|
BGR |
0078 |
|
|
Broadway 5041 |
|
Working Man On The Seas |
V |
|
Miller, May Belle |
Pseudonym |
|
1929 |
2:41 |
VBR |
Grafton |
15.11.1929 |
|
L-0149-1 |
|
|
|
|
|
|
|
|
|
|
|
|
Am Piano: „Sykes, Roosevelt“ als „Bragg, Dobby“. |
|
BGR |
|
De |
|
Broadway 5041 |
|
Trouble Everywhere Blues |
V |
|
Miller, May Belle |
Pseudonym |
|
1929 |
3:05 |
VBR |
Grafton |
15.11.1929 |
|
L-0148-1 |
|
|
|
|
|
|
|
|
|
|
|
|
Am Piano: „Sykes, Roosevelt“ als „Bragg, Dobby“. |
|
BGR |
|
De |
|
Broadway 5044 |
|
Rocky Mountain Moan |
V |
|
Sluefoot Joe |
|
|
1929 |
|
|
|
15.04.1929 |
|
Q496=A |
|
|
|
|
|
QRS 7091 |
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
|
Broadway 5044 |
|
Rosco Mama Blues |
V |
|
Sluefoot Joe |
|
|
1929 |
|
|
|
15.04.1929 |
|
Q497=A |
|
|
|
|
|
QRS 7091 |
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
|
Broadway 5046 |
|
Chimes Blues |
I |
|
Davenport, Cow Cow |
|
|
1929 |
3:19 |
VBR |
Richmond
Br7126/Shade, Will |
01.04.1929 |
|
G-14978 |
|
|
|
| Album2772 |
Paramount 12800 |
Henderson, Fletcher |
Davenport, Charles |
|
|
|
|
Pianosolo |
|
RHJ |
|
De |
|
Broadway 5046 |
|
Slow Drag |
V |
|
Davenport, Cow Cow |
|
|
1929 |
3:15 |
VBR |
|
01.04.1929 |
|
G-14985 |
|
|
|
|
|
Paramount 12800 |
|
|
|
|
|
|
|
|
www.musiktiteldb.de |
|
De |
|
Broadway 5047 |
|
Lord, I Don't Care Where They Bury My Body |
V |
|
Georgia Sacred Singers |
Pseudonym |
|
1927 |
2:59 |
|
New York City |
15.10.1927 |
|
2905-2 |
|
|
|
|
|
|
Spiritual |
|
|
|
|
|
Pseudonym von „Norfolk Jubilee Quartet“. |
|
BGR |
0685 |
|
|
Broadway 5047 |
|
He Just Hung His Head And Died |
V |
|
Georgia Sacred Singers |
Pseudonym |
|
1927 |
2:56 |
|
New York City |
15.10.1927 |
|
2902-1;2 |
|
|
|
|
|
|
|
|
|
|
|
|
Pseudonym von „Norfolk Jubilee Quartet“. |
|
BGR |
0685 |
|
|
Broadway 5048 |
|
I Wouldn't Mind Dying If Dying Was All |
V |
|
Georgia Sacred Singers |
Pseudonym |
|
1927 |
2:49 |
|
New York City |
15.09.1927 |
|
2886-2 |
|
|
|
|
|
Herwin 93028 |
Spiritual |
|
|
|
|
|
Pseudonym von „Norfolk Jubilee Quartet“. |
|
BGR |
0685 |
|
|
Broadway 5048 |
|
His Eye Is On The Sparrow |
V |
|
Georgia Sacred Singers |
Pseudonym |
|
1927 |
2:55 |
|
New York City |
15.09.1927 |
|
2887-1 |
|
480016 |
00387853600 |
|
|
Herwin 93028 |
Gabriel, Charles H. |
Martin, Civilla D. |
|
|
|
|
Pseudonym von „Norfolk Jubilee Quartet“. |
|
BGR |
0685 |
|
Cover |
Broadway 5049 |
|
Moanin' In The Land Will Soon Be Over |
V |
|
Georgia Sacred Singers |
Pseudonym |
|
1929 |
|
|
|
15.02.1929 |
|
6108=2 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
|
Broadway 5049 |
|
When The Moon Goes Down |
V |
|
Georgia Sacred Singers |
Pseudonym |
|
1927 |
|
|
|
15.10.1927 |
|
2904=2 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
|
Broadway 5050 |
|
Telephone To Glory |
V |
|
Jackson, Willie (Blind) |
|
|
1929 |
3:07 |
|
|
20.09.1929 |
|
G-15646 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
|
Broadway 5050 |
|
Take Your Burdens To The Lord |
V |
|
Jackson, Willie (Blind) |
|
|
1929 |
3:05 |
|
|
20.09.1929 |
|
G-15645 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
|
Broadway 5051 |
|
Old Account Was Settled Long Ago, The |
V |
|
Virginia Jubilee Singers |
Pseudonym |
|
1927 |
2:46 |
|
New York City |
15.02.1927 |
|
2816=2 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
BGR |
0685 |
|
|
Broadway 5051 |
|
Daniel In The Lions' Den |
V |
|
Virginia Jubilee Singers |
Pseudonym |
|
1927 |
2:53 |
|
New York City |
15.02.1927 |
|
2815-1 |
|
|
|
|
|
|
Nicht angegeben/DP |
|
|
|
|
|
|
|
BGR |
0685 |
|
|
Broadway 5053 |
|
Southern Rag |
V |
|
Martin, Blind George |
Pseudonym |
|
1927 |
2:56 |
|
Chicago |
15.10.1927 |
|
20123-1 |
|
|
|
|
|
|
Blind Blake |
Blind Blake |
|
|
|
|
Pseudonym von „Blind Blake“. |
|
BGR |
0079 |
|
|
Broadway 5053 |
|
He's In The Jailhouse Now |
V |
|
Martin, Blind George |
Pseudonym |
|
1927 |
2:47 |
|
Chicago |
15.11.1927 |
|
20147-1 |
|
|
|
|
|
|
Miller/Williams |
Miller/Williams |
|
|
|
|
Pseudonym von „Blind Blake“. |
|
BGR |
0079 |
|
|
Broadway 5054 |
|
Jazz Gypsy Blues |
I |
|
Banjo Joe |
|
|
1927 |
2:54 |
VBR |
Chicago |
15.11.1927 |
|
20146=2 |
|
|
|
|
|
Paramount 12604 |
? Cannon Joe |
|
|
|
|
|
„Banjo Joe“ ist „Cannon, Gus“. |
|
BGR |
|
De |
|
Broadway 5054 |
|
Can You Blame The Colored Man |
V |
|
Banjo Joe |
|
|
1927 |
2:41 |
VBR |
Chicago |
15.11.1927 |
|
20148=2 |
|
|
|
|
|
Paramount 12571 |
? Cannon Joe |
|
|
|
|
|
„Banjo Joe“ ist „Cannon, Gus“. |
|
BGR |
|
De |
|
Broadway 5054 |
|
My Money Never Runs Out |
V |
|
Banjo Joe |
|
|
1927 |
2:49 |
VBR |
Chicago |
15.11.1927 |
|
20149=2 |
|
|
|
|
|
Paramount 12604 |
|
|
|
|
|
|
„Banjo Joe“ ist „Cannon, Gus“. |
|
BGR |
|
De |
|
Broadway 5054 |
|
Poor Boy, Long Ways From Home |
V |
|
Banjo Joe |
|
|
1927 |
3:08 |
VBR |
Chicago |
15.11.1927 |
|
20144=2 |
|
|
|
|
|
Paramount 12571 |
|
|
|
|
|
|
„Banjo Joe“ ist „Cannon, Gus“. |
|
BGR |
|
De |
|
Broadway 5056 |
|
Yo Yo Blues |
V |
|
Jefferson, Blind Lemon |
|
|
1929 |
2:37 |
VBR |
|
24.09.1929 |
|
G-15665A |
|
|
|
|
|
|
Jefferson, Lemon |
Jefferson, Lemon |
|
|
|
|
|
|
The Online Discographical Project |
|
De |
|
Broadway 5056 |
|
Bed Spring Blues |
V |
|
Jefferson, Blind Lemon |
|
|
1929 |
3:06 |
VBR |
|
24.09.1929 |
|
G-15664 |
|
|
|
|
|
|
Jefferson, Lemon |
Jefferson, Lemon |
|
|
|
|
|
|
The Online Discographical Project |
|
De |
|
Broadway 5058 |
|
Hot Lovin' |
V |
|
Barrel House Five |
|
|
1929 |
|
|
|
15.01.1929 |
|
Q0325=A |
|
|
|
|
|
QRS 7059 |
Warfield, Charles |
Warfield, Charles |
|
|
|
|
|
|
The Online Discographical Project |
|
|
|
Broadway 5058 |
A |
Mama Stayed Out All Night |
V |
|
Barrel House Five |
|
|
1929 |
3:25 |
|
|
15.01.1929 |
|
Q0326=A |
|
14757623 |
00074715271 |
|
|
QRS 7059 |
Razaf, Andy/Wilson, Dan |
Razaf, Andy/Wilson, Dan |
|
|
|
|
|
|
The Online Discographical Project |
|
|
|
Broadway 5059 |
|
See That My Grave Is Kept Clean (1928) |
V |
|
Jefferson, Blind Lemon |
|
|
1928 |
|
|
|
15.02.1928 |
|
20374=1 |
|
|
|
|
|
|
Jefferson, Blind Lemon |
Jefferson, Blind Lemon |
|
|
|
|
|
|
The Online Discographical Project |
|
|
|
Broadway 5059 |
|
Lectric Chair Blues |
V |
|
Jefferson, Blind Lemon |
|
|
1928 |
2:30 |
VBR |
|
15.02.1928 |
|
20364=2 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
De |
|
Broadway 5060 |
|
It's All Worn Out |
V |
|
Hokum Boys, The |
|
|
1929 |
2:56 |
VBR |
|
27.06.1929 |
|
G-15283A |
|
|
|
|
|
|
Hill/Robinson |
|
|
|
|
|
|
|
The Online Discographical Project |
|
De |
|
Broadway 5060 |
A |
Somebody's Been Using That Thing |
V |
|
Hokum Boys, The |
|
|
1929 |
3:17 |
VBR |
|
27.06.1929 |
|
G-15279=A |
|
|
|
|
|
Paramount 12796 |
Miller, Al |
Miller, Al |
|
|
|
|
|
|
The Online Discographical Project |
|
De |
Cover |
Broadway 5061 |
|
Frisco Bound |
V |
|
Harris, James |
|
|
1929 |
|
|
|
12.10.1929 |
|
G-15769 |
|
|
|
|
|
Paramount 12860 |
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
|
Broadway 5062 |
|
Farewell Baby Blues |
V |
|
Carter, Sara & Waiden, Willis |
Pseudonym |
|
1929 |
2:47 |
|
Grafton |
15.12.1929 |
|
L-90=2 |
|
|
|
|
|
|
Smith, Bessie Mae/Wolff, Sam |
Smith, Bessie Mae/Wolff, Sam |
|
|
|
|
Pseudonym von „Smith, Bessie Mae & Wallace, Wesley“. |
|
BGR |
|
|
|
Broadway 5062 |
|
St. Louis Daddy |
V |
|
Carter, Sara & Waiden, Willis |
Pseudonym |
|
1929 |
3:02 |
|
Grafton |
15.12.1929 |
|
L-78=1 |
|
|
|
|
|
|
Smith, Bessie Mae/Wolff, Sam |
Smith, Bessie Mae/Wolff, Sam |
|
|
|
|
Pseudonym von „Smith, Bessie Mae & Wallace, Wesley“. |
|
BGR |
|
|
|
Broadway 5063 |
|
Honky Tonk Train Blues |
V |
|
Seward, Hatch |
Pseudonym |
|
1927 |
|
|
Chicago |
15.12.1927 |
|
20246 |
|
|
|
|
|
|
Lewis, Meade Lux |
Lewis, Meade Lux |
|
|
|
|
Pseudonym von 'Lewis, Meade Lux'. |
|
Jazz Records 1897-1942 |
|
|
Cover |
Broadway 5063 |
|
Dearborn Street Breakdown |
V |
|
Barnes, Billy |
|
|
1929 |
|
|
|
15.10.1929 |
|
21438=2 |
|
|
|
|
|
|
Charles Avery |
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
|
Broadway 5066 |
|
I'm Going Through |
V |
|
Virginia Jubilee Singers |
Pseudonym |
|
1927 |
3:04 |
|
New York City |
15.10.1927 |
|
2907-1 |
|
|
|
|
|
|
Spiritual |
|
|
|
|
|
Pseudonym von „Norfolk Jubilee Quartet“. |
|
BGR |
0685 |
|
|
Broadway 5066 |
|
Sinner You Can't Hide |
V |
|
Virginia Jubilee Singers |
Pseudonym |
|
1927 |
|
|
|
15.10.1927 |
|
2903=1 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
|
Broadway 5067 |
|
Saturday Night Rag |
V |
|
Williams, Clarence |
|
|
1929 |
|
|
|
15.01.1929 |
|
Q0324=A |
|
|
|
|
|
Paramount 12870 |
Williams, Clarence |
|
|
|
|
|
|
|
The Online Discographical Project |
|
|
|
Broadway 5067 |
|
Pane In The Glass (p1580) |
V |
|
Williams, Clarence & His Blue Five |
|
|
1929 |
|
|
|
15.01.1929 |
|
Q0310=A |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
The Online Discographical Project |
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Broadway 5067 |
|
Saturday Night Rag (p1581) |
V |
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Bryant Laura |
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1929 |
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15.01.1929 |
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Q324 |
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The Online Discographical Project |
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Broadway 5069 |
|
Salty Dog |
V |
|
Broadway Pickers |
|
Cobb, Junie |
1929 |
3:03 |
|
Chicago |
15.02.1929 |
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21185=2 |
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Jackson, Charlie |
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Vokalist aus Diskografie im Datenfeld „Begleitung“. |
|
Jazz and Ragtime Records 1897-1942 |
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Broadway 5069 |
|
Steal Away |
V |
|
Broadway Pickers |
|
Cobb, Junie |
1929 |
2:55 |
|
Chicago |
15.02.1929 |
|
21184-1 |
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Greaves, Christopher |
Greaves, Christopher |
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Vokalist aus Diskografie im Datenfeld „Begleitung“. |
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Jazz and Ragtime Records 1897-1942 |
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Broadway 5071 |
|
Doodlin' Back |
V |
|
Triangle Quartet |
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1929 |
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15.03.1929 |
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21231=2 |
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The Online Discographical Project |
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Broadway 5071 |
|
She Done Quit Me |
V |
|
Triangle Quartet |
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|
1929 |
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15.03.1929 |
|
21236 |
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The Online Discographical Project |
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Broadway 5072 |
|
Down In The Basement Blues |
V |
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Big Bill & Thomps |
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1928 |
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15.10.1928 |
|
20922 |
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The Online Discographical Project |
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Broadway 5072 |
|
Starvation Blues |
V |
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Big Bill & Thomps |
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|
1928 |
3:18 |
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15.10.1928 |
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20923 |
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| 7511791a |
|
Broonzy, William Lee Conley |
Broonzy, William Lee Conley |
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www.musiktiteldb.de |
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Broadway 5073 |
|
Sugar |
V |
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Beverly Syncopators |
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1928 |
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15.12.1928 |
|
21069 |
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725556 |
00128632966 |
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Pinkard, Maceo/Alexander, Edna |
Mitchell, Sidney |
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The Online Discographical Project |
|
|
Cover |
Broadway 5073 |
|
Hold It Boy Blues |
V |
|
Jones, Clarence & His Sock Four |
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1928 |
|
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15.12.1928 |
|
21064 |
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Jones, Clarence M. |
Jones, Clarence M. |
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The Online Discographical Project |
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Broadway 5074 |
|
I'm Gonna Build Right On Dat Shore |
V |
|
Virginia Jubilee Singers |
Pseudonym |
|
1924 |
2:36 |
|
New York City |
15.07.1924 |
|
1808=2 |
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Spiritual |
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|
Pseudonym von „Norfolk Jubilee Quartet“. |
|
BGR |
0683 |
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Broadway 5074 |
|
Where Shall I Be |
V |
|
Virginia Jubilee Singers |
Pseudonym |
|
1924 |
2:53 |
VBR |
New York City |
15.07.1924 |
|
1803=2 |
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Pseudonym von „Norfolk Jubilee Quartet“. |
|
BGR |
0683 |
De |
|
Broadway 5075 |
|
Four Day Creep (655) |
V |
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Bradley Velma |
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1927 |
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15.07.1927 |
|
P4602=1 |
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The Online Discographical Project |
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Broadway 5075 |
|
Gypsy Glass Blues (656) |
V |
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Bradley Velma |
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1927 |
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15.07.1927 |
|
P4603=1 |
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The Online Discographical Project |
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Broadway 5076 |
|
I'm Looking For A Woman Who Knows How To Treat Me |
V |
|
Carter, Charlie |
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1928 |
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15.01.1928 |
|
20293=2 |
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The Online Discographical Project |
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Broadway 5076 |
|
Lone Gone Lost John |
V |
|
Carter, Charlie |
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1928 |
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15.01.1928 |
|
20292=1 |
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The Online Discographical Project |
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Broadway 5076 |
|
I'm Looking For A Woman Who Knows How To Treat Me |
V |
|
Carter, Charles |
|
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1928 |
|
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15.01.1928 |
|
20293=2 |
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Paramount 12602 |
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The Online Discographical Project |
|
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|
Broadway 5077 |
|
Crying Holy Unto The Lord |
V |
|
Virginia Jubilee Singers |
Pseudonym |
|
1924 |
2:49 |
|
New York City |
15.07.1924 |
|
1809=1;2 |
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|
Pseudonym von „Norfolk Jubilee Quartet“. |
|
BGR |
0683 |
|
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Broadway 5077 |
|
Ezekiel Saw De Wheel |
V |
|
Virginia Jubilee Singers |
Pseudonym |
|
1924 |
2:42 |
|
New York City |
15.07.1924 |
|
1813=2 |
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Spiritual |
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|
Pseudonym von „Norfolk Jubilee Quartet“. |
|
BGR |
0684 |
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Broadway 5078 |
|
Caught Him Doing It (15280) |
V |
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Hokum Boys, The |
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1929 |
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27.06.1929 |
|
21309 |
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The Online Discographical Project |
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Broadway 5078 |
|
Better Cut That Out (15281) |
V |
|
Hokum Boys, The |
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|
1929 |
2:39 |
VBR |
|
27.06.1929 |
|
21310=A |
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The Online Discographical Project |
|
De |
|
Broadway 5079 |
|
Ain't Gonna Stand For That |
V |
|
Spand, Charlie |
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1929 |
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17.08.1929 |
|
G-15454 |
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The Online Discographical Project |
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Broadway 5079 |
|
Moanin' The Blues |
V |
|
Spand, Charlie |
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1929 |
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17.08.1929 |
|
G-15455 |
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Paramount 12856 |
Hill |
Spand, Charlie |
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The Online Discographical Project |
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Broadway 5079 |
|
Fetch Your Water |
V |
|
Chapman, Charlie |
Pseudonym |
|
1929 |
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15.06.1929 |
|
G-15155A |
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Pseudonym von Spand, Charlie |
|
The Online Discographical Project |
|
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Broadway 5079 |
|
Soon This Morning |
V |
|
Chapman, Charlie |
Pseudonym |
|
1929 |
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15.06.1929 |
|
G-15154 |
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Spand, Charlie |
Spand, Charlie |
|
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|
Pseudonym von Spand, Charlie |
|
The Online Discographical Project |
|
|
Cover |
Broadway 5080 |
|
Slippery Rag |
V |
|
Martin, Blind George |
Pseudonym |
|
1929 |
2:46 |
|
Richmond |
20.06.1929 |
|
G-15252=A |
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Blind Blake |
Blind Blake |
|
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|
Pseudonym von „Blind Blake“. |
|
BGR |
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Broadway 5080 |
|
Hookworm Blues |
V |
|
Martin, Blind George |
Pseudonym |
|
1929 |
2:57 |
|
Richmond |
20.06.1929 |
|
G-15251A |
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Davis/Lamoore |
Davis/Lamoore |
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Pseudonym von „Blind Blake“. |
|
BGR |
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Broadway 5081 |
|
It Hurts So Good |
V |
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Rodgers, Ike |
|
|
1929 |
3:21 |
VBR |
Chicago |
16.08.1929 |
|
G-15446 |
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Paramount 12816 |
Rodgers, Ike |
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|
Jazz and Ragtime Records 1897-1942 |
|
De |
|
Broadway 5081 |
|
Screenin' The Blues |
V |
|
Rodgers, Ike |
|
|
1929 |
3:15 |
VBR |
Chicago |
16.08.1929 |
|
G-15451 |
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Paramount 12816 |
Rodgers, Ike |
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Jazz and Ragtime Records 1897-1942 |
|
De |
|
Broadway 5082 |
|
Let The Church Roll On |
V |
|
Virginia Jubilee Singers |
Pseudonym |
|
1926 |
|
|
New York City |
15.10.1926 |
|
2718-3 |
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|
Pseudonym von „Norfolk Jubilee Quartet“. |
|
BGR |
0684 |
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Broadway 5082 |
|
If Anybody Asks You Who I Am |
V |
|
Virginia Jubilee Singers |
Pseudonym |
|
1926 |
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|
New York City |
15.10.1926 |
|
2717-3 |
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Spiritual |
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|
Pseudonym von „Norfolk Jubilee Quartet“. |
|
BGR |
0684 |
|
|
Broadway 5083 |
|
Mama's Man Blues |
V |
|
Mays, Bert |
|
|
1927 |
2:48 |
VBR |
Chicago |
15.12.1927 |
|
20264-2 |
|
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| |
Paramount 12614 |
? Bert Mays |
|
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BGR |
0609 |
De |
|
Broadway 5083 |
|
Troublesome Mind Blues |
V |
|
Mays, Bert |
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|
1927 |
2:50 |
VBR |
Chicago |
15.12.1927 |
|
20263=2 |
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Paramount 12614 |
|
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|
BGR |
0609 |
De |
|
Broadway 5084 |
|
Goodbye Mama Moan |
V |
|
Martin, Blind George |
Pseudonym |
|
1928 |
2:48 |
|
Chicago |
15.05.1928 |
|
20541=1 |
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|
Pseudonym von „Blind Blake“. |
|
BGR |
0079 |
|
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Broadway 5084 |
|
C. C. Pill Blues |
V |
|
Martin, Blind George |
Pseudonym |
|
1928 |
2:31 |
|
Chicago |
15.04.1928 |
|
20520=2 |
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Blake, Charles |
Blake, Charles |
|
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|
Pseudonym von „Blind Blake“. |
|
BGR |
0079 |
|
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Broadway 5085 |
|
Escaped Convict, The |
V |
|
Williams, Geo |
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1928 |
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15.05.1928 |
|
20593=2 |
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The Online Discographical Project |
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Broadway 5085 |
|
Frisco Leaving Birmingham |
I |
|
Williams, George |
|
|
1928 |
|
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|
15.05.1928 |
|
20592=3 |
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|
The Online Discographical Project |
|
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|
Broadway 5086 |
|
Evil Woman Blues |
V |
|
Williams, Boodle |
|
|
1928 |
|
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|
15.02.1928 |
|
20379=2 |
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|
The Online Discographical Project |
|
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|
Broadway 5086 |
|
Keep Knocking And You Can't Get In |
V |
|
'Boodle It' Williams |
|
|
1928 |
|
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|
15.02.1928 |
|
20378=2 |
|
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|
The Online Discographical Project |
|
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|
Broadway 5087 |
|
No Baby Blues |
V |
|
Rambling Thomas |
|
|
1928 |
|
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|
15.02.1928 |
|
20338=1 |
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|
The Online Discographical Project |
|
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|
Broadway 5087 |
|
Hard To Rule Women Blues |
V |
|
Ramblin' Thomas |
|
|
1928 |
|
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|
15.02.1928 |
|
20335=3 |
|
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|
The Online Discographical Project |
|
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|
Broadway 5088 |
|
Gold Mansion Blues |
V |
|
Duke, Bernice |
Pseudonym |
|
1928 |
2:58 |
|
Chicago |
15.10.1928 |
|
20911-1 |
|
|
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|
|
Robinson, Elzadie |
Robinson, Elzadie |
|
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|
Pseudonym von „Robinson, Elzadie“. Am Piano: „Ezell, Will“. |
|
Moanin' Low: A Discography Of Female Popular Vocal Recordings |
|
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|
Broadway 5088 |
|
Arkansas Mill Blues |
V |
|
Duke, Bernice |
Pseudonym |
|
1928 |
2:49 |
|
Chicago |
15.10.1928 |
|
20910-3 |
|
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|
Robinson, Elzadie |
Robinson, Elzadie |
|
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|
Pseudonym von „Robinson, Elzadie“. Am Piano: „Ezell, Will“. |
|
Moanin' Low: A Discography Of Female Popular Vocal Recordings |
|
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|
Broadway 5089 |
|
There's A Hand Writing On The Wall |
V |
|
Blind Joe Donnell |
|
|
1928 |
|
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15.10.1928 |
|
20940=4 |
|
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|
The Online Discographical Project |
|
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|
Broadway 5089 |
|
I've Crossed The Separation Line |
V |
|
Blind Joe Donnell |
|
|
1928 |
|
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15.10.1928 |
|
20943=5 |
|
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|
The Online Discographical Project |
|
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|
Broadway 5090 |
|
My Soul Is Resting In His Presence |
V |
|
Gates, J. M. (Rev.) |
|
|
1926 |
|
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|
06.12.1926 |
|
P1252 |
|
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|
The Online Discographical Project |
|
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|
Broadway 5090 |
|
Amazing Grace |
V |
|
Gates, J. M. (Rev.) |
|
|
1926 |
3:09 |
VBR |
|
06.12.1926 |
|
P1251 |
|
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| |
|
Traditonal |
|
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|
The Online Discographical Project |
|
De |
Cover |
Broadway 5091 |
|
Back To The Woods |
V |
|
Chapman, Charlie |
Pseudonym |
|
1929 |
|
|
|
17.08.1929 |
|
G-15456 |
|
|
|
|
|
|
Spands, Charlie |
Spands, Charlie |
|
|
|
|
Pseudonym von Spand, Charlie |
|
The Online Discographical Project |
|
|
Cover |
Broadway 5091 |
|
Good Gal |
V |
|
Chapman, Charlie |
Pseudonym |
|
1929 |
|
|
|
17.08.1929 |
|
G-15453 |
|
|
|
|
|
|
Spand, Charlie |
Taylor |
|
|
|
|
Pseudonym von Spand, Charlie |
|
The Online Discographical Project |
|
|
|
Broadway 5092 |
|
Broadway St. Woman Blues |
V |
|
Moore, Alice |
|
|
1929 |
3:15 |
VBR |
Richmond |
16.08.1929 |
|
G-15452 |
|
|
|
| 9863422 |
|
Moore, Alice |
Moore, Alice |
|
|
|
|
|
|
BGR |
0654 |
De |
|
Broadway 5092 |
|
Black And Evil Blues |
V |
|
Moore, Alice |
|
|
1929 |
2:53 |
VBR |
Richmond |
16.08.1929 |
|
G-15447 |
|
|
|
|
|
|
Moore, Alice |
Moore, Alice |
|
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|
|
|
|
BGR |
0654 |
De |
|
Broadway 5093 |
|
Honey Dripper Blues |
V |
|
Allen, Maybelle |
|
|
1929 |
|
|
|
07.09.1929 |
|
G-15561 |
|
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|
The Online Discographical Project |
|
|
|
Broadway 5093 |
|
Nickels Worth Of Liver |
V |
|
Allen, Maybelle |
|
|
1929 |
|
|
|
07.09.1929 |
|
G-15558 |
|
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|
The Online Discographical Project |
|
|
|
Broadway 5094 |
|
Twenty First Street Stomp |
V |
|
Charles, Henry |
|
|
1929 |
2:42 |
|
Chicago |
16.08.1929 |
|
G-15445 |
|
|
|
|
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|
Brown, Henry |
|
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|
|
|
Pseudonym von „Brown, Henry“. |
|
Jazz and Ragtime Records 1897-1942 |
|
|
|
Broadway 5094 |
|
Henry Brown Blues |
V |
|
Charles, Henry |
|
|
1929 |
2:55 |
|
Chicago |
16.08.1929 |
|
G-15450 |
|
|
|
|
|
|
Brown, Henry |
|
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|
|
|
Pseudonym von „Brown, Henry“. |
|
Jazz and Ragtime Records 1897-1942 |
|
|
|
Broadway 5097 |
|
Sittin' On Top Of The World |
V |
|
Harum Scarums, The |
|
|
1931 |
|
|
|
15.01.1931 |
|
L-0727=1 |
|
397833 |
00043908087 |
|
|
|
Carter, Lonnie/Jacobs, Walter |
Carter, Lonnie/Jacobs, Walter |
|
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|
|
|
The Online Discographical Project |
|
|
Cover |
Broadway 5097 |
|
I'm The Lonesome One |
V |
|
Harum Scarums, The |
|
|
1931 |
|
|
|
15.03.1931 |
|
L0823=2 |
|
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|
The Online Discographical Project |
|
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|
Broadway 5099 |
|
Sweet Rider |
V |
|
Hicks, Minnie |
|
|
1930 |
|
|
|
15.09.1930 |
|
L0515=1 |
|
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The Online Discographical Project |
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Broadway 5099 |
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Monkey Man Blues |
V |
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Hicks, Minnie |
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1930 |
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15.09.1930 |
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L0514=1 |
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The Online Discographical Project |
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Broadway 5100 |
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I'm Talkin Bout You #2 |
V |
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Lee, Mae Belle & Ramsey, George |
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1931 |
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15.04.1931 |
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L0846=2 |
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Mckoy |
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The Online Discographical Project |
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Broadway 5100 |
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Bumble Bee No.2 |
V |
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Lee, Mae Belle & Ramsey, George |
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1931 |
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15.04.1931 |
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L0848=2 |
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Mckoy |
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The Online Discographical Project |
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Broadway 5103 |
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Just Can't Stay Here |
V |
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Ezell, Will |
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1929 |
2:54 |
VBR |
Chicago |
20.09.1929 |
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G-15649 |
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Century 3015 |
Ezell, Will |
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Gesang: „Ezell, Will“. |
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Jazz and Ragtime Records 1897-1942 |
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De |
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Broadway 5103 |
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Pitchin' Boogie |
V |
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Ezell, Will |
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1929 |
3:03 |
VBR |
Chicago |
20.09.1929 |
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G-15650 |
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Tempo R-31 |
Ezell, Will |
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Gesang: „Ezell, Will“. |
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Jazz and Ragtime Records 1897-1942 |
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De |
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Broadway 5104 |
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Endurance Stomp |
V |
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Barrel House Five |
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1929 |
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15.01.1929 |
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330 |
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Fernandez, Angelo |
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The Online Discographical Project |
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Broadway 5104 |
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Some Do And Some Don't |
V |
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Barrel House Five |
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1929 |
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15.01.1929 |
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Q331 |
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Burton, W. E. |
Burton, W. E. |
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Jazz and Ragtime Records 1897-1942 |
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Broadway 5105 |
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Police Dog Blues |
V |
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Martin, Blind George |
Pseudonym |
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1929 |
2:40 |
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Chicago |
17.08.1929 |
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G-15463 |
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Blake/Lamoore |
Blake/Lamoore |
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Pseudonym von „Blind Blake“. |
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BGR |
0080 |
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Broadway 5105 |
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Diddie Wa Diddie |
V |
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Martin, Blind George |
Pseudonym |
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1929 |
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Richmond |
17.08.1929 |
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G-15459-A |
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Blind Blake |
Blind Blake |
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Pseudonym von „Blind Blake“. |
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BGR |
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Cover |
Broadway 5106 |
A |
Nehi Blues |
V |
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Reynolds, Blind Joe |
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1930 |
3:15 |
VBR |
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15.02.1930 |
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L-0146 |
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| Sampler1032 |
Paramount 12927 |
Reynolds, Joe |
Reynolds, Joe |
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www.musiktiteldb.de |
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De |
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Broadway 5106 |
B |
Outside Woman Blues |
V |
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Reynolds, Blind Joe |
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1930 |
3:00 |
VBR |
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15.02.1930 |
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L-0144 |
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| Sampler1032 |
Paramount 12927 |
Reynolds, Joe |
Reynolds, Joe |
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www.musiktiteldb.de |
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De |
Original |
Broadway 5108 |
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Big Fat Mama Blues |
V |
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Spaulding, Charles |
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1930 |
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15.09.1930 |
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L0509=2 |
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Spand, Charlie |
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C.spand |
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The Online Discographical Project |
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Broadway 5108 |
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She's Got Good Stuff |
I |
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Williams, George |
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1930 |
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15.09.1930 |
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L0506=2 |
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Lamoore |
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Spand |
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The Online Discographical Project |
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Broadway 5109 |
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New Sittin' On Top Of The World |
V |
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Mississippi Sheiks |
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1932 |
3:13 |
VBR |
Jackson, King Edward Hotel |
15.07.1932 |
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L-1556=2 |
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| 8993335 |
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Vinson, Walter |
Chatmon, Lonnie |
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BGR |
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De |
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Broadway 5109 |
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New Stop And Listen Blues |
V |
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Mississippi Sheiks |
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1932 |
3:48 |
VBR |
Jackson, King Edward Hotel |
15.07.1932 |
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L-1551=3 |
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Vinson, Walter |
Vinson, Walter |
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BGR |
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De |
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Broadway 5111 |
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Kokomo Blues |
V |
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Anderson, Jimmie |
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1932 |
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15.05.1932 |
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L1401 |
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Williams, Jabbo |
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The Online Discographical Project |
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Broadway 5111 |
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Kokomo Blues #2 |
V |
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Anderson, Jimmie |
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1932 |
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15.05.1932 |
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L1402 |
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Williams, Jabbo |
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The Online Discographical Project |
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