Label |
S |
Musiktitel |
St |
T.-Stil |
Interpret |
Ps |
Begleitung |
Jahr |
Zeit |
Aufn.-Ort |
Aufn.-Dat. |
Vö.-Dat. |
Matrize |
Verweis |
GEMA-Nr. |
CAE/IPI |
Art.-Nr./EAN |
EAN/Art.-Nr |
Label 2 |
Musik: = Komponist, Text: = Texter |
Chart |
Bemerkung |
Musiker |
Quelle |
Seite |
Mu.-Qu. |
O |
Blue Note 1201 |
|
All The Things You Are |
V |
|
Monk, Thelonious (Quartet) |
|
Hagood, Kenny |
1948 |
3:00 |
New York City |
02.07.1948 |
|
BN-326-3 |
|
|
|
|
|
|
|
|
Vokalist aus Diskografie im Datenfeld „Begleitung“. |
|
| The Blue Note Label |
0022 |
Deezer |
|
Blue Note 1201 |
|
I Should Care |
V |
|
Monk, Thelonious (Quartet) |
|
Hagood, Kenny |
1948 |
3:02 |
New York City |
02.07.1948 |
|
BN-327-2 |
|
|
|
|
|
|
|
|
Vokalist aus Diskografie im Datenfeld „Begleitung“. |
|
| The Blue Note Label |
0022 |
Deezer |
|
Blue Note 1202 |
|
Meet Me At The Corner |
V |
|
Clyde Bernhardt & Buddies |
|
|
1949 |
|
|
10.06.1949 |
|
BN-367 |
|
|
|
|
|
|
|
|
|
|
| The Online Discographical Project |
|
|
|
Blue Note 1202 |
|
Cracklin' Bread |
V |
|
Clyde Bernhardt & Buddies |
|
|
1949 |
|
|
10.06.1949 |
|
BN-366 |
|
|
|
|
|
|
|
|
|
|
| The Online Discographical Project |
|
|
|
Blue Note 1203 |
|
Unlucky Woman |
V |
|
Keane, Linda |
|
Marsala, Joe & His Orchestra |
1944 |
|
|
29.11.1944 |
|
BW 40 |
|
|
|
|
|
Black & White 1203 |
Musik: Feather, Leonard/Text: Feather, Leonard & Carol |
|
|
|
| The Online Discographical Project |
|
|
|
Blue Note 1203 |
|
Don't Tell Me |
V |
|
Clyde Bernhardt & Buddies |
|
|
1949 |
|
|
10.06.1949 |
|
BN-368 |
|
|
|
|
|
|
|
|
|
|
| The Online Discographical Project |
|
|
|
Blue Note 1203 |
|
Blues In The Storm |
V |
|
Marsala, Joe & His Orchestra |
|
lk |
1945 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
| The Online Discographical Project |
|
|
|
Blue Note 1203 |
|
Chattanooga |
V |
|
Bernhardt, Clyde |
|
|
1949 |
|
|
10.06.1949 |
|
BN-369 |
|
|
|
|
|
|
|
|
|
|
| The Online Discographical Project |
|
|
|
Blue Note 1204 |
A |
Quiet Please |
V |
|
Jackson, Cliff & His Village Cats |
|
|
1944 |
3:58 |
|
21.12.1944 |
|
BW 44 |
|
|
|
|
|
Black & White 1204 |
Musik: Jackson, Cliff |
|
|
|
| 45worlds |
|
Deezer |
|
Blue Note 1204 |
B |
You've Got Me Walkin' And Talkin' To Myself |
V |
|
Jackson, Cliff & His Village Cats feat. Sedric, Gene |
|
|
1944 |
3:55 |
|
21.12.1944 |
|
BW 43 |
|
|
|
|
|
Black & White 1204 |
Musik: Jackson/Taylor |
|
|
|
| 45worlds |
|
Deezer |
|
Blue Note 1205 |
A |
Cliff's Boogie Blues |
V |
|
Jackson, Cliff & His Village Cats |
|
|
1944 |
4:17 |
|
21.12.1944 |
|
BW 45 |
|
|
|
|
|
Black & White 1205 |
Musik: Jackson |
|
|
|
| 45worlds |
|
Deezer |
|
Blue Note 1205 |
B |
Jeepers Creepers |
V |
|
Jackson, Cliff & His Village Cats |
|
|
1944 |
4:25 |
|
21.12.1944 |
|
BW 46 |
|
|
|
|
|
Black & White 1205 |
Musik: Warren, Harry/Text: Mercer, Johnny |
|
|
|
| 45worlds |
|
Deezer |
COVER. Original filtern. |
Blue Note 1207 |
|
Nine O'Clock Beer |
V |
|
Bigard, Barney & His Orchestra |
|
|
1945 |
4:07 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
| The Online Discographical Project |
|
Deezer |
|
Blue Note 1207 |
|
How Long Blues |
V |
|
Bigard, Barney & His Orchestra |
|
|
1944 |
4:01 |
|
|
|
|
|
1079884 |
00343892540 |
|
|
|
Musik + Text: Carr, Leroy |
|
|
|
| The Online Discographical Project |
|
Deezer |
COVER. Original filtern. |
Blue Note 1563 |
|
This Time's The Dream |
V |
|
Burrell, Kenny |
|
|
1956 |
|
Hackensack, Van Gelder Studio |
29.05.1956 |
|
|
|
|
|
|
|
|
|
|
|
|
| Discograpy |
0000 |
|
|
Blue Note 1563 |
|
Delilah |
V |
|
Burrell, Kenny |
|
|
1956 |
|
Hackensack, Van Gelder Studio |
29.05.1956 |
|
|
|
|
|
|
|
|
|
|
|
|
| Discograpy |
0000 |
|
|
Blue Note 1564 |
|
I Mean You |
V |
|
Monk, Thelonious (Quartet) |
|
|
1949 |
2:45 |
|
15.10.1949 |
|
|
|
|
|
|
|
|
|
|
|
|
| The Online Discographical Project |
|
Deezer |
|
Blue Note 1564 |
|
Symphonette |
V |
|
Dameron, Tadd (Sextet) |
|
|
1948 |
4:06 |
New York City, Apex Studios |
13.09.1948 |
|
BN-334-1 |
|
|
|
|
|
|
|
|
|
|
| Discograpy |
0000 |
Deezer |
|
Blue Note 1565 |
|
Who Knows |
V |
|
Monk, Thelonious |
|
|
1947 |
2:43 |
|
21.11.1947 |
|
BN-320-0 |
|
|
|
|
|
|
|
|
Quintet |
|
| Global Dog Prod. |
|
|
|
Blue Note 1565 |
|
Monk's Mood |
V |
|
Monk, Thelonious |
|
|
1947 |
3:07 |
|
21.11.1947 |
|
BN-319-0 |
|
|
|
|
|
|
|
|
Quintet |
|
| Global Dog Prod. |
|
Deezer |
|
Blue Note 1566 |
A |
You Go To My Head |
I |
|
Powell, Bud (Trio) |
|
|
1949 |
3:17 |
New York City |
09.08.1949 |
|
BN-364-0 |
|
1062522 |
|
|
|
|
Musik: Coots, J. Fred/Text: Gillespie, Haven |
|
|
|
| RateYourMusic |
|
Deezer |
COVER. Original filtern. |
Blue Note 1566 |
B |
Ornithology |
I |
|
Powell, Bud (Trio) |
|
|
1949 |
2:27 |
New York City |
09.08.1949 |
|
BN-365-0 |
|
|
|
|
|
|
Musik + Text: Harris, Benny/Parker, Charlie |
|
|
|
| Global Dog Prod. |
|
Deezer |
COVER. Original filtern. |
Blue Note 1567 |
|
Bouncing With Bud |
V |
|
Powell, Bud & His Modernists |
|
|
1949 |
3:05 |
New York City, WOR Studios |
08.08.1949 |
|
BN-360 |
|
|
|
|
|
|
|
|
|
|
| Discograpy |
|
Deezer |
|
Blue Note 1567 |
|
Wail, The |
V |
|
Powell, Bud & His Modernists |
|
|
1949 |
3:07 |
New York City, WOR Studios |
08.08.1949 |
|
BN-361 |
|
|
|
|
|
|
|
|
|
|
| Discograpy |
|
Deezer |
|
Blue Note 1568 |
A |
52nd Street Theme |
V |
|
Powell, Bud & His Modernists |
|
|
1949 |
2:52 |
New York City |
08.08.1949 |
|
BN-363 |
|
|
|
|
|
|
Musik: Monk, Thelonious |
|
|
|
| The Online Discographical Project |
|
Deezer |
|
Blue Note 1568 |
A |
Dance Of The Infidels |
V |
|
Powell, Bud & His Modernists |
|
|
1949 |
2:55 |
New York City |
08.08.1949 |
|
BN-362-1 |
|
|
|
|
|
|
Musik: Powell, Bud |
|
|
|
| The Online Discographical Project |
|
Deezer |
|
Blue Note 1569 |
|
Prince Albert |
V |
|
Roach, Max (Quartet) |
|
|
1949 |
|
|
15.05.1949 |
|
ST3010 |
|
|
|
|
|
|
|
|
|
|
| The Online Discographical Project |
|
|
|
Blue Note 1569 |
|
Prince Albert (Part 2) |
V |
|
Roach, Max (Quartet) |
|
|
1949 |
|
|
15.05.1949 |
|
ST3010 |
|
|
|
|
|
|
|
|
|
|
| Global Dog Prod. |
|
|
|
Blue Note 1570 |
|
Maximum |
V |
|
Roach, Max (Quartet) |
|
|
1949 |
|
|
15.05.1949 |
|
ST3013 |
|
|
|
|
|
|
|
|
|
|
| Global Dog Prod. |
|
|
|
Blue Note 1570 |
|
Just Moody |
V |
|
Moody, James (Quartet) |
|
|
1949 |
3:00 |
|
30.04.1949 |
|
V3004 |
|
|
|
|
|
|
|
|
|
|
| Global Dog Prod. |
|
|
|
Blue Note 1571 |
A |
Tomorrow |
V |
|
Roach, Max (Quartet) |
|
|
1949 |
|
|
15.05.1949 |
|
ST3012 |
|
|
|
|
|
|
|
|
|
|
| Global Dog Prod. |
|
|
|
Blue Note 1571 |
B |
Tomorrow (Part 2) |
V |
|
Roach, Max (Quartet) |
|
|
1949 |
|
|
15.05.1949 |
|
ST3012 |
|
|
|
|
|
|
|
|
|
|
| Global Dog Prod. |
|
|
|
Blue Note 1572 |
|
Fuguetta |
V |
|
McGhee, Howard & His All Stars |
|
|
1950 |
3:10 |
|
23.01.1950 |
|
BN-371-1 |
|
|
|
|
|
|
Musik: Drew, Kenny |
|
|
|
| Global Dog Prod. |
|
Deezer |
|
Blue Note 1572 |
|
I'll Remember April |
V |
|
McGhee, Howard & His All Stars |
|
|
1950 |
2:53 |
|
23.01.1950 |
|
BN-375-1 |
|
|
|
|
|
|
|
|
|
|
| Global Dog Prod. |
|
Deezer |
|
Blue Note 1573 |
A |
Donnellon Square |
V |
|
McGhee, Howard & His All Stars |
|
|
1950 |
2:50 |
|
23.01.1950 |
|
BN-374-0 |
|
|
|
|
|
|
Musik: Drew, Kenny |
|
|
|
| Global Dog Prod. |
|
Deezer |
|
Blue Note 1573 |
B |
Fluid Drive |
V |
|
McGhee, Howard & His All Stars |
|
|
1950 |
2:52 |
|
23.01.1950 |
|
BN-372-0 |
|
|
|
|
|
|
Musik: Drew, Kenny |
|
|
|
| Global Dog Prod. |
|
Deezer |
|
Blue Note 1574 |
A |
Lo-Flame |
V |
|
McGhee, Howard & His All Stars |
|
|
1950 |
2:50 |
New York City |
23.01.1950 |
|
BN-370-2 |
|
|
|
|
|
|
Musik + Text: McGhee, Howard |
|
|
|
| Global Dog Prod. |
|
Deezer |
|
Blue Note 1574 |
B |
Meciéndo |
V |
|
McGhee, Howard & His All Stars |
|
|
1950 |
2:36 |
New York City |
23.01.1950 |
|
BN-373-0 |
|
|
|
|
|
|
Musik + Text: McGhee, Howard |
|
|
|
| RateYourMusic |
|
Deezer |
|
Blue Note 1575 |
|
Nice Work If You Can Get It |
V |
|
Monk, Thelonious (Trio) |
|
|
1947 |
3:05 |
|
24.10.1947 |
|
BN-312-1 |
|
1120036 |
00005876870 |
|
|
|
Musik: Gershwin, George/Text: Gershwin, Ira |
|
|
|
| Global Dog Prod. |
|
Deezer |
COVER. Original filtern. |
Blue Note 1575 |
|
April In Paris |
V |
|
Monk, Thelonious (Trio) |
|
|
1947 |
3:22 |
|
24.10.1947 |
|
BN-315-1 |
|
|
|
|
|
|
Musik: Duke, Vernon/Text: Harburg, Edgar Yispel |
|
|
|
| Global Dog Prod. |
|
Deezer |
COVER. Original filtern. |
Blue Note 1576 |
A |
Over The Rainbow |
I |
|
Powell, Bud (Trio) |
|
|
1951 |
3:00 |
New York City |
01.05.1951 |
|
BN-383-0 |
|
1347906 |
00009897247 |
|
|
|
Musik: Arlen, Harold/Text: Harburg, Edgar Yispel |
|
|
|
| Discograpy |
|
Deezer |
COVER. Original filtern. |
Blue Note 1576 |
B |
A Night In Tunisia |
I |
|
Powell, Bud (Trio) |
|
|
1951 |
4:15 |
New York City |
01.05.1951 |
|
BN-384-0 |
|
|
|
|
|
|
Musik: Gillespie/Paparelli/Robin |
|
|
|
| Discograpy |
|
Deezer |
|
Blue Note 1577 |
A |
Un Poco Loco |
I |
|
Powell, Bud (Trio) |
|
|
1951 |
4:47 |
New York City |
01.05.1951 |
|
BN-382-4 |
|
|
|
|
|
|
Musik: Powell, Bud |
|
|
|
| The Blue Note Label |
0027 |
Deezer |
|
Blue Note 1577 |
B |
It Could Happen To You |
I |
|
Powell, Bud |
|
|
1953 |
3:14 |
New York City |
01.05.1951 |
|
BN-385-1 |
|
925453 |
00537275340 |
|
|
|
Musik: Heusen, Jimmy Van/Text: Burke, Johnny |
|
Piano Solo |
|
| The Blue Note Label |
0027 |
Deezer |
COVER. Original filtern. |
Blue Note 1578 |
|
Where Or When |
V |
|
Kelly, Wynton (Trio) |
|
|
1951 |
2:54 |
|
25.07.1951 |
|
BN-404-0 |
|
|
|
|
|
|
|
|
|
|
| Global Dog Prod. |
|
Deezer |
|
Blue Note 1578 |
|
Born To Be Blue |
V |
|
Kelly, Wynton (Trio) |
|
|
1951 |
3:28 |
|
25.07.1951 |
|
BN-403-1 |
|
|
|
|
|
|
Musik: Tormé, Mel/Text: Wells, Robert |
|
|
|
| Global Dog Prod. |
|
Deezer |
COVER. Original filtern. |
Blue Note 1579 |
|
Moonglow |
V |
|
Kelly, Wynton (Trio) |
|
|
1951 |
3:13 |
|
25.07.1951 |
|
BN-405-0 |
|
|
|
|
|
Climax 1579 |
|
|
|
|
| Global Dog Prod. |
|
Deezer |
|
Blue Note 1579 |
|
Cherokee |
V |
|
Kelly, Wynton |
|
|
1973 |
3:10 |
|
25.07.1951 |
|
BN-402-1 |
|
Noble |
00074985037 |
|
|
Climax 1579 |
Musik + Text: Noble, Ray |
|
Trio |
|
| Global Dog Prod. |
|
|
COVER. Original filtern. |
Blue Note 1580 |
|
Crazy He Calls Me |
V |
|
Kelly, Wynton |
|
|
1951 |
|
|
|
|
|
|
|
|
|
|
|
Musik: Russell, Bob/Text: Sigman, Carl |
|
|
|
| Global Dog Prod. |
|
|
COVER. Original filtern. |
Blue Note 1580 |
|
Summertime |
V |
|
Kelly, Wynton (Trio) |
|
|
1951 |
3:07 |
|
01.08.1951 |
|
BN-412-1 |
|
|
|
|
|
|
|
|
|
|
| Global Dog Prod. |
|
Deezer |
|
Blue Note 1580 |
|
Crazy, He Calls Me |
V |
|
Kelly, Wynton (Trio) |
|
|
1951 |
|
|
01.08.1951 |
|
BN-414-1 |
|
|
|
|
|
|
|
|
|
|
| Global Dog Prod. |
|
|
|
Blue Note 1581 |
|
Goodbye |
V |
|
Kelly, Wynton |
|
|
1951 |
2:24 |
|
01.08.1951 |
|
BN-408-0 |
|
|
|
|
|
|
Musik + Text: Jenkins, Gordon |
|
Trio |
|
| Global Dog Prod. |
|
|
COVER. Original filtern. |
Blue Note 1581 |
|
Blue Moon |
V |
|
Kelly, Wynton |
|
|
1973 |
|
|
25.07.1951 |
|
BN-399-1 |
|
1393756 |
00128632966 |
|
|
|
Musik: Rodgers, Richard/Text: Hart, Lorenz |
|
|
|
| Global Dog Prod. |
|
|
COVER. Original filtern. |
Blue Note 1585 |
|
Singing For You |
V |
|
James Moody With Andre Hodier Et Son Orchestre |
|
|
1951 |
|
|
13.07.1951 |
|
V4059 |
|
|
|
|
|
|
|
|
|
|
| Global Dog Prod. |
|
|
|
Blue Note 1585 |
|
Shaded Blond |
V |
|
Moody, James |
|
|
1951 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
| Global Dog Prod. |
|
|
|
Blue Note 1585 |
|
Autumn Leaves |
V |
|
Moody, James |
|
|
1951 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
| Global Dog Prod. |
|
|
|
Blue Note 1585 |
|
Shades Of Blonde |
V |
|
James Moody With Andre Hodier Et Son Orchestre |
|
|
1951 |
|
|
13.07.1951 |
|
V4060 |
|
|
|
|
|
|
|
|
|
|
| Global Dog Prod. |
|
|
|
Blue Note 1586 |
|
September Serenade |
V |
|
James Moody With Andre Hodier Et Son Orchestre |
|
|
1951 |
|
|
13.07.1951 |
|
V4062 |
|
|
|
|
|
|
|
|
|
|
| Global Dog Prod. |
|
|
|
Blue Note 1586 |
|
So Very Pretty |
V |
|
James Moody With Andre Hodier Et Son Orchestre |
|
|
1951 |
|
|
13.07.1951 |
|
V4058 |
|
|
|
|
|
|
|
|
|
|
| Global Dog Prod. |
|
|
|
Blue Note 1587 |
|
Bedelia |
V |
|
Moody, James |
|
|
1951 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
| The Online Discographical Project |
|
|
|
Blue Note 1587 |
|
Jackie My Little Cat |
V |
|
James Moody With Andre Hodier Et Son Orchestre |
|
|
1951 |
|
|
13.07.1951 |
|
V4061 |
|
|
|
|
|
|
|
|
|
|
| Global Dog Prod. |
|
|
|
Blue Note 1588 |
|
Singing For You |
V |
|
Moody, James |
|
|
1951 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
| Global Dog Prod. |
|
|
|
Blue Note 1588 |
|
Loving You The Way I Do |
V |
|
James Moody With Andre Hodier Et Son Orchestre |
|
|
1951 |
|
|
13.07.1951 |
|
V4055 |
|
|
|
|
|
|
|
|
|
|
| Global Dog Prod. |
|
|
|
Blue Note 1588 |
|
Autumn Leaves |
V |
|
James Moody With Andre Hodier Et Son Orchestre |
|
|
1951 |
|
|
13.07.1951 |
|
V4057 |
|
|
|
|
|
|
|
|
|
|
| Global Dog Prod. |
|
|
|
Blue Note 1589 |
|
Four In One |
V |
|
Monk, Thelonious |
|
|
1951 |
3:31 |
|
23.07.1951 |
|
BN-392-1 |
|
|
|
|
|
|
Musik + Text: Monk, Thelonious |
|
Quintet |
|
| Global Dog Prod. |
|
Deezer |
|
Blue Note 1589 |
|
Straight No Chaser |
V |
|
Monk, Thelonious |
|
|
1951 |
2:57 |
|
23.07.1951 |
|
BN-395-1 |
|
|
|
|
|
|
Musik + Text: Monk, Thelonious |
|
Quintet |
|
| Global Dog Prod. |
|
Deezer |
|
Blue Note 1590 |
|
Eronel |
V |
|
Monk, Thelonious |
|
|
1951 |
2:29 |
|
23.07.1951 |
|
BN-394-0 |
|
|
|
|
|
|
Musik + Text: Monk, Thelonious |
|
Quintet |
|
| Global Dog Prod. |
|
Deezer |
|
Blue Note 1590 |
|
Criss Cross |
V |
|
Monk, Thelonious |
|
|
1951 |
2:57 |
|
23.07.1951 |
|
BN-393-0 |
|
|
|
|
|
Swing 408 |
Musik + Text: Monk, Thelonious |
|
Quintet |
|
| Global Dog Prod. |
|
Deezer |
|
Blue Note 1591 |
|
Ask Me Now |
V |
|
Monk, Thelonious |
|
|
1951 |
3:15 |
|
23.07.1951 |
|
BN-396-1 |
|
|
|
|
|
|
Musik + Text: Monk, Thelonious |
|
|
|
| Global Dog Prod. |
|
Deezer |
|
Blue Note 1591 |
|
Willow Weep For Me |
I |
|
Jackson, Milt |
|
|
1951 |
|
|
23.07.1951 |
|
BN-397-2 |
|
|
|
|
|
|
Musik: Ronell, Ann |
|
|
|
| Global Dog Prod. |
|
|
COVER. Original filtern. |
Blue Note 1592 |
|
Tahiti |
I |
|
Jackson, Milt |
|
|
1952 |
3:29 |
|
07.04.1952 |
|
BN-422-0 |
|
|
|
|
|
Swing 407 |
|
|
Quintet |
|
| Global Dog Prod. |
|
Deezer |
|
Blue Note 1592 |
|
What's New |
I |
|
Jackson, Milt |
|
|
1948 |
3:53 |
|
07.04.1952 |
|
BN-425-3 |
|
|
|
|
|
Swing 409 |
Musik: Haggart, Bob/Text: Burke, Johnny |
|
Quintet |
|
| Global Dog Prod. |
|
Deezer |
COVER. Original filtern. |
Blue Note 1593 |
|
Lillie |
I |
|
Jackson, Milt |
|
|
1952 |
3:16 |
|
07.04.1952 |
|
BN-423-1 |
|
|
|
|
|
Swing 407 |
|
|
Quintet |
|
| Global Dog Prod. |
|
Deezer |
|
Blue Note 1593 |
|
Bag's Groove |
I |
|
Jackson, Milt |
|
|
1952 |
|
|
07.04.1952 |
|
BN-424-2 |
|
|
|
|
|
Swing 427 |
|
|
Quintet |
|
| Global Dog Prod. |
|
|
|
Blue Note 1594 |
|
Don't Get Around Much Anymore |
V |
|
Lou Donaldson With The Milt Jackson Quintet |
|
|
1952 |
|
|
07.04.1952 |
|
BN-426-0 |
|
|
|
|
|
|
Musik: Ellington / Russell |
|
|
|
| Global Dog Prod. |
|
|
|
Blue Note 1594 |
|
On The Scene |
V |
|
Lou Donaldson With The Milt Jackson Quintet |
|
|
1952 |
|
|
07.04.1952 |
|
BN-427-0 |
|
|
|
|
|
|
Musik: Lou Donaldson |
|
|
|
| Global Dog Prod. |
|
|
|
Blue Note 1594 |
|
Don't Get Around Much |
I |
|
Jackson, Milt |
|
|
1952 |
|
|
|
|
|
|
|
|
|
|
|
|
|
Quintet |
|
| Global Dog Prod. |
|
|
|
Blue Note 1595 |
|
Dear Old Stockholm |
V |
|
Davis, Miles (Sextet) |
|
|
1952 |
4:15 |
New York City, WOR Studio, Longacre Theatre |
09.05.1952 |
|
BN-428-1 |
|
|
|
|
|
|
|
|
|
|
| The Blue Note Label |
0031 |
|
|
Blue Note 1595 |
|
Would'n You |
V |
|
Davis, Miles (Sextet) |
|
|
1952 |
|
New York City, WOR Studio, Longacre Theatre |
09.05.1952 |
|
BN-431-3 |
|
|
|
|
|
|
|
|
|
|
| The Blue Note Label |
0031 |
|
|
Blue Note 1596 |
|
Chance It |
I |
|
Davis, Miles (Sextet) |
|
|
1952 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
| RateYourMusic |
|
|
|
Blue Note 1596 |
|
Yesterdays |
I |
|
Davis, Miles (Sextet) |
|
|
1952 |
3:42 |
|
|
|
|
|
|
|
|
|
|
Musik: Kern, Jerome/Text: Harbach, Otto |
|
|
|
| RateYourMusic |
|
|
|
Blue Note 1597 |
|
Donna |
V |
|
Davis, Miles (Sextet) |
|
|
1952 |
|
New York City, WOR Studio, Longacre Theatre |
09.05.1952 |
|
BN-430-1 |
|
|
|
|
|
|
|
|
|
|
| The Blue Note Label |
0031 |
|
|
Blue Note 1597 |
|
Squirrel, The |
V |
|
Tadd Dameron Sextet |
|
|
1947 |
|
|
26.09.1947 |
|
BN-305-1 |
|
|
|
|
|
|
|
|
|
|
| Global Dog Prod. |
|
|
|
Blue Note 1597 |
|
Squirrel Second Master, The |
V |
|
Davis, Miles |
|
|
1952 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
| Global Dog Prod. |
|
|
|
Blue Note 1598 |
|
Roccus |
V |
|
Donaldson, Lou |
|
|
1952 |
3:26 |
|
20.06.1952 |
|
BN-440-1 |
|
|
|
|
|
|
|
|
|
|
| Global Dog Prod. |
|
Deezer |
|
Blue Note 1598 |
|
Cheek To Cheek |
V |
|
Donaldson, Lou |
|
|
1952 |
3:01 |
|
20.06.1952 |
|
BN-442-2 |
|
1058709 |
00002852905 |
|
|
|
Musik + Text: Berlin, Irving |
|
|
|
| Global Dog Prod. |
|
Deezer |
COVER. Original filtern. |
Blue Note 1599 |
|
Things We Did Last Summer |
V |
|
Donaldson, Lou |
|
|
1952 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
| Global Dog Prod. |
|
|
|
Blue Note 1599 |
|
Things We Did Last Summer, The |
V |
|
Donaldson, Lou |
|
|
1952 |
|
|
20.06.1952 |
|
BN-441-2 |
|
|
|
|
|
|
Musik: Cahn, Sammy/Text: Styne, Jule |
|
|
|
| Global Dog Prod. |
|
|
COVER. Original filtern. |
Blue Note 1599 |
|
Lou's Blues |
V |
|
Donaldson, Lou |
|
|
1952 |
3:44 |
|
20.06.1952 |
|
BN-443-1 |
|
|
|
|
|
|
|
|
|
|
| Global Dog Prod. |
|
Deezer |
|
Blue Note 1600 |
|
Tenderly |
V |
|
Dickenson, Vic (Quartet) |
|
|
1952 |
|
|
24.06.1952 |
|
BN-444-2 |
|
|
|
|
|
|
|
|
|
|
| Global Dog Prod. |
|
|
|
Blue Note 1600 |
|
Lion's Den |
V |
|
Dickenson, Vic (Quartet) |
|
|
1952 |
|
|
24.06.1952 |
|
BN-446-3 |
|
|
|
|
|
|
|
|
|
|
| Global Dog Prod. |
|
|
|
Blue Note 1601 |
|
In A Mellowtone |
V |
|
Dickenson, Vic (Quartet) |
|
|
1952 |
|
|
24.06.1952 |
|
BN-447-2 |
|
|
|
|
|
|
|
|
|
|
| Global Dog Prod. |
|
|
|
Blue Note 1601 |
|
In A Mellow Tone |
V |
|
Dickinson, Vic |
|
|
1952 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
| Global Dog Prod. |
|
|
|
Blue Note 1601 |
|
Gettin' Sentimental |
V |
|
Dickinson, Vic |
|
|
1952 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
| Global Dog Prod. |
|
|
|
Blue Note 1601 |
|
(I'm) Gettin' Sentimental (Over You) |
V |
|
Dickenson, Vic (Quartet) |
|
|
1952 |
|
|
24.06.1952 |
|
BN-445-1 |
|
|
|
|
|
|
|
|
|
|
| Global Dog Prod. |
|
|
|
Blue Note 1602 |
|
Skippy |
V |
|
Monk, Thelonious (Sextet) |
|
|
1952 |
3:02 |
|
30.05.1952 |
|
BN-434-1 |
|
|
|
|
|
|
|
|
|
|
| Global Dog Prod. |
|
Deezer |
|
Blue Note 1602 |
|
Let's Cool One |
V |
|
Monk, Thelonious (Sextet) |
|
|
1952 |
3:50 |
|
30.05.1952 |
|
BN-438-0 |
|
|
|
|
|
|
|
|
|
|
| Global Dog Prod. |
|
Deezer |
|
Blue Note 1603 |
|
Carolina Moon |
V |
|
Monk, Thelonious (Sextet) |
|
|
1952 |
3:28 |
|
|
|
BN-437-0 |
|
|
|
|
|
|
Musik: Davis, Benny/Text: Burke, Joe |
|
|
|
| Global Dog Prod. |
|
Deezer |
COVER. Original filtern. |
Blue Note 1603 |
|
Hornin' In |
V |
|
Monk, Thelonious (Sextet) |
|
|
1952 |
3:16 |
|
30.05.1952 |
|
BN-435-3 |
|
|
|
|
|
|
|
|
|
|
| Global Dog Prod. |
|
Deezer |
|
Blue Note 1604 |
A |
Cream Of The Crop (Part 1) |
V |
|
Swinging Swedes, The |
|
|
1951 |
|
|
05.09.1951 |
|
|
|
|
|
|
|
|
|
|
|
|
| Global Dog Prod. |
|
|
|
Blue Note 1604 |
B |
Cream Of The Crop (Part 2) |
V |
|
Swinging Swedes, The |
|
|
1951 |
|
|
05.09.1951 |
|
|
|
|
|
|
|
|
|
|
|
|
| Global Dog Prod. |
|
|
|
Blue Note 1605 |
|
Pick Yourself Up |
V |
|
Swinging Swedes, The |
|
|
1951 |
|
|
05.09.1951 |
|
|
|
|
|
|
|
|
|
|
|
|
| Global Dog Prod. |
|
|
|
Blue Note 1605 |
|
Summertime |
V |
|
Swinging Swedes, The |
|
|
1951 |
|
|
05.09.1951 |
|
BN-2188-V |
|
|
|
|
|
|
Musik: Gershwin Arr. Theselius |
|
|
|
| Global Dog Prod. |
|
|
|
Blue Note 1606 |
|
Gears, The |
V |
|
Melle, Gil (Sextet) |
|
|
1952 |
|
|
02.03.1952 |
|
BN-462-3 |
|
|
|
|
|
|
|
|
|
|
| Global Dog Prod. |
|
|
|
Blue Note 1606 |
|
Four Moons |
V |
|
Melle, Gil (Sextet) |
|
|
1952 |
|
|
02.03.1952 |
|
BN-461-3 |
|
|
|
|
|
|
|
|
|
|
| Global Dog Prod. |
|
|
|
Blue Note 1607 |
|
Mars |
V |
|
Melle, Gil (Sextet) |
|
|
1952 |
|
|
02.03.1952 |
|
BN-463-0 |
|
|
|
|
|
|
|
|
|
|
| Global Dog Prod. |
|
|
|
Blue Note 1607 |
|
Sunset Concerto |
V |
|
Melle, Gil (Sextet) |
|
|
1952 |
|
|
02.03.1952 |
|
BN-464-0 |
|
|
|
|
|
|
|
|
|
|
| Global Dog Prod. |
|
|
|
Blue Note 1608 |
|
Thou Swell |
V |
|
Silver, Horace (Trio) |
|
|
1952 |
2:58 |
|
09.10.1952 |
|
BN-450-6 |
|
|
|
|
|
|
|
|
|
|
| Global Dog Prod. |
|
|
|
Blue Note 1608 |
|
Safari |
V |
|
Silver, Horace (Trio) |
|
|
1952 |
2:53 |
|
09.10.1952 |
|
BN-449-1 |
|
|
|
|
|
|
|
|
|
|
| Global Dog Prod. |
|
|
|
Blue Note 1609 |
|
Sweet Juice |
V |
|
Donaldson, Lou |
|
|
1952 |
3:30 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
| The Online Discographical Project |
|
Deezer |
|
Blue Note 1609 |
|
Best Things In Life Are Free |
V |
|
Donaldson, Lou |
|
|
1952 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
| The Online Discographical Project |
|
|
|
Blue Note 1609 |
|
Best Things In Life |
V |
|
Donaldson, Lou |
|
|
1952 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
| Global Dog Prod. |
|
|
|
Blue Note 1610 |
|
If I Love Again |
V |
|
Donaldson, Lou |
|
|
1952 |
2:40 |
|
19.11.1952 |
|
BN-458-5 |
|
695855 |
00058855632 |
|
|
|
Musik: Oakland, Ben/Text: Murray, Jack |
|
Quintet |
|
| YouTube |
|
Deezer |
|
Blue Note 1610 |
|
Down Home |
V |
|
Donaldson, Lou |
|
|
1952 |
3:20 |
|
19.11.1952 |
|
BN-459-1 |
|
|
|
|
|
|
|
|
Quintet |
|
| Global Dog Prod. |
|
Deezer |
|
Blue Note 1611 |
|
Leapin' In London |
V |
|
Cool Britons, The |
|
|
1950 |
|
|
29.07.1950 |
|
SSS7-127 |
|
|
|
|
|
|
|
|
|
|
| Global Dog Prod. |
|
|
|
Blue Note 1611 |
|
Birdland Bounce |
V |
|
Cool Britons, The |
|
|
1950 |
|
|
29.07.1950 |
|
SSS7-126 |
|
|
|
|
|
|
|
|
|
|
| Global Dog Prod. |
|
|
|
Blue Note 1612 |
|
Cherokee |
V |
|
Cool Britons, The |
|
|
1950 |
|
|
29.07.1950 |
|
116 |
|
|
|
|
|
|
|
|
|
|
| Global Dog Prod. |
|
|
|
Blue Note 1612 |
|
Tea For Me |
V |
|
Cool Britons, The |
|
|
1950 |
|
|
29.07.1950 |
|
117 |
|
|
|
|
|
|
|
|
|
|
| Global Dog Prod. |
|
|
|
Blue Note 1613 |
|
Lady Bird |
V |
|
Gillespie, Dizzy |
|
|
1952 |
|
|
11.04.1952 |
|
52V4225/BN 2002 |
|
|
|
|
|
|
|
|
Jazz Ensemble |
|
| Global Dog Prod. |
|
|
|
Blue Note 1613 |
|
Sweet Lorraine |
V |
|
Gillespie, Dizzy |
|
|
1952 |
2:35 |
|
11.04.1952 |
|
52V4229/BN 2001 |
|
|
|
|
|
|
Musik: Burwell, Carter/Text: Parish, Mitchell |
|
Jazz Ensemble |
|
| Global Dog Prod. |
|
Deezer |
COVER. Original filtern. |
Blue Note 1614 |
|
Afro-Paris |
V |
|
Gillespie, Dizzy |
|
|
1952 |
|
|
27.03.1952 |
|
52V4211/BN 2004 |
|
|
|
|
|
|
|
|
Jazz Ensemble |
|
| Global Dog Prod. |
|
|
|
Blue Note 1614 |
|
Hurry Home |
V |
|
Gillespie, Dizzy |
|
|
1952 |
2:58 |
|
27.03.1952 |
|
52V4210/BN 2003 |
|
|
|
|
|
|
|
|
Jazz Ensemble |
|
| Global Dog Prod. |
|
Deezer |
|
Blue Note 1614 |
|
Afio Paris |
V |
|
Gillespie Jazz Ensemble |
|
|
1952 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
| Global Dog Prod. |
|
|
|
Blue Note 1615 |
|
Say Eh |
V |
|
Gillespie, Dizzy |
|
|
1952 |
|
|
27.03.1952 |
|
52V4212/BN 2008 |
|
|
|
|
|
|
|
|
Jazz Ensemble |
|
| Global Dog Prod. |
|
|
|
Blue Note 1615 |
|
Everything Happens To Me |
V |
|
Gillespie, Dizzy (Jazz Ensemble) |
|
|
1952 |
2:52 |
|
11.04.1952 |
|
52V4230/BN 2007 |
|
|
|
|
|
|
Musik: Adair, Tom/Text: Dennis, Matt L. |
|
|
|
| Global Dog Prod. |
|
Deezer |
COVER. Original filtern. |
Blue Note 1615 |
|
Everything Happens |
V |
|
Gillespie Jazz Ensemble |
|
|
1952 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
| Global Dog Prod. |
|
|
|
Blue Note 1616 |
|
She's Funny That Way |
V |
|
Gillespie, Dizzy (Jazz Ensemble) |
|
|
1952 |
3:42 |
|
27.03.1952 |
|
52V4227/BN 2006 |
|
|
|
|
|
|
Musik: Moret, Neil/Text: Whiting, Richard |
|
|
|
| Global Dog Prod. |
|
Deezer |
COVER. Original filtern. |
Blue Note 1616 |
|
Wrap Your Troubles In Dreams |
V |
|
Gillespie, Dizzy |
|
|
1952 |
2:48 |
|
11.04.1952 |
|
52V4228/BN 2005 |
|
342001 |
00495559103 |
|
|
|
Musik: Barris, Harry/Text: Moll, Billy/Koehler, Ted |
|
Jazz Ensemble |
|
| Global Dog Prod. |
|
|
|
Blue Note 1617 |
|
Somebody Loves Me |
V |
|
Gillespie, Dizzy |
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|
1952 |
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|
11.04.1952 |
|
52V4226/BN 2009 |
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|
Jazz Ensemble |
|
| Global Dog Prod. |
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|
Blue Note 1617 |
|
Ccc Blues |
V |
|
Gillespie, Dizzy |
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|
1952 |
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|
11.04.1952 |
|
52V4224/BN 2010 |
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|
Jazz Ensemble |
|
| Global Dog Prod. |
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|
Blue Note 1618 |
|
Enigma |
V |
|
Davis, Miles (Sextet) |
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|
1953 |
3:27 |
|
20.04.1953 |
|
478-2 |
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Musik: Jay Jay Johnson |
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| Global Dog Prod. |
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|
Blue Note 1618 |
|
Tempus Fugit |
V |
|
Davis, Miles (Sextet) |
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1953 |
3:54 |
|
20.04.1953 |
|
BN-480-0 |
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| Global Dog Prod. |
|
Deezer |
|
Blue Note 1619 |
|
I Waited For You |
V |
|
Davis, Miles (Sextet) |
|
|
1953 |
3:34 |
|
20.04.1953 |
|
BN-482-0 |
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| Global Dog Prod. |
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|
Blue Note 1619 |
|
Ray's Idea |
V |
|
Davis, Miles (Sextet) |
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|
1953 |
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|
20.04.1953 |
|
BN-479-2 |
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| Global Dog Prod. |
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|
Blue Note 1620 |
|
C.T.A. |
I |
|
Davis, Miles |
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|
1953 |
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|
20.04.1953 |
|
BN-481-3 |
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|
Musik + Text: Jimmy Heath |
|
Sextet |
|
| Global Dog Prod. |
|
|
ORIGINAL. Cover filtern. |
Blue Note 1620 |
|
Kelo |
V |
|
Davis, Miles (Sextet) |
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|
1953 |
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|
20.04.1953 |
|
BN-477-2 |
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| Global Dog Prod. |
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|
Blue Note 1621 |
|
Turnpike |
V |
|
Johnson, J. J. (Sextet) |
|
|
1953 |
4:21 |
|
22.06.1953 |
|
BN-505-0 |
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| Global Dog Prod. |
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|
Blue Note 1621 |
|
Capri |
V |
|
Johnson, J. J. (Sextet) |
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|
1953 |
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|
22.06.1953 |
|
BN-503-3 |
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|
| Global Dog Prod. |
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|
Blue Note 1622 |
|
You Go To My Head |
V |
|
Lou Donaldson-Clifford Brown Sextet |
|
|
1953 |
|
|
09.06.1953 |
|
BN-494-0 |
|
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|
| Global Dog Prod. |
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|
Blue Note 1622 |
|
Brownie Speaks |
V |
|
Lou Donaldson-Clifford Brown Sextet |
|
|
1953 |
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|
09.06.1953 |
|
BN-492-0 |
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|
| Global Dog Prod. |
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|
Blue Note 1623 |
|
Bellarosa |
V |
|
Lou Donaldson-Clifford Brown Sextet |
|
|
1953 |
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|
09.06.1953 |
|
BN-489-1 |
|
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|
| Global Dog Prod. |
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|
Blue Note 1623 |
|
Cookin' |
V |
|
Lou Donaldson-Clifford Brown Sextet |
|
|
1953 |
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|
09.06.1953 |
|
BN-491-1 |
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|
| Global Dog Prod. |
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|
Blue Note 1624 |
|
Carving The Rock |
V |
|
Lou Donaldson-Clifford Brown Sextet |
|
|
1953 |
|
|
09.06.1953 |
|
BN-490-3 |
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|
| Global Dog Prod. |
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|
Blue Note 1624 |
|
De-Dah |
V |
|
Lou Donaldson-Clifford Brown Sextet |
|
|
1953 |
|
|
09.06.1953 |
|
BN-493-0 |
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|
| Global Dog Prod. |
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|
Blue Note 1625 |
|
Day In, Day Out |
V |
|
Silver, Horace (Trio) |
|
|
1953 |
3:02 |
|
23.11.1953 |
|
BN-535-1 |
|
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|
| Global Dog Prod. |
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|
Blue Note 1625 |
|
Opus De Funk |
V |
|
Silver, Horace (Trio) |
|
|
1953 |
3:31 |
|
23.11.1953 |
|
BN-534-2 |
|
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|
| Global Dog Prod. |
|
Deezer |
|
Blue Note 1626 |
A |
Message From Kenya |
V |
|
Blakey, Art & Sabu |
|
|
1953 |
4:36 |
|
23.11.1953 |
|
BN-533-0 |
|
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|
Musik: Blakey, Art |
|
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|
| 45cat |
|
Deezer |
|
Blue Note 1626 |
B |
Nothing But The Soul |
V |
|
Blakey, Art |
|
|
1953 |
|
|
23.11.1953 |
|
BN-536-0 |
|
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|
Musik: Blakey, Art |
|
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|
| 45cat |
|
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|
Blue Note 1627 |
|
Skylark |
V |
|
Green, Urbie (Septet) |
|
|
1954 |
3:28 |
|
27.12.1953 |
|
BN-543-0 |
|
396414 |
00532838739 |
|
|
|
Musik: Carmichael, Hoagy/Text: Mercer, Johnny |
|
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|
| Global Dog Prod. |
|
Deezer |
COVER. Original filtern. |
Blue Note 1627 |
|
Dansero |
V |
|
Green, Urbie (Septet) |
|
|
1954 |
3:21 |
|
27.12.1953 |
|
BN-545-2 |
|
1861264 |
00049402584 |
|
|
|
Musik: Daniels, Lee/Hayman, Richard/Text: Parker, Sol |
|
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|
| Global Dog Prod. |
|
Deezer |
COVER. Original filtern. |
Blue Note 1628 |
|
Glass Enclosure |
I |
|
Powell, Bud (Trio) |
|
|
1953 |
2:25 |
|
14.08.1953 |
|
BN-516-0 |
|
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|
| Global Dog Prod. |
|
Deezer |
|
Blue Note 1628 |
|
I Want To Be Happy |
I |
|
Powell, Bud |
|
|
1954 |
4:52 |
|
14.08.1953 |
|
BN-514-1 |
|
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|
Musik: Youmans, Vincent/Text: Caesar, Irving |
|
Trio |
|
| Global Dog Prod. |
|
Deezer |
COVER. Original filtern. |
Blue Note 1629 |
|
Sure Thing |
I |
|
Powell, Bud |
|
|
1954 |
2:07 |
|
14.08.1953 |
|
BN-511-2 |
|
|
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|
|
|
Musik + Text: Jerome Kern/Ira Gershwin |
|
Trio |
|
| Global Dog Prod. |
|
Deezer |
COVER. Original filtern. |
Blue Note 1629 |
|
Collard Greens And Black-Eyed Peas |
I |
|
Powell, Bud (Trio) |
|
|
1953 |
3:04 |
|
14.08.1953 |
|
BN-512-2 |
|
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|
| Global Dog Prod. |
|
Deezer |
|
Blue Note 1630 |
A |
Doodlin' |
I |
|
Silver, Horace & Jazz Messengers, The |
|
|
1955 |
4:19 |
|
06.02.1955 |
|
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|
Musik + Text: Silver, Horace |
|
|
|
| RateYourMusic |
|
|
ORIGINAL. Cover filtern. |
Blue Note 1630 |
B |
Preacher, The |
I |
|
Silver, Horace & Jazz Messengers, The |
|
|
1955 |
4:19 |
|
06.02.1955 |
|
|
|
898592 |
00008998735 |
| Deezer |
|
Musik + Text: Silver, Horace |
|
|
|
| RateYourMusic |
|
Deezer |
ORIGINAL. Cover filtern. |
Blue Note 1631 |
|
Room 608 |
I |
|
Silver, Horace & Jazz Messengers, The |
|
|
1955 |
5:24 |
|
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|
Musik: Silver, Horace |
|
|
|
| RateYourMusic |
|
Deezer |
|
Blue Note 1795 |
|
So Tired |
V |
|
Blakey, Art & The Jazz Messengers |
|
|
1961 |
6:35 |
|
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|
| 45cat |
|
Deezer |
|
Blue Note 1795 |
|
Yama |
V |
|
Blakey, Art & Jazz Messengers, The |
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|
| Global Dog Prod. |
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|
Blue Note 1796 |
|
Night In Tunisia |
V |
|
Blakey, Art & Jazz Messengers, The |
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|
| Global Dog Prod. |
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|
Blue Note 1796 |
|
Night In Tunisia (Part 2) |
V |
|
Blakey, Art & Jazz Messengers, The |
|
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|
| Global Dog Prod. |
|
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|
Blue Note 1796 |
A |
A Night In Tunisia (Part 1) |
V |
|
Blakey, Art & The Jazz Messengers |
|
|
1961 |
11:13 |
|
|
05/1961 |
|
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|
Musik: Gillespie, Dizzy/Text: Paparelli, Frank |
|
|
|
| 45cat |
|
|
|
Blue Note 1796 |
B |
A Night In Tunisia (Part 2) |
V |
|
Blakey, Art & The Jazz Messengers |
|
|
1961 |
11:13 |
|
|
05/1961 |
|
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|
Musik: Gillespie, Dizzy/Text: Paparelli, Frank |
|
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|
| 45cat |
|
|
|
Blue Note 1797 |
|
Dig Dis |
V |
|
Mobley, Hank |
|
|
|
6:06 |
|
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|
| Global Dog Prod. |
|
Deezer |
|
Blue Note 1797 |
|
Remember |
V |
|
Mobley, Hank |
|
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|
5:38 |
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|
| Global Dog Prod. |
|
Deezer |
|
Blue Note 1798 |
|
Gate City |
V |
|
Byrd, Donald |
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|
| Global Dog Prod. |
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|
Blue Note 1798 |
|
Little Boy Blue |
V |
|
Byrd, Donald |
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|
| Global Dog Prod. |
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|
Blue Note 1799 |
|
Ghana |
V |
|
Byrd, Donald |
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|
| Global Dog Prod. |
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|
Blue Note 1799 |
|
Bo-Blue |
V |
|
Byrd, Donald |
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|
| Global Dog Prod. |
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|
Blue Note 1800 |
|
Epistrophy |
V |
|
Taylor, Art |
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|
| Global Dog Prod. |
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|
Blue Note 1800 |
|
Cookoo And Fungi |
V |
|
Taylor, Art |
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|
| Global Dog Prod. |
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|
Blue Note 1801 |
|
Flight To Jordan |
V |
|
Jordan, Duke |
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|
| Global Dog Prod. |
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|
Blue Note 1801 |
|
Starbrite |
V |
|
Jordan, Duke |
|
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|
7:47 |
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|
| Global Dog Prod. |
|
Deezer |
|
Blue Note 1802 |
|
What A Difference A Day Made |
I |
|
Quebec, Ike |
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| Global Dog Prod. |
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|
Blue Note 1802 |
|
I've Got The World On A String |
I |
|
Quebec, Ike |
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|
5:35 |
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|
| Global Dog Prod. |
|
Deezer |
|
Blue Note 1803 |
|
If I Could Be With You |
I |
|
Quebec, Ike |
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|
6:04 |
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|
| Global Dog Prod. |
|
Deezer |
|
Blue Note 1803 |
|
Me 'N Mabe |
I |
|
Quebec, Ike |
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| Global Dog Prod. |
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|
Blue Note 1804 |
|
Mardi Gras |
I |
|
Quebec, Ike |
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|
6:14 |
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|
| Global Dog Prod. |
|
Deezer |
|
Blue Note 1804 |
|
Everything Happens To Me |
I |
|
Quebec, Ike |
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|
1960 |
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|
Musik: Adair, Tom/Text: Dennis, Matt L. |
|
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|
| Global Dog Prod. |
|
|
COVER. Original filtern. |
Blue Note 1805 |
|
For All We Know |
I |
|
Quebec, Ike |
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|
4:13 |
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|
| Global Dog Prod. |
|
Deezer |
|
Blue Note 1805 |
|
Ill Wind |
I |
|
Quebec, Ike |
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|
6:13 |
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|
| Global Dog Prod. |
|
Deezer |
|
Blue Note 1806 |
|
Hog Maw |
V |
|
Donaldson, Lou |
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|
6:22 |
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|
| Global Dog Prod. |
|
Deezer |
|
Blue Note 1806 |
|
Day Dreams |
V |
|
Donaldson, Lou |
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|
5:01 |
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|
| Global Dog Prod. |
|
Deezer |
|
Blue Note 1807 |
|
Here 'Tis |
V |
|
Donaldson, Lou |
|
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|
9:27 |
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|
| Global Dog Prod. |
|
Deezer |
|
Blue Note 1807 |
|
Here 'Tis (Part 2) |
V |
|
Donaldson, Lou |
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|
| Global Dog Prod. |
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|
Blue Note 1808 |
|
Watusi Jump |
V |
|
Donaldson, Lou |
|
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|
7:34 |
|
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|
| Global Dog Prod. |
|
Deezer |
|
Blue Note 1808 |
|
Watusi Jump (Part 2) |
V |
|
Donaldson, Lou |
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| Global Dog Prod. |
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|
Blue Note 1809 |
|
Changing Scene |
V |
|
Hubbard, Freddie |
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|
| Global Dog Prod. |
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|
Blue Note 1809 |
|
I Wished I Knew |
V |
|
Hubbard, Freddie |
|
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|
7:47 |
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|
| Global Dog Prod. |
|
Deezer |
|
Blue Note 1810 |
|
Osie Mae |
V |
|
Hubbard, Freddie |
|
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|
6:49 |
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|
| Global Dog Prod. |
|
Deezer |
|
Blue Note 1810 |
|
Cry Me Not |
V |
|
Hubbard, Freddie |
|
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|
4:45 |
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|
| Global Dog Prod. |
|
Deezer |
|
Blue Note 1811 |
|
Miss Ann's Tempo |
V |
|
Green, Grant |
|
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|
5:37 |
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|
| Global Dog Prod. |
|
Deezer |
|
Blue Note 1811 |
|
Ain't Nobody's Business If I Do |
V |
|
Green, Grant |
|
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|
4:24 |
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|
| Global Dog Prod. |
|
Deezer |
|
Blue Note 1812 |
|
Wee Bit O'Green |
V |
|
Green, Grant |
|
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| Global Dog Prod. |
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|
Blue Note 1812 |
|
Wee Bit O'Green (Part 2) |
V |
|
Green, Grant |
|
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|
| Global Dog Prod. |
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|
Blue Note 1813 |
|
Blue Riff |
V |
|
Turrentine, Stanley |
|
|
|
6:19 |
|
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|
| Global Dog Prod. |
|
Deezer |
|
Blue Note 1813 |
|
Gee Baby Ain't I Good To You |
V |
|
Turrentine, Stanley |
|
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|
| Global Dog Prod. |
|
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|
Blue Note 1814 |
|
Baia |
V |
|
Little Miss Scott and Stanley Turrentine |
|
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| Global Dog Prod. |
|
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|
Blue Note 1814 |
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Wee Hour Theme |
V |
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Little Miss Scott and Stanley Turrentine |
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| Global Dog Prod. |
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Blue Note 1815 |
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Somethin' Strange |
I |
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Willette, „Baby Face“ |
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1961 |
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Englewood Cliffs |
30.01.1961 |
|
tk. 11 |
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Musik: Willette, Roosevelt |
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| The Blue Note Label |
0117 |
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Blue Note 1815 |
|
Swingin' At Sugar Ray's |
I |
|
Willette, „Baby Face“ |
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1961 |
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Englewood Cliffs |
30.01.1961 |
|
tk. 19 |
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Musik: Willette, Roosevelt |
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| The Blue Note Label |
0117 |
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Blue Note 1816 |
A |
Goin' Down (Part 1) |
I |
|
Willette, „Baby Face“ |
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1961 |
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Englewood Cliffs |
30.01.1961 |
|
tk. 18 |
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Musik: Willette, Roosevelt |
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| The Blue Note Label |
0117 |
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Blue Note 1816 |
B |
Goin' Down (Part 2) |
I |
|
Willette, „Baby Face“ |
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1961 |
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Englewood Cliffs |
30.01.1961 |
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Musik: Willette, Roosevelt |
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| The Blue Note Label |
0117 |
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Blue Note 1817 |
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Filthy Mc Nasty (Part 2) |
V |
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Silver, Horace |
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| Global Dog Prod. |
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Blue Note 1817 |
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Filthy Mc Nasty |
V |
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Silver, Horace |
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| Global Dog Prod. |
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Blue Note 1818 |
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Doin' The Thing |
V |
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Silver, Horace |
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| Global Dog Prod. |
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Blue Note 1818 |
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Doin' The Thing (Part 2) |
V |
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Silver, Horace |
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| Global Dog Prod. |
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Blue Note 1819 |
A |
Midnight Special |
I |
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Smith, Jimmy |
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1960 |
9:51 |
Englewood Cliffs, NJ |
25.04.1960 |
|
tk.12 |
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| Deezer |
|
Musik: Traditional/Text: Ledbetter, Huddie |
03.03.1962 |
Auf der Single ist die Aufnahme zweiteilig. |
|
| The Blue Note Label |
0103 |
Deezer |
|
Blue Note 1819 |
B |
Midnight Special (Part 2) |
I |
|
Smith, Jimmy |
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1960 |
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Englewood Cliffs, NJ |
25.04.1960 |
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Musik: Traditional |
|
Auf der Single ist die Aufnahme zweiteilig. |
|
| The Blue Note Label |
0103 |
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Blue Note 1820 |
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Jumpin' The Blues |
I |
|
Smith, Jimmy |
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1960 |
5:23 |
Cincinnati |
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| Global Dog Prod. |
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Deezer |
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Blue Note 1820 |
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One O'Clock Blues |
I |
|
Smith, Jimmy |
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1960 |
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| Global Dog Prod. |
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Blue Note 1821 |
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What Now |
V |
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Blakey, Art & Jazz Messengers, The |
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| Global Dog Prod. |
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Blue Note 1821 |
|
What Now (Part 2) |
V |
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Blakey, Art & Jazz Messengers, The |
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| Global Dog Prod. |
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Blue Note 1822 |
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Let Me Tell You 'Bout It |
V |
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Parker, Leo |
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| Global Dog Prod. |
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Blue Note 1822 |
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Blue Leo |
V |
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Parker, Leo |
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| Global Dog Prod. |
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Blue Note 1823 |
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Low Brown |
V |
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Parker, Leo |
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| Global Dog Prod. |
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Blue Note 1823 |
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Parker's Pals |
V |
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Parker, Leo |
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| Global Dog Prod. |
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Blue Note 1824 |
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When I Fall In Love |
I |
|
Three Sounds, The |
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1960 |
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03.03.1962 |
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Musik: Young, Victor/Text: Heyman, Edward |
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| 45cat |
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|
COVER. Original filtern. |
Blue Note 1824 |
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Parker's Pad |
I |
|
Three Sounds, The |
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1960 |
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03.03.1962 |
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| 45cat |
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Blue Note 1825 |
|
Here We Come |
I |
|
Three Sounds, The |
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4:53 |
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| Global Dog Prod. |
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Deezer |
|
Blue Note 1825 |
|
Our Love Is Here To Stay |
I |
|
Three Sounds, The |
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3:06 |
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| Global Dog Prod. |
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Deezer |
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Blue Note 1826 |
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Now's The Time |
I |
|
Three Sounds, The |
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5:38 |
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| Global Dog Prod. |
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Deezer |
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Blue Note 1826 |
|
Just Squeeze Me |
I |
|
Three Sounds, The |
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| Global Dog Prod. |
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Blue Note 1827 |
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Summertime |
I |
|
Three Sounds, The |
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5:35 |
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| Global Dog Prod. |
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Deezer |
|
Blue Note 1827 |
|
Broadway |
I |
|
Three Sounds, The |
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6:44 |
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| Global Dog Prod. |
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Deezer |
|
Blue Note 1828 |
|
Soul Sister (Part 2) |
V |
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Gordon, Dexter |
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| Global Dog Prod. |
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Blue Note 1828 |
|
Soul Sister |
V |
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Gordon, Dexter |
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| Global Dog Prod. |
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Blue Note 1829 |
|
Ernie's Tune |
V |
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Gordon, Dexter |
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| Global Dog Prod. |
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Blue Note 1829 |
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Modal Mood |
V |
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Gordon, Dexter |
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| Global Dog Prod. |
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Blue Note 1830 |
|
Gravy Train |
V |
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Donaldson, Lou |
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8:09 |
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| Global Dog Prod. |
|
Deezer |
|
Blue Note 1830 |
|
Gravy Train (Part 2) |
V |
|
Donaldson, Lou |
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| Global Dog Prod. |
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Blue Note 1831 |
|
Polka Dots And Moonbeams |
V |
|
Donaldson, Lou |
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|
1961 |
4:54 |
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| 45cat |
|
Deezer |
|
Blue Note 1831 |
|
South Of The Border |
V |
|
Donaldson, Lou |
|
|
1961 |
5:27 |
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|
583207 |
00074985037 |
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|
Musik + Text: Carr, Michael/Kennedy, Jimmy |
|
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|
| Global Dog Prod. |
|
Deezer |
COVER. Original filtern. |
Blue Note 1832 |
|
Glory Of Love |
V |
|
Donaldson, Lou |
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|
1961 |
4:00 |
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Musik + Text: Hill, Billy |
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|
| Global Dog Prod. |
|
Deezer |
COVER. Original filtern. |
Blue Note 1832 |
|
Avalon |
V |
|
Donaldson, Lou |
|
|
1961 |
4:10 |
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|
E 487853 |
00058855632 |
|
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|
Musik: Jolson, Al/Rose, Vincent/Text: DeSylva, Buddy |
|
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|
| Global Dog Prod. |
|
Deezer |
COVER. Original filtern. |
Blue Note 1833 |
|
Lion's Roar, The |
V |
|
Parker, Leo |
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| Global Dog Prod. |
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Blue Note 1833 |
|
Bad Girl |
V |
|
Parker, Leo |
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| Global Dog Prod. |
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Blue Note 1834 |
|
Rollin' With Leo |
V |
|
Parker, Leo |
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| Global Dog Prod. |
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Blue Note 1834 |
|
Talkin' The Blues |
V |
|
Parker, Leo |
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| Global Dog Prod. |
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Blue Note 1835 |
|
Ray C'Blue |
V |
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Parlan, Horace |
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| Global Dog Prod. |
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Blue Note 1835 |
|
On The Spur Of The Moment |
V |
|
Parlan, Horace |
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| Global Dog Prod. |
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Blue Note 1836 |
|
Just One More Chance |
I |
|
Quebec, Ike |
|
|
1961 |
5:50 |
New Jersey, Englewood Cliffs |
26.11.1961 |
|
tk.14 |
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|
| The Blue Note Label |
129 |
Deezer |
|
Blue Note 1836 |
|
Acquitted |
I |
|
Quebec, Ike |
|
|
1961 |
5:38 |
New Jersey, Englewood Cliffs |
26.11.1961 |
|
tk.4 |
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|
| The Blue Note Label |
129 |
Deezer |
|
Blue Note 1837 |
A |
Heavy Soul |
I |
|
Quebec, Ike |
|
|
1961 |
6:51 |
New Jersey, Englewood Cliffs |
26.11.1961 |
|
tk.13 |
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|
Musik: Quebec, Ike |
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|
| The Blue Note Label |
129 |
Deezer |
|
Blue Note 1837 |
B |
Man I Love, The |
I |
|
Quebec, Ike |
|
|
1961 |
6:31 |
New Jersey, Englewood Cliffs |
26.11.1961 |
|
tk.32 |
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|
Musik: Gershwin, George/Gershwin, Ira |
|
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|
| The Blue Note Label |
129 |
Deezer |
|
Blue Note 1838 |
A |
Nature Boy |
I |
|
Quebec, Ike |
|
|
1961 |
5:22 |
New Jersey, Englewood Cliffs |
26.11.1961 |
18.08.1962 |
tk.34 |
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|
Musik + Text: Ahbez, Eden |
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|
| The Blue Note Label |
129 |
Deezer |
COVER. Original filtern. |
Blue Note 1838 |
B |
Brother Can You Spare A Dime |
I |
|
Quebec, Ike |
|
|
1961 |
5:28 |
New Jersey, Englewood Cliffs |
26.11.1961 |
18.08.1962 |
tk.30 |
|
496087 |
00392888203 |
|
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|
Musik: Gorney, Jay/Text: Harburg, Edgar Yispel |
|
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|
| The Blue Note Label |
129 |
Deezer |
COVER. Original filtern. |
Blue Note 1839 |
|
Que's Dilemma |
I |
|
Quebec, Ike |
|
|
1961 |
4:29 |
New Jersey, Englewood Cliffs |
26.11.1961 |
|
tk.20 |
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|
| The Blue Note Label |
129 |
Deezer |
|
Blue Note 1839 |
|
I Want A Little Girl |
I |
|
Quebec, Ike |
|
|
1961 |
2:44 |
New Jersey, Englewood Cliffs |
26.11.1961 |
|
tk.24 |
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|
| The Blue Note Label |
129 |
Deezer |
|
Blue Note 1840 |
|
All Of Me |
I |
|
Quebec, Ike |
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|
2:59 |
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| Global Dog Prod. |
|
Deezer |
|
Blue Note 1840 |
|
Intermezzo |
I |
|
Quebec, Ike |
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3:46 |
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| Global Dog Prod. |
|
Deezer |
|
Blue Note 1841 |
|
All The Way |
I |
|
Quebec, Ike |
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|
not |
3:52 |
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| Global Dog Prod. |
|
Deezer |
|
Blue Note 1841 |
|
But Not For Me |
I |
|
Quebec, Ike |
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3:45 |
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| Global Dog Prod. |
|
Deezer |
|
Blue Note 1842 |
|
Hootin' 'N' Tootin' |
V |
|
Jackson, Fred |
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| Global Dog Prod. |
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|
Blue Note 1842 |
|
Dippin' In The Bag |
V |
|
Jackson, Fred |
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| Global Dog Prod. |
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Blue Note 1843 |
|
Preach Brother |
V |
|
Jackson, Fred |
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| Global Dog Prod. |
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|
Blue Note 1843 |
|
Easin' On Down |
V |
|
Jackson, Fred |
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| Global Dog Prod. |
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|
Blue Note 1844 |
|
Southern Exposure |
V |
|
Jackson, Fred |
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| Global Dog Prod. |
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|
Blue Note 1844 |
|
Southern Exposure (Part 2) |
V |
|
Jackson, Fred |
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| Global Dog Prod. |
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|
Blue Note 1845 |
|
Smile, Stacy |
V |
|
Turrentine, Stanley |
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| Global Dog Prod. |
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|
Blue Note 1845 |
|
Smile, Stacy (Part 2) |
V |
|
Turrentine, Stanley |
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|
| Global Dog Prod. |
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|
Blue Note 1846 |
|
Soft Pedal Blues |
V |
|
Turrentine, Stanley |
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|
7:22 |
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|
| Global Dog Prod. |
|
Deezer |
|
Blue Note 1846 |
|
Soft Pedal Blues (Part 2) |
V |
|
Turrentine, Stanley |
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| Global Dog Prod. |
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|
Blue Note 1847 |
|
Dorene, Don't Cry |
V |
|
Turrentine, Stanley |
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|
| Global Dog Prod. |
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|
Blue Note 1847 |
|
Pia |
V |
|
Turrentine, Stanley |
|
|
|
5:31 |
|
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|
| Global Dog Prod. |
|
Deezer |
|
Blue Note 1848 |
|
We'll See You'll After While, Ya Heh |
V |
|
Turrentine, Stanley |
|
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|
| Global Dog Prod. |
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|
Blue Note 1848 |
|
We'll See You'll After While, Ya Heh (Part 2) |
V |
|
Turrentine, Stanley |
|
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|
| Global Dog Prod. |
|
|
|
Blue Note 1849 |
|
Ife L'Ayo |
V |
|
Blakey, Art & Afro-Drum Ensemble, The |
|
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|
| Global Dog Prod. |
|
|
|
Blue Note 1849 |
|
Obirin African |
V |
|
Blakey, Art & Afro-Drum Ensemble, The |
|
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|
| Global Dog Prod. |
|
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|
Blue Note 1850 |
|
Contemplation |
V |
|
Blakey, Art & Jazz Messengers, The |
|
|
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|
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| Global Dog Prod. |
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Blue Note 1850 |
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Backstage Sally |
V |
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Blakey, Art & Jazz Messengers, The |
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| Global Dog Prod. |
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Blue Note 1851 |
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Everybody Loves My Baby |
I |
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Smith, Jimmy |
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1962 |
3:48 |
Englewood Cliffs, NJ, Van Gelder Studio |
23.01.1962 |
|
tk.1 |
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| The Blue Note Label |
0000 |
Deezer |
|
Blue Note 1851 |
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Ain't She Sweet |
I |
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Smith, Jimmy |
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1962 |
3:37 |
Englewood Cliffs, NJ, Van Gelder Studio |
23.01.1962 |
|
tk.1 |
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| The Blue Note Label |
0000 |
Deezer |
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Blue Note 1852 |
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Honeysuckle Rose |
I |
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Smith, Jimmy |
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1962 |
6:58 |
Englewood Cliffs, NJ, Van Gelder Studio |
23.01.1962 |
|
tk.11 |
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| The Blue Note Label |
0000 |
Deezer |
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Blue Note 1852 |
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Lulu's Back In Town |
I |
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Smith, Jimmy |
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1962 |
5:17 |
Englewood Cliffs, NJ, Van Gelder Studio |
23.01.1962 |
|
tk.16 |
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| The Blue Note Label |
0000 |
Deezer |
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Blue Note 1853 |
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Hush |
V |
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Byrd, Donald |
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1961 |
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Englewood Cliffs, NJ |
21.09.1961 |
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tk.10 |
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| The Blue Note Label |
0127 |
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Blue Note 1853 |
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6 M's |
V |
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Byrd, Donald |
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1961 |
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Englewood Cliffs, NJ |
21.09.1961 |
|
tk.16 |
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| The Blue Note Label |
0127 |
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Blue Note 1854 |
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Jorgie's |
V |
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Byrd, Donald |
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1961 |
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Englewood Cliffs, NJ |
21.09.1961 |
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| The Blue Note Label |
0127 |
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Blue Note 1854 |
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Jorgie's (Part 2) |
V |
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Byrd, Donald |
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1961 |
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Englewood Cliffs, NJ |
21.09.1961 |
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| The Blue Note Label |
0127 |
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Blue Note 1855 |
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You Are My Sunshine |
I |
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Three Sounds, The |
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1961 |
3:04 |
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1359571 |
00023764981 |
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Musik + Text: Davis, Jimmie/Mitchell, Charles |
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| Global Dog Prod. |
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Deezer |
COVER. Original filtern. |
Blue Note 1855 |
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Nothin' But The Blues |
I |
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Three Sounds, The |
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5:01 |
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| Global Dog Prod. |
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Deezer |
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Blue Note 1856 |
A |
Sermonette |
I |
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Three Sounds, The |
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1961 |
3:02 |
Englewood Cliffs, NJ |
13.08.1961 |
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Musik: Adderley, Nathaniel |
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Simpkins, Andrew (Bass); Dowdy, Bill (Drums); Harris, Gene (Piano) |
|
| Discogs |
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Deezer |
COVER. Original filtern. |
Blue Note 1856 |
B |
Dap's Groove |
I |
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Three Sounds, The |
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1961 |
3:16 |
Englewood Cliffs, NJ |
13.08.1961 |
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Musik: Harris, Gene |
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| Discogs |
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Deezer |
|
Blue Note 1857 |
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My Hour Of Need |
V |
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Greene, Dodo |
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| Global Dog Prod. |
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Blue Note 1857 |
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I Won't Cry Anymore |
V |
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Greene, Dodo |
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| Global Dog Prod. |
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Blue Note 1858 |
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Let There Be Love |
V |
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Greene, Dodo |
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1962 |
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Musik: Rand, Lionel/Text: Grand, Ian |
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| Global Dog Prod. |
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COVER. Original filtern. |
Blue Note 1858 |
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Trouble In Mind |
V |
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Greene, Dodo |
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| Global Dog Prod. |
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Blue Note 1859 |
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Little Things Mean A Lot |
V |
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Greene, Dodo |
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1961 |
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Musik: Lindeman, Edith/Text: Stutz, Carl |
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| Global Dog Prod. |
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COVER. Original filtern. |
Blue Note 1859 |
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You Are My Sunshine |
V |
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Greene, Dodo |
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| Global Dog Prod. |
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Blue Note 1860 |
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Lonesome Road |
V |
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Greene, Dodo |
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| Global Dog Prod. |
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Blue Note 1860 |
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There Must Be A Way |
V |
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Greene, Dodo |
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| Global Dog Prod. |
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Blue Note 1861 |
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I'll Never Stop Lovin' You |
V |
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Greene, Dodo |
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| Global Dog Prod. |
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Blue Note 1861 |
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Down By The Riverside |
V |
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Greene, Dodo |
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| Global Dog Prod. |
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Blue Note 1862 |
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Three Bags Full |
V |
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Hancock, Herbie |
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| Global Dog Prod. |
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Blue Note 1862 |
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Watermelon Man |
V |
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Hancock, Herbie |
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1962 |
7:07 |
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Musik + Text: Hancock, Herbie |
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| Global Dog Prod. |
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Deezer |
ORIGINAL. Cover filtern. |
Blue Note 1863 |
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Alone And I |
V |
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Hancock, Herbie |
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| Global Dog Prod. |
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Blue Note 1863 |
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Driftin' |
V |
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Hancock, Herbie |
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1962 |
7:01 |
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Musik + Text: Hancock, Herbie |
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| Global Dog Prod. |
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ORIGINAL. Cover filtern. |
Blue Note 1864 |
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Homesick Blues |
V |
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Wilkerson, Don |
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| Global Dog Prod. |
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Blue Note 1864 |
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Camp Meetin' |
V |
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Wilkerson, Don |
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| Global Dog Prod. |
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Blue Note 1865 |
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Jeanie-Weanie |
V |
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Wilkerson, Don |
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| Global Dog Prod. |
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Blue Note 1865 |
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Dem Tambourines |
V |
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Wilkerson, Don |
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| Global Dog Prod. |
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Blue Note 1866 |
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Lover Man |
I |
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Quebec, Ike |
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| Global Dog Prod. |
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Blue Note 1866 |
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A Light Reprieve |
I |
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Quebec, Ike |
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4:39 |
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| Global Dog Prod. |
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Deezer |
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Blue Note 1867 |
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Easy Don't Hurt |
I |
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Quebec, Ike |
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| Global Dog Prod. |
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Blue Note 1867 |
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It Might As Well Be Spring |
I |
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Quebec, Ike |
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| Global Dog Prod. |
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Blue Note 1868 |
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Funky Mama |
V |
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Donaldson, Lou |
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9:08 |
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| Global Dog Prod. |
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Deezer |
|
Blue Note 1868 |
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Funky Mama (Part 2) |
V |
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Donaldson, Lou |
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| Global Dog Prod. |
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Blue Note 1869 |
|
That's All (Part 2) |
V |
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Donaldson, Lou |
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| Global Dog Prod. |
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Blue Note 1869 |
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That's All |
V |
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Donaldson, Lou |
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5:36 |
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| Global Dog Prod. |
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Deezer |
|
Blue Note 1870 |
|
Besame Mucho |
V |
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Green, Grant |
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7:12 |
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| Global Dog Prod. |
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Deezer |
|
Blue Note 1870 |
|
Mambo Inn |
V |
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Green, Grant |
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| Global Dog Prod. |
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Blue Note 1871 |
|
Tokyo Blues |
V |
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Silver, Horace |
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| Global Dog Prod. |
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Blue Note 1871 |
|
Tokyo Blues (Part 2) |
V |
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Silver, Horace |
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| Global Dog Prod. |
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Blue Note 1872 |
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Sayonora Blues (Part 2) |
V |
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Silver, Horace |
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| Global Dog Prod. |
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Blue Note 1872 |
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Sayonora Blues |
V |
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Silver, Horace |
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| Global Dog Prod. |
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Blue Note 1873 |
|
Too Much Sake |
V |
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Silver, Horace |
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| Global Dog Prod. |
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Blue Note 1873 |
|
Too Much Sake (Part 2) |
V |
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Silver, Horace |
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| Global Dog Prod. |
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Blue Note 1874 |
|
Loie |
I |
|
Quebec, Ike |
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1962 |
3:12 |
New Jersey, Englewood Cliffs |
05.10.1962 |
|
tk 3 |
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| The Blue Note Label |
143 |
Deezer |
|
Blue Note 1874 |
|
Lloro Tu Despedida |
I |
|
Quebec, Ike |
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|
1962 |
3:06 |
New Jersey, Englewood Cliffs |
05.10.1962 |
|
tk 8 |
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| The Blue Note Label |
143 |
Deezer |
|
Blue Note 1875 |
|
Shu Shu |
I |
|
Quebec, Ike |
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|
1962 |
3:33 |
New Jersey, Englewood Cliffs |
05.10.1962 |
|
tk 13 |
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| The Blue Note Label |
143 |
Deezer |
|
Blue Note 1875 |
|
Liebestraum |
I |
|
Quebec, Ike |
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|
1962 |
3:44 |
New Jersey, Englewood Cliffs |
05.10.1962 |
|
tk 7 |
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| The Blue Note Label |
143 |
Deezer |
|
Blue Note 1876 |
|
Blue Samba (Part 2) |
I |
|
Quebec, Ike |
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1962 |
|
New Jersey, Englewood Cliffs |
05.10.1962 |
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| The Blue Note Label |
143 |
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|
Blue Note 1876 |
|
Blue Samba |
I |
|
Quebec, Ike |
|
|
1962 |
5:23 |
New Jersey, Englewood Cliffs |
05.10.1962 |
|
tk 38 |
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|
| The Blue Note Label |
143 |
Deezer |
|
Blue Note 1877 |
A |
Back At The Chicken Shack |
I |
|
Smith, Jimmy |
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|
1960 |
7:57 |
|
25.04.1960 |
16.02.1963 |
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|
Musik + Text: Smith, Jimmy |
09.03.1963 |
Part 1 |
|
| 45cat |
|
Deezer |
ORIGINAL. Cover filtern. |
Blue Note 1877 |
B |
Back At The Chicken Shack (Part 2) |
I |
|
Smith, Jimmy |
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|
1960 |
2:45 |
|
25.04.1960 |
16.02.1963 |
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Musik + Text: Smith, Jimmy |
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|
| 45cat |
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|
Blue Note 1878 |
|
Minor Chant (Part 2) |
I |
|
Smith, Jimmy |
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|
1960 |
|
Englewood Cliffs, NJ, Van Gelder Studio |
25.04.1960 |
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|
| The Blue Note Label |
0000 |
|
|
Blue Note 1878 |
|
Minor Chant |
I |
|
Smith, Jimmy |
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|
1960 |
|
Englewood Cliffs, NJ, Van Gelder Studio |
25.04.1960 |
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|
| The Blue Note Label |
0000 |
|
|
Blue Note 1879 |
|
Sermon |
I |
|
Smith, Jimmy |
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|
1958 |
|
New York City, Manhattan Towers, |
25.02.1958 |
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| The Blue Note Label |
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|
Blue Note 1879 |
|
Sermon (Part 2) |
I |
|
Smith, Jimmy |
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|
1958 |
|
New York City, Manhattan Towers, |
25.02.1958 |
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| The Blue Note Label |
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|
Blue Note 1880 |
|
De Bug |
V |
|
Freddie Roach |
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| Global Dog Prod. |
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|
Blue Note 1880 |
|
Lion Down |
V |
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Freddie Roach |
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| Global Dog Prod. |
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|
Blue Note 1881 |
|
Back To The Tropics |
V |
|
Rouse, Charlie |
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| Global Dog Prod. |
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|
Blue Note 1881 |
|
Velhose Tempos |
V |
|
Rouse, Charlie |
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|
| Global Dog Prod. |
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|
Blue Note 1882 |
|
Aconteceu |
V |
|
Rouse, Charlie |
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| Global Dog Prod. |
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|
Blue Note 1882 |
|
In Martinique |
V |
|
Rouse, Charlie |
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| Global Dog Prod. |
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|
Blue Note 1883 |
|
Un Dia (Part 2) |
V |
|
Rouse, Charlie |
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| Global Dog Prod. |
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|
Blue Note 1883 |
|
Un Dia |
V |
|
Rouse, Charlie |
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| Global Dog Prod. |
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|
Blue Note 1884 |
|
Good Life |
V |
|
Burrell, Kenny |
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| Global Dog Prod. |
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|
Blue Note 1884 |
|
Loie |
V |
|
Burrell, Kenny |
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|
3:17 |
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|
| Global Dog Prod. |
|
Deezer |
|
Blue Note 1885 |
|
Chittlins Con Carne |
V |
|
Burrell, Kenny |
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| Global Dog Prod. |
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|
Blue Note 1885 |
|
Chittlins Con Carne (Part 2) |
V |
|
Burrell, Kenny |
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| Global Dog Prod. |
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|
Blue Note 1886 |
|
Wavy Gravy (Part 2) |
V |
|
Burrell, Kenny |
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| Global Dog Prod. |
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Blue Note 1886 |
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Wavy Gravy |
V |
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Burrell, Kenny |
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| Global Dog Prod. |
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Blue Note 1887 |
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Blind Man |
V |
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Hancock, Herbie |
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| Global Dog Prod. |
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Blue Note 1887 |
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Blind Man (Part 2) |
V |
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Hancock, Herbie |
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| Global Dog Prod. |
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Blue Note 1888 |
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Silver Meter |
V |
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Patton, John |
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| Global Dog Prod. |
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Blue Note 1888 |
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Silver Meter (Part 2) |
V |
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Patton, John |
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| Global Dog Prod. |
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Blue Note 1889 |
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Along Came John |
V |
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Patton, „Big“ John |
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1963 |
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New Jersey |
05.04.1963 |
|
tk.14 |
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| The Blue Note Label |
0152 |
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Blue Note 1889 |
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I'lll Never Be Free |
V |
|
Patton, „Big“ John |
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1963 |
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New Jersey |
05.04.1963 |
|
tk.21 |
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| The Blue Note Label |
0152 |
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Blue Note 1890 |
|
I Know |
V |
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Freddie Roach |
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| Global Dog Prod. |
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Blue Note 1890 |
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Googa Mooga |
V |
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Freddie Roach |
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| Global Dog Prod. |
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Blue Note 1891 |
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Moe Greens Please |
V |
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Freddie Roach |
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| Global Dog Prod. |
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Blue Note 1891 |
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Blues In The Front |
V |
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Freddie Roach |
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| Global Dog Prod. |
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Blue Note 1892 |
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Nada Bossa |
V |
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Freddie Roach |
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| Global Dog Prod. |
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Blue Note 1892 |
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Party Time |
V |
|
Freddie Roach |
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| Global Dog Prod. |
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Blue Note 1893 |
|
Trouble # 2 |
V |
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Turrentine, Stanley |
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| Global Dog Prod. |
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Blue Note 1893 |
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Trouble # 2 (Part 2) |
V |
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Turrentine, Stanley |
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| Global Dog Prod. |
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Blue Note 1894 |
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Never Let Me Go |
V |
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Turrentine, Stanley |
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1963 |
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792562 |
00353326378 |
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Musik + Text: Scott, Joesph |
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| Global Dog Prod. |
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COVER. Original filtern. |
Blue Note 1894 |
|
Major's Minor |
V |
|
Turrentine, Stanley |
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| Global Dog Prod. |
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Blue Note 1895 |
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Space Man Twist |
V |
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Donaldson, Lou |
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| Global Dog Prod. |
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Blue Note 1895 |
|
Space Man Twist (Part 2) |
V |
|
Donaldson, Lou |
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| Global Dog Prod. |
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Blue Note 1896 |
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Our Miss Brooks |
V |
|
Harold Vick |
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| Global Dog Prod. |
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Blue Note 1897 |
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Vicksville |
V |
|
Harold Vick |
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| Global Dog Prod. |
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Blue Note 1898 |
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Nearness Of You, The |
I |
|
Three Sounds, The |
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|
1963 |
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396188 |
00537275340 |
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Musik: Carmichael, Hoagy/Text: Washington, Ned |
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| Global Dog Prod. |
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|
COVER. Original filtern. |
Blue Note 1898 |
|
One For Renee |
I |
|
Three Sounds, The |
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| Global Dog Prod. |
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Blue Note 1899 |
|
Yaba E (Part 2) |
V |
|
Solomon Ilori |
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| Global Dog Prod. |
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Blue Note 1631 |
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Creepin' In |
I |
|
Silver, Horace & Jazz Messengers, The |
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1955 |
7:29 |
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| RateYourMusic |
|
Deezer |
|
Blue Note 1632 |
|
Pennies From Heaven |
V |
|
Jay Jay Johnson |
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| Global Dog Prod. |
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Blue Note 1632 |
|
Groovin' |
V |
|
Jay Jay Johnson |
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| Global Dog Prod. |
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Blue Note 1633 |
|
Well You Needn't |
V |
|
Davis, Miles |
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| Global Dog Prod. |
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Blue Note 1633 |
|
Donna |
V |
|
Davis, Miles |
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| Global Dog Prod. |
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Blue Note 1634 |
|
Profoundly Blue |
V |
|
Charlie Christian and Edmund Hall |
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| Global Dog Prod. |
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Blue Note 1634 |
|
Blue Harlem |
I |
|
Quebec, Ike |
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| Global Dog Prod. |
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Blue Note 1635 |
|
High And The Mighty, The |
I |
|
Smith, Jimmy |
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|
1956 |
4:22 |
Hackensack, Van Gelder Studio |
18.02.1956 |
|
tk.13 |
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|
Blue Note BLP 1512 |
Musik: Tiomkin, Dimitri/Text: Washington, Ned |
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|
Smith, Jimmy (Organ); Schwartz, Thornel (Guitar); Perry, Bay (Drums) |
| BND |
0093 |
Deezer |
COVER. Original filtern. |
Blue Note 1635 |
|
You Get 'Cha |
I |
|
Smith, Jimmy |
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|
1956 |
4:21 |
Hackensack, Van Gelder Studio |
18.02.1956 |
|
tk.2 |
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|
Blue Note BLP 1512 |
Musik: Smith, Jimmy |
|
|
Smith, Jimmy (Organ); Schwartz, Thornel (Guitar); Perry, Bay (Drums) |
| BND |
0093 |
Deezer |
|
Blue Note 1636 |
|
Midnight Sun |
I |
|
Smith, Jimmy |
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|
1956 |
4:23 |
Hackensack, Van Gelder Studio |
18.02.1956 |
|
tk.18 |
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|
Blue Note BLP 1512 |
Musik: Burke, Sonny/Hampton, Lionel/Text: Mercer, Johnny |
|
|
Smith, Jimmy (Organ); Schwartz, Thornel (Guitar); Perry, Bay (Drums) |
| BND |
0093 |
Deezer |
COVER. Original filtern. |
Blue Note 1636 |
|
Preacher, The |
I |
|
Smith, Jimmy |
|
|
1956 |
1:46 |
Hackensack, Van Gelder Studio |
18.02.1956 |
|
tk.7 |
|
898592 |
00008998735 |
|
|
Blue Note BLP 1512 |
Musik + Text: Silver, Horace |
|
|
Smith, Jimmy (Organ); Schwartz, Thornel (Guitar); Perry, Bay (Drums) |
| BND |
0093 |
Deezer |
COVER. Original filtern. |
Blue Note 1637 |
A |
Tenderly |
I |
|
Smith, Jimmy |
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|
1956 |
3:53 |
Hackensack, Van Gelder Studio |
18.02.1956 |
04/1956 |
tk.15 |
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|
Blue Note BLP 1512 |
Musik: Gross, Walter/Text: Lawrence, Jack |
|
|
Smith, Jimmy (Organ); Schwartz, Thornel (Guitar); Perry, Bay (Drums) |
| BND |
0093 |
Deezer |
COVER. Original filtern. |
Blue Note 1637 |
B |
Joy |
I |
|
Smith, Jimmy |
|
|
1956 |
3:14 |
Hackensack, Van Gelder Studio |
18.02.1956 |
04/1956 |
tk.16 |
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|
Blue Note BLP 1512 |
Musik: Smith, Jimmy |
|
|
Smith, Jimmy (Organ); Schwartz, Thornel (Guitar); Perry, Bay (Drums) |
| BND |
0093 |
Deezer |
|
Blue Note 1638 |
|
You Need Connections |
V |
|
Gonzales, Babs |
|
|
1956 |
|
New York City, WOR Studio, Longacre Theatre |
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|
| Global Dog Prod. |
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|
Blue Note 1638 |
|
'round Midnight |
V |
|
Gonzales, Babs |
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|
1956 |
|
New York City, WOR Studio, Longacre Theatre |
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| Global Dog Prod. |
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|
Blue Note 1639 |
|
Mil Dew |
I |
|
Griffin, Johnny |
|
|
1956 |
3:55 |
Hackensack, Van Gelder Studio |
27.03.1956 |
|
tk.3 |
|
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|
Musik: Griffin, Johnny |
|
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|
| The Blue Note Label |
|
Deezer |
|
Blue Note 1639 |
|
Chicago Calling |
I |
|
Griffin, Johnny |
|
|
1956 |
|
Hackensack, Van Gelder Studio |
27.03.1956 |
|
tk.2 |
|
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|
Musik: Griffin, Johnny |
|
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|
| The Blue Note Label |
|
|
|
Blue Note 1640 |
A |
Nice And Easy |
I |
|
Griffin, Johnny |
|
|
1956 |
4:21 |
Hackensack, Van Gelder Studio |
17.04.1956 |
|
tk.10 |
|
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|
Musik: Griffin, Johnny |
|
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|
| The Blue Note Label |
|
Deezer |
|
Blue Note 1640 |
B |
Boy Next Door, The |
I |
|
Griffin, Johnny |
|
|
1956 |
4:55 |
Hackensack, Van Gelder Studio |
17.04.1956 |
|
tk.6 |
|
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|
Musik: Martin, Hugh/Text: Blane, Ralph |
|
|
|
| The Blue Note Label |
|
Deezer |
|
Blue Note 1641 |
|
Champ, The |
I |
|
Smith, Jimmy |
|
|
1956 |
8:33 |
New York City, WOR Studio, Longacre Theatre |
|
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|
| Global Dog Prod. |
|
Deezer |
|
Blue Note 1641 |
|
Champ (Part 2), The |
I |
|
Smith, Jimmy |
|
|
1956 |
|
New York City, WOR Studio, Longacre Theatre |
|
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|
| Global Dog Prod. |
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|
Blue Note 1642 |
|
Bubbis |
I |
|
Smith, Jimmy |
|
|
1956 |
4:29 |
New York City, WOR Studio, Longacre Theatre |
|
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|
| Global Dog Prod. |
|
Deezer |
|
Blue Note 1642 |
|
Bayou |
I |
|
Smith, Jimmy |
|
|
1956 |
4:50 |
New York City, WOR Studio, Longacre Theatre |
|
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|
| Global Dog Prod. |
|
Deezer |
|
Blue Note 1643 |
|
Judo Mambo |
I |
|
Smith, Jimmy |
|
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|
5:29 |
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|
| Global Dog Prod. |
|
Deezer |
|
Blue Note 1643 |
|
Autumn Leaves |
I |
|
Smith, Jimmy |
|
|
1956 |
4:42 |
|
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|
Musik: Kosma, Joseph/Text: Prévert, Jaques |
|
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|
| Global Dog Prod. |
|
Deezer |
COVER. Original filtern. |
Blue Note 1644 |
|
Fiddlin' The Minors |
I |
|
Smith, Jimmy |
|
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|
5:10 |
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|
| Global Dog Prod. |
|
Deezer |
|
Blue Note 1644 |
|
Willow Weep |
I |
|
Smith, Jimmy |
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|
| Global Dog Prod. |
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|
Blue Note 1645 |
|
What's New |
I |
|
Jackson, Milt |
|
|
1948 |
3:53 |
|
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|
Musik: Haggart, Bob/Text: Burke, Johnny |
|
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|
| Global Dog Prod. |
|
Deezer |
COVER. Original filtern. |
Blue Note 1645 |
|
You Go To My Head |
I |
|
Jackson, Milt |
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|
| Global Dog Prod. |
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|
Blue Note 1646 |
|
Lillie |
I |
|
Jackson, Milt |
|
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|
3:16 |
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|
| Global Dog Prod. |
|
Deezer |
|
Blue Note 1646 |
|
Willow Weep For Me |
I |
|
Jackson, Milt |
|
|
1951 |
|
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|
Musik + Text: Ronell, Ann |
|
|
|
| Global Dog Prod. |
|
|
COVER. Original filtern. |
Blue Note 1647 |
|
Brownie Speaks |
V |
|
Brown, Clifford |
|
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|
3:49 |
|
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|
| Global Dog Prod. |
|
Deezer |
|
Blue Note 1647 |
|
You Go To My Head |
V |
|
Brown, Clifford |
|
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|
4:22 |
|
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|
| Global Dog Prod. |
|
Deezer |
|
Blue Note 1648 |
|
Hymn Of The Orient |
V |
|
Brown, Clifford |
|
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|
| Global Dog Prod. |
|
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|
Blue Note 1648 |
|
Easy Living |
V |
|
Brown, Clifford |
|
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|
| Global Dog Prod. |
|
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|
Blue Note 1649 |
|
Lazy Susan |
V |
|
Davis, Miles |
|
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|
| Global Dog Prod. |
|
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|
Blue Note 1649 |
|
Tempus Fugit |
V |
|
Davis, Miles |
|
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|
3:54 |
|
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|
| Global Dog Prod. |
|
Deezer |
|
Blue Note 1650 |
|
Leap, The |
V |
|
Davis, Miles |
|
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|
| Global Dog Prod. |
|
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|
Blue Note 1650 |
|
Weirdo |
V |
|
Davis, Miles |
|
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|
| Global Dog Prod. |
|
|
|
Blue Note 1651 |
|
Old Devil Moon |
V |
|
Jay Jay Johnson |
|
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|
| Global Dog Prod. |
|
|
|
Blue Note 1651 |
|
Jay |
V |
|
Jay Jay Johnson |
|
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|
| Global Dog Prod. |
|
|
|
Blue Note 1652 |
|
I Cover The Waterfront |
I |
|
Smith, Jimmy |
|
|
1967 |
3:36 |
|
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|
|
Musik: Green, John W./Text: Heyman, Edward |
|
|
|
| Global Dog Prod. |
|
Deezer |
COVER. Original filtern. |
Blue Note 1652 |
|
I Can't Give You Anything |
I |
|
Smith, Jimmy |
|
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|
| Global Dog Prod. |
|
|
|
Blue Note 1653 |
|
Delilah |
V |
|
Burrell, Kenny |
|
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|
|
| Global Dog Prod. |
|
|
|
Blue Note 1653 |
|
Dream's On Me, The |
V |
|
Burrell, Kenny |
|
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|
| Global Dog Prod. |
|
|
|
Blue Note 1654 |
|
Enchantment |
V |
|
Silver, Horace |
|
|
|
6:24 |
|
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|
|
Quintet |
|
| Global Dog Prod. |
|
|
|
Blue Note 1654 |
|
Camouflage |
V |
|
Silver, Horace |
|
|
|
4:27 |
|
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|
|
Quintet |
|
| Global Dog Prod. |
|
|
|
Blue Note 1655 |
|
Cool Eyes |
V |
|
Silver, Horace |
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1956 |
5:57 |
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Quintet |
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| RateYourMusic |
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Blue Note 1655 |
|
Señor Blues |
V |
|
Silver, Horace |
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1956 |
7:03 |
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Quintet |
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| RateYourMusic |
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|
Blue Note 1656 |
A |
Quicksilver |
V |
|
Blakey, Art & Brown, Clifford |
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1954 |
|
New York City |
21.02.1954 |
|
tk.18 |
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Musik: Silver, Horace |
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|
| The Blue Note Label |
0041 |
|
|
Blue Note 1656 |
B |
Once In A While |
V |
|
Blakey, Art & Brown, Clifford |
|
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1954 |
|
New York City |
21.02.1954 |
|
tk.5 |
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Musik: Green, Bud/Text: Edwards, Michael |
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| The Blue Note Label |
0040 |
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Blue Note 1657 |
|
Wee-Dot |
V |
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Blakey, Art & Brown, Clifford |
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| Global Dog Prod. |
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Blue Note 1657 |
|
If I Had You |
V |
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Blakey, Art & Brown, Clifford |
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| Global Dog Prod. |
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Blue Note 1658 |
|
I Have Known |
V |
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Julius Walkins |
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| Global Dog Prod. |
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Blue Note 1658 |
|
Linda Delta |
V |
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Julius Walkins |
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| Global Dog Prod. |
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Blue Note 1659 |
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If Someone Told Me |
V |
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Jones, Thad |
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| Global Dog Prod. |
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Blue Note 1659 |
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April In Paris |
V |
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Jones, Thad |
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6:39 |
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| Global Dog Prod. |
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Deezer |
|
Blue Note 1660 |
A |
New Preacher (Part 1) |
I |
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Smith, Jimmy |
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| Global Dog Prod. |
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Blue Note 1660 |
B |
New Preacher (Part 2) |
I |
|
Smith, Jimmy |
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| Global Dog Prod. |
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Blue Note 1661 |
|
Gaza Strip |
V |
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Morgan, Lee |
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| Global Dog Prod. |
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Blue Note 1661 |
|
Reggie Of Chester |
V |
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Morgan, Lee |
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| Global Dog Prod. |
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Blue Note 1662 |
|
Caravan |
V |
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Donaldson, Lou |
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5:54 |
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| Global Dog Prod. |
|
Deezer |
|
Blue Note 1662 |
|
Old Folks |
V |
|
Donaldson, Lou |
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6:19 |
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| Global Dog Prod. |
|
Deezer |
|
Blue Note 1663 |
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L.D. blues |
V |
|
Donaldson, Lou |
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5:18 |
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| Global Dog Prod. |
|
Deezer |
|
Blue Note 1663 |
|
That Good Old Feeling |
V |
|
Donaldson, Lou |
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6:53 |
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| Global Dog Prod. |
|
Deezer |
|
Blue Note 1664 |
|
'round Midnight |
V |
|
Monk, Thelonious |
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|
1948 |
3:12 |
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| Global Dog Prod. |
|
Deezer |
|
Blue Note 1664 |
|
In Walked Bud |
V |
|
Monk, Thelonious |
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|
1948 |
6:39 |
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Musik + Text: Monk, Thelonious |
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| Global Dog Prod. |
|
Deezer |
ORIGINAL. Cover filtern. |
Blue Note 1665 |
A |
Where Or When (Part 1) |
I |
|
Smith, Jimmy |
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9:18 |
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| Global Dog Prod. |
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Blue Note 1665 |
B |
Where Or When (Part 2) |
I |
|
Smith, Jimmy |
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| Global Dog Prod. |
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Blue Note 1666 |
|
Love Is A Many Splendored Thing |
I |
|
Smith, Jimmy |
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0:46 |
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| Global Dog Prod. |
|
Deezer |
|
Blue Note 1666 |
|
Love Is A Many Splendored Thing (Part 2) |
I |
|
Smith, Jimmy |
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| Global Dog Prod. |
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Blue Note 1667 |
|
How High The Moon |
I |
|
Smith, Jimmy |
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|
1957 |
5:47 |
New York City, Manhattan Towers |
13.02.1957 |
|
tk.8 |
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|
Blue Note BLP 1547 |
Musik: Hamilton, Nancy/Text: Lewis, Morgan |
|
|
Byrd, Donald (Trumpet); Donaldson, Lou (Alto Sax); Mobley, Hank (Tenor Sax); Smith, Jimmy (Organ); McFodden, Eddie (Guitar); Blakey, Art (Drums). |
| BND |
0121 |
Deezer |
COVER. Original filtern. |
Blue Note 1667 |
|
Summertime |
I |
|
Smith, Jimmy |
|
|
1957 |
4:31 |
New York City, Manhattan Towers |
12.02.1957 |
|
tk.2 |
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|
| BND |
0120 |
Deezer |
|
Blue Note 1668 |
|
Plum Nellie |
I |
|
Smith, Jimmy |
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| Global Dog Prod. |
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Blue Note 1668 |
|
I'm Getting Sentimental |
I |
|
Smith, Jimmy |
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| Global Dog Prod. |
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|
Blue Note 1669 |
|
Decision |
I |
|
Rollins, Sonny |
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| Global Dog Prod. |
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Blue Note 1669 |
|
Decision (Part 2) |
I |
|
Rollins, Sonny |
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| Global Dog Prod. |
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Blue Note 1670 |
|
Plain Jane |
I |
|
Rollins, Sonny |
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| Global Dog Prod. |
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Blue Note 1670 |
|
Plain Jane (Part 2) |
I |
|
Rollins, Sonny |
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| Global Dog Prod. |
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|
Blue Note 1671 |
|
Reunion |
V |
|
Mobley, Hank |
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| Global Dog Prod. |
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|
Blue Note 1671 |
|
Lower Stratosphere |
V |
|
Mobley, Hank |
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| Global Dog Prod. |
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|
Blue Note 1672 |
|
Home Cookin' |
V |
|
Silver, Horace |
|
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|
6:30 |
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|
Quintet |
|
| Global Dog Prod. |
|
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|
Blue Note 1672 |
|
Back Beat, The |
V |
|
Silver, Horace |
|
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|
6:25 |
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|
Quintet |
|
| Global Dog Prod. |
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|
Blue Note 1673 |
|
Soulsville |
V |
|
Silver, Horace |
|
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|
Quintet |
|
| Global Dog Prod. |
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|
Blue Note 1673 |
|
No Smokin' |
V |
|
Silver, Horace |
|
|
|
5:35 |
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|
Quintet |
|
| Global Dog Prod. |
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|
Blue Note 1674 |
|
D.B. Blues |
V |
|
Burrell, Kenny |
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| Global Dog Prod. |
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|
Blue Note 1674 |
|
K.B. Blues |
V |
|
Burrell, Kenny |
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|
| Global Dog Prod. |
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|
Blue Note 1675 |
|
Funk In Deep Freeze |
V |
|
Mobley, Hank |
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| Global Dog Prod. |
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|
Blue Note 1675 |
|
End Of The Affair |
V |
|
Mobley, Hank |
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| Global Dog Prod. |
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|
Blue Note 1676 |
|
All Day Long |
I |
|
Smith, Jimmy |
|
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|
10:19 |
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|
| Global Dog Prod. |
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|
Blue Note 1676 |
|
All Day Long (Part 2) |
I |
|
Smith, Jimmy |
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| Global Dog Prod. |
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|
Blue Note 1677 |
|
Funk's Oats (Part 1) |
I |
|
Smith, Jimmy |
|
|
1957 |
|
New York City, Manhattan Towers |
11.02.1957 |
|
|
|
|
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|
|
Blue Note BLP 1547 |
Musik: Smith, Jimmy |
|
|
Byrd, Donald (Trumpet); Donaldson, Lou (Alto Sax); Mobley, Hank (Tenor Sax); Smith, Jimmy (Organ); McFodden, Eddie (Guitar); Blakey, Art (Drums). |
| BND |
0120 |
|
|
Blue Note 1677 |
|
Funk's Oats (Part 2) |
I |
|
Smith, Jimmy |
|
|
1957 |
5:32 |
New York City, Manhattan Towers |
11.02.1957 |
|
tk.5 |
|
|
|
|
|
Blue Note BLP 1547 |
Musik: Smith, Jimmy |
|
|
Byrd, Donald (Trumpet); Donaldson, Lou (Alto Sax); Mobley, Hank (Tenor Sax); Smith, Jimmy (Organ); McFodden, Eddie (Guitar); Blakey, Art (Drums). |
| BND |
0120 |
|
|
Blue Note 1678 |
|
Now's The Time |
V |
|
Blakey, Art |
|
|
1954 |
8:23 |
|
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|
|
Musik + Text: Parker, Charlie |
|
|
|
| Global Dog Prod. |
|
Deezer |
COVER. Original filtern. |
Blue Note 1678 |
|
Now's The Time (Part 2) |
V |
|
Blakey, Art |
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| Global Dog Prod. |
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|
Blue Note 1679 |
|
Ya Ya |
V |
|
Blakey, Art |
|
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|
7:06 |
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|
| Global Dog Prod. |
|
Deezer |
|
Blue Note 1679 |
|
Meet Me Tonight |
V |
|
Blakey, Art |
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| Global Dog Prod. |
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|
Blue Note 1680 |
|
Dorothy |
V |
|
Donaldson, Lou |
|
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|
5:23 |
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|
| Global Dog Prod. |
|
Deezer |
|
Blue Note 1680 |
|
Peck Time |
V |
|
Donaldson, Lou |
|
|
|
5:21 |
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|
| Global Dog Prod. |
|
Deezer |
|
Blue Note 1681 |
|
Herman's Mambo |
V |
|
Donaldson, Lou |
|
|
|
4:54 |
|
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|
| Global Dog Prod. |
|
Deezer |
|
Blue Note 1681 |
|
Grits And Gravy |
V |
|
Donaldson, Lou |
|
|
|
6:20 |
|
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|
| Global Dog Prod. |
|
Deezer |
|
Blue Note 1682 |
|
Penthouse Serenade |
I |
|
Smith, Jimmy |
|
|
1957 |
|
Cincinnati |
|
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|
| Global Dog Prod. |
|
|
|
Blue Note 1682 |
|
I Can't Get Started |
I |
|
Smith, Jimmy |
|
|
1957 |
4:48 |
|
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|
|
|
1073204 |
00005876870 |
|
|
|
Musik: Duke, Vernon/Text: Gershwin, Ira |
|
|
|
| Global Dog Prod. |
|
Deezer |
COVER. Original filtern. |
Blue Note 1683 |
|
East Of The Sun |
I |
|
Smith, Jimmy |
|
|
1957 |
6:06 |
Cincinnati |
|
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|
| Global Dog Prod. |
|
Deezer |
|
Blue Note 1683 |
|
Very Thought Of You, The |
I |
|
Smith, Jimmy |
|
|
1957 |
4:30 |
Cincinnati |
|
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|
| Global Dog Prod. |
|
Deezer |
|
Blue Note 1684 |
|
Stetlawise |
V |
|
Mobley, Hank |
|
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|
| Global Dog Prod. |
|
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|
Blue Note 1684 |
|
Bass On Balls |
V |
|
Mobley, Hank |
|
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|
| Global Dog Prod. |
|
|
|
Blue Note 1685 |
|
Blue Moon |
I |
|
Smith, Jimmy |
|
|
1957 |
8:41 |
Cincinnati |
|
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|
|
| Global Dog Prod. |
|
Deezer |
|
Blue Note 1685 |
|
Blue Moon (Part 2) |
I |
|
Smith, Jimmy |
|
|
1957 |
|
Cincinnati |
|
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|
|
| Global Dog Prod. |
|
|
|
Blue Note 1686 |
|
There'll Never Be Another You |
I |
|
Smith, Jimmy |
|
|
1957 |
|
Cincinnati |
|
|
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|
| Global Dog Prod. |
|
|
|
Blue Note 1686 |
|
Jitterbug Waltz |
I |
|
Smith, Jimmy |
|
|
1957 |
|
Cincinnati |
|
|
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|
| Global Dog Prod. |
|
|
|
Blue Note 1687 |
|
Why Don't Eye |
I |
|
Rollins, Sonny |
|
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|
| Global Dog Prod. |
|
|
|
Blue Note 1687 |
|
You Stepped Out Of A Dream |
I |
|
Rollins, Sonny |
|
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|
|
| Global Dog Prod. |
|
|
|
Blue Note 1688 |
|
Easy To Love |
V |
|
Mobley, Hank |
|
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|
| Global Dog Prod. |
|
|
|
Blue Note 1688 |
|
Time After Time |
V |
|
Mobley, Hank |
|
|
|
6:48 |
|
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|
|
| Global Dog Prod. |
|
Deezer |
|
Blue Note 1689 |
|
Algonquin |
V |
|
Fuller, Curtis |
|
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|
| Global Dog Prod. |
|
|
|
Blue Note 1689 |
|
Pickup |
V |
|
Fuller, Curtis |
|
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|
| Global Dog Prod. |
|
|
|
Blue Note 1690 |
|
Hugore |
V |
|
Fuller, Curtis |
|
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|
| Global Dog Prod. |
|
|
|
Blue Note 1690 |
|
Oscalypso |
V |
|
Fuller, Curtis |
|
|
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|
|
| Global Dog Prod. |
|
|
|
Blue Note 1691 |
|
Blue Train |
I |
|
Coltrane, John |
|
|
1956 |
10:42 |
|
|
|
|
|
|
|
|
|
|
Musik + Text: Coltrane, John |
|
|
|
| Global Dog Prod. |
|
Deezer |
ORIGINAL. Cover filtern. |
Blue Note 1691 |
|
Blue Train (Part 2) |
V |
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Coltrane, John |
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| Global Dog Prod. |
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Blue Note 1692 |
|
A Night In Tunisia (Part 2) |
V |
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Morgan, Lee |
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| Global Dog Prod. |
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Blue Note 1692 |
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A Night In Tunisia |
V |
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Morgan, Lee |
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9:20 |
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| Global Dog Prod. |
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Deezer |
|
Blue Note 1693 |
|
Soft Wind (Part 2) |
V |
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Blakey, Art |
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| Global Dog Prod. |
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Blue Note 1693 |
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Soft Wind |
V |
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Blakey, Art |
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| Global Dog Prod. |
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Blue Note 1695 |
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Avila And Tequila |
V |
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Jazz Messengers |
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| Global Dog Prod. |
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Blue Note 1695 |
|
Avila And Tequila (Part 2) |
V |
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Jazz Messengers |
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| Global Dog Prod. |
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Blue Note 1696 |
|
Abdullah's Delight |
V |
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Blakey, Art |
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9:46 |
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| Global Dog Prod. |
|
Deezer |
|
Blue Note 1696 |
|
Elephant Walk |
V |
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Blakey, Art |
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6:56 |
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| Global Dog Prod. |
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Deezer |
|
Blue Note 1697 |
|
Sonny's Crib |
V |
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Clark, Sonny |
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13:31 |
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| Global Dog Prod. |
|
Deezer |
|
Blue Note 1697 |
|
Sonny's Crib (Part 2) |
V |
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Clark, Sonny |
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| Global Dog Prod. |
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Blue Note 1698 |
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Sonny Moon For Two |
I |
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Rollins, Sonny |
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| Global Dog Prod. |
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Blue Note 1698 |
|
Sonny Moon For Two (Part 2) |
I |
|
Rollins, Sonny |
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| Global Dog Prod. |
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Blue Note 1699 |
|
Soul-Lo Blues (Part 2) |
V |
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Jordan, Cliff |
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| Global Dog Prod. |
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Blue Note 1699 |
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Soul-Lo Blues |
V |
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Jordan, Cliff |
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| Global Dog Prod. |
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Blue Note 1700 |
|
Brill's Blues (Part 2) |
V |
|
Smith, Louis |
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| Global Dog Prod. |
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Blue Note 1700 |
|
Brill's Blues |
V |
|
Smith, Louis |
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| Global Dog Prod. |
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Blue Note 1701 |
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Stardust |
V |
|
Smith, Louis |
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| Global Dog Prod. |
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Blue Note 1701 |
|
Tribute To Brownie |
V |
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Smith, Louis |
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| Global Dog Prod. |
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Blue Note 1702 |
|
Two Quarter Of A Mile |
V |
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Fuller, Curtis |
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| Global Dog Prod. |
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Blue Note 1702 |
|
Quantrale |
V |
|
Fuller, Curtis |
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6:08 |
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| Global Dog Prod. |
|
Deezer |
|
Blue Note 1703 |
|
After Hours |
I |
|
Smith, Jimmy |
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1957 |
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Musik: Hawkins, Erskine/Text: Parrish, Avery |
|
Live At Smalls' Paradise, Harlem, NYC |
|
| Global Dog Prod. |
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|
COVER. Original filtern. |
Blue Note 1703 |
|
After Hours (Part 2) |
I |
|
Smith, Jimmy |
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|
1957 |
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Live At Smalls' Paradise, Harlem, NYC |
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| Global Dog Prod. |
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Blue Note 1704 |
A |
Just Friends (Live) |
I |
|
Smith, Jimmy |
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|
1957 |
6:29 |
New York City, Smalls' Paradise |
15.11.1957 |
|
tk.14 |
|
587907 |
00070155110 |
|
|
|
Musik: Klenner, John |
|
Live At Smalls' Paradise, Harlem, NYC |
|
| The Blue Note Label |
0074 |
Deezer |
COVER. Original filtern. |
Blue Note 1704 |
B |
Lover Man (Live) |
I |
|
Smith, Jimmy |
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|
1957 |
7:28 |
New York City, Smalls' Paradise |
15.11.1957 |
|
tk.10 |
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Musik: Ramirez |
|
Live At Smalls' Paradise, Harlem, NYC |
|
| The Blue Note Label |
0074 |
Deezer |
|
Blue Note 1705 |
|
Outlaw, The |
V |
|
Silver, Horace |
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|
Quintet |
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| Global Dog Prod. |
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|
Blue Note 1705 |
|
Safari |
V |
|
Silver, Horace |
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|
5:12 |
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Quintet |
|
| Global Dog Prod. |
|
Deezer |
|
Blue Note 1706 |
|
I Love You |
I |
|
Green, Bennie |
|
|
1958 |
6:02 |
Hackensack, Van Gelder Studio |
23.03.1958 |
|
tk.2 |
|
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|
| Discograpy |
0000 |
Deezer |
|
Blue Note 1706 |
|
You're Mine You |
I |
|
Green, Bennie |
|
|
1958 |
5:14 |
Hackensack, Van Gelder Studio |
23.03.1958 |
|
tk.15 |
|
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|
| Discograpy |
0000 |
Deezer |
|
Blue Note 1707 |
A |
Just Friends |
I |
|
Green, Bennie |
|
|
1958 |
6:59 |
Hackensack, Van Gelder Studio |
23.03.1958 |
|
tk.8 |
|
587907 |
00070155110 |
|
|
|
Musik: Klenner, John |
|
|
|
| The Blue Note Label |
0080 |
Deezer |
COVER. Original filtern. |
Blue Note 1707 |
B |
Melba's Mood |
I |
|
Green, Bennie |
|
|
1958 |
5:31 |
Hackensack, Van Gelder Studio |
23.03.1958 |
|
tk.4 |
|
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|
Musik: Liston, Melba |
|
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|
| The Blue Note Label |
0080 |
Deezer |
|
Blue Note 1708 |
A |
Soul Stirrin' |
I |
|
Green, Bennie |
|
|
1958 |
1:36 |
Hackensack, Van Gelder Studio |
28.04.1958 |
|
4. tk.12 |
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|
Musik: Gonzales |
|
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|
| Discograpy |
0000 |
Deezer |
|
Blue Note 1708 |
B |
That's All |
I |
|
Green, Bennie |
|
|
1958 |
6:24 |
Hackensack, Van Gelder Studio |
28.04.1958 |
|
3. tk.9 |
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|
Musik: Brandt/Haymes |
|
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|
| Discograpy |
0000 |
Deezer |
|
Blue Note 1709 |
|
We Wanna Cook |
I |
|
Green, Bennie |
|
|
1958 |
6:37 |
Hackensack, Van Gelder Studio |
28.04.1958 |
|
2. tk.5 |
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|
| Discograpy |
0000 |
Deezer |
|
Blue Note 1709 |
|
Lullabye Of The Doomed |
I |
|
Green, Bennie |
|
|
1958 |
|
Hackensack, Van Gelder Studio |
28.04.1958 |
|
1. tk.2 |
|
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|
| Discograpy |
0000 |
|
|
Blue Note 1710 |
|
Senor Blues |
V |
|
Henderson, Bill |
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| Global Dog Prod. |
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|
Blue Note 1710 |
|
Tippin' |
V |
|
Henderson, Bill |
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| Global Dog Prod. |
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|
Blue Note 1711 |
|
Cha Cha J. |
I |
|
Smith, Jimmy |
|
|
1957 |
|
New York City, Manhattan Towers |
04.07.1957 |
|
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|
| The Blue Note Label |
0000 |
|
|
Blue Note 1711 |
|
Swingin' Shepherd Blues |
I |
|
Smith, Jimmy |
|
|
1957 |
|
New York City, Manhattan Towers |
04.07.1957 |
|
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|
| The Blue Note Label |
0000 |
|
|
Blue Note 1712 |
|
Dry Soul |
V |
|
Powell, Bud (Trio) |
|
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|
6:43 |
|
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|
| Global Dog Prod. |
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|
Blue Note 1712 |
|
Buster Rides Again |
V |
|
Powell, Bud (Trio) |
|
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|
5:30 |
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| Global Dog Prod. |
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|
Blue Note 1713 |
|
Sputnik (Part 2) |
V |
|
Donaldson, Lou |
|
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| Global Dog Prod. |
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|
Blue Note 1713 |
|
Sputnik |
V |
|
Donaldson, Lou |
|
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|
0:01 |
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|
| Global Dog Prod. |
|
Deezer |
|
Blue Note 1714 |
|
Cool Struttin' |
V |
|
Clark, Sonny |
|
|
|
9:20 |
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|
| Global Dog Prod. |
|
Deezer |
|
Blue Note 1714 |
|
Cool Struttin' (Part 2) |
V |
|
Clark, Sonny |
|
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|
| Global Dog Prod. |
|
|
|
Blue Note 1715 |
|
Smithville (Part 2) |
V |
|
Smith, Louis |
|
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|
| Global Dog Prod. |
|
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|
Blue Note 1715 |
|
Smithville |
V |
|
Smith, Louis |
|
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|
| Global Dog Prod. |
|
|
|
Blue Note 1716 |
|
Yes Baby (Part 2) |
V |
|
Burrell, Kenny |
|
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|
| Global Dog Prod. |
|
|
|
Blue Note 1716 |
|
Yes Baby |
V |
|
Burrell, Kenny |
|
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|
| Global Dog Prod. |
|
|
|
Blue Note 1717 |
|
Rock Salt |
V |
|
Burrell, Kenny |
|
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|
| Global Dog Prod. |
|
|
|
Blue Note 1717 |
|
Rock Salt (Part 2) |
V |
|
Burrell, Kenny |
|
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|
| Global Dog Prod. |
|
|
|
Blue Note 1718 |
|
Moment's Notice |
I |
|
Coltrane, John |
|
|
1957 |
9:07 |
|
|
|
|
|
|
|
| Deezer |
|
Musik + Text: Coltrane, John |
|
|
|
| Global Dog Prod. |
|
Deezer |
ORIGINAL. Cover filtern. |
Blue Note 1718 |
|
Moment's Notice (Part 2) |
V |
|
Coltrane, John |
|
|
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|
|
| Global Dog Prod. |
|
|
|
Blue Note 1719 |
|
Speak Low |
V |
|
Coltrane, John |
|
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|
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|
|
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|
|
| Global Dog Prod. |
|
|
|
Blue Note 1719 |
|
Softly As In A Morning Sunrise |
V |
|
Coltrane, John |
|
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|
|
| Global Dog Prod. |
|
|
|
Blue Note 1720 |
|
Masquerade is Over, The |
V |
|
Donaldson, Lou |
|
|
1958 |
5:52 |
|
|
|
|
|
|
|
|
|
|
Musik: Wrubel, Allie/Text: Magidson, Herb |
|
|
|
| Global Dog Prod. |
|
Deezer |
COVER. Original filtern. |
Blue Note 1720 |
|
Blue Walk |
V |
|
Donaldson, Lou |
|
|
|
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|
|
| Global Dog Prod. |
|
|
|
Blue Note 1721 |
|
Play Ray |
V |
|
Donaldson, Lou |
|
|
|
5:31 |
|
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|
|
|
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|
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|
|
|
|
| Global Dog Prod. |
|
Deezer |
|
Blue Note 1721 |
|
Autumn Nocturne |
V |
|
Donaldson, Lou |
|
|
|
4:54 |
|
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|
|
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|
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|
|
|
|
|
| Global Dog Prod. |
|
Deezer |
|
Blue Note 1722 |
A |
Tenderly |
I |
|
Three Sounds, The |
|
|
1958 |
4:36 |
|
|
10.11.1958 |
|
|
|
|
|
|
|
Musik + Text: Gross/Lawrence |
|
|
|
| 45cat |
|
Deezer |
|
Blue Note 1722 |
B |
Willow Weep For Me |
I |
|
Three Sounds, The |
|
|
1958 |
9:54 |
|
|
10.11.1958 |
|
|
|
|
|
|
|
Musik + Text: Ronell, Ann |
|
|
|
| 45cat |
|
Deezer |
COVER. Original filtern. |
Blue Note 1723 |
|
Mo-Ge |
I |
|
Three Sounds, The |
|
|
1958 |
6:34 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
| Global Dog Prod. |
|
Deezer |
|
Blue Note 1723 |
|
Both Sides |
I |
|
Three Sounds, The |
|
|
1958 |
4:40 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
| Global Dog Prod. |
|
Deezer |
|
Blue Note 1724 |
A |
It's Nice |
I |
|
Three Sounds, The |
|
|
1958 |
4:38 |
Hackensack |
16.09.1958 |
18.05.1959 |
tk.17 |
|
|
|
|
|
|
Musik: Harris, Gene |
|
|
|
| The Blue Note Label |
0083 |
Deezer |
|
Blue Note 1724 |
B |
Angel Eyes |
I |
|
Three Sounds, The |
|
|
1958 |
5:10 |
Hackensack |
16.09.1958 |
18.05.1959 |
tk.10 |
|
428880 |
00061094890 |
|
|
Blue Note 4014 |
Musik + Text: Brent, Earl K./Dennis, Matt L. |
|
|
Harris, Gene (Piano); XSimpkins, Gene (Bass); Dowdy, Bill (Drums) |
| The Blue Note Label |
0083 |
Deezer |
COVER. Original filtern. |
Blue Note 1725 |
A |
O sole mio |
I |
|
Three Sounds, The |
|
|
1958 |
3:56 |
|
|
10.11.1958 |
|
|
|
|
|
|
|
|
|
|
|
| 45cat |
|
Deezer |
|
Blue Note 1725 |
B |
Blue Bells |
I |
|
Three Sounds, The |
|
|
1958 |
4:25 |
|
|
10.11.1958 |
|
|
|
|
|
|
|
Musik + Text: Harris |
|
|
|
| 45cat |
|
Deezer |
|
Blue Note 1726 |
A |
Goin' Home |
I |
|
Three Sounds, The |
|
|
1958 |
3:53 |
Hackensack |
28.09.1958 |
|
tk.18 |
|
|
|
|
|
|
Musik: Harris, Gene |
|
|
|
| The Blue Note Label |
0084 |
Deezer |
|
Blue Note 1726 |
B |
Time After Time |
I |
|
Three Sounds, The |
|
|
1958 |
4:21 |
Hackensack |
28.09.1958 |
|
tk.11 |
|
|
|
|
|
Blue Note 4014 |
Musik: Styne, Jule/Text: Cahn, Sammy |
|
|
Harris, Gene (Piano); XSimpkins, Gene (Bass); Dowdy, Bill (Drums) |
| The Blue Note Label |
0084 |
Deezer |
COVER. Original filtern. |
Blue Note 1727 |
|
Ain't No Use |
V |
|
Bill Henderson and The Jimmy Smith Trio |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
| Global Dog Prod. |
|
|
|
Blue Note 1727 |
|
Angel Eyes |
V |
|
Bill Henderson and The Jimmy Smith Trio |
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| Global Dog Prod. |
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Blue Note 1728 |
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Willow Weep For Me |
V |
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Bill Henderson and The Jimmy Smith Trio |
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| Global Dog Prod. |
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Blue Note 1728 |
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Ain't That Love |
V |
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Bill Henderson and The Jimmy Smith Trio |
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| Global Dog Prod. |
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Blue Note 1729 |
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I Can't Give You Anything But Love |
V |
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Clark, Sonny |
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1957 |
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652436 |
00495567203 |
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Musik: McHugh, Jimmy/Text: Fields, Dorothy |
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| Global Dog Prod. |
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COVER. Original filtern. |
Blue Note 1729 |
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Breeze And I, The |
V |
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Clark, Sonny |
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1957 |
4:00 |
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Musik: Lecuona, Ernesto/Text: Stillman, Al |
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| Global Dog Prod. |
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Deezer |
COVER. Original filtern. |
Blue Note 1730 |
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I'm Just A Lucky So And So |
V |
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Clark, Sonny |
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1957 |
4:33 |
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Musik: David, Mack/Text: Ellington, Duke |
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| Global Dog Prod. |
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Deezer |
COVER. Original filtern. |
Blue Note 1730 |
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Ain't No Use |
V |
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Clark, Sonny |
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4:49 |
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| Global Dog Prod. |
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Deezer |
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Blue Note 1731 |
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Gee Baby |
V |
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Clark, Sonny |
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| Global Dog Prod. |
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Blue Note 1731 |
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Black Velvet |
V |
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Clark, Sonny |
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| Global Dog Prod. |
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Blue Note 1732 |
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Bye Bye Blackbird |
I |
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Green, Bennie |
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1958 |
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Hackensack, Van Gelder Studio |
23.11.1958 |
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7. tk.19 |
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| Discograpy |
0000 |
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Blue Note 1732 |
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On The Street Where You Live |
I |
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Green, Bennie |
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1958 |
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Hackensack, Van Gelder Studio |
23.11.1958 |
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| Discograpy |
0000 |
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Blue Note 1733 |
A |
Encore |
I |
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Green, Bennie |
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1958 |
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Hackensack, Van Gelder Studio |
23.11.1958 |
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Musik: Gonzales |
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| Discograpy |
0000 |
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Blue Note 1733 |
B |
Ain't Nothin' But The Blues |
I |
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Green, Bennie |
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1958 |
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Hackensack, Van Gelder Studio |
23.11.1958 |
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Musik: Green, Bennie |
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| Discograpy |
0000 |
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Blue Note 1734 |
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Minor Revelation |
I |
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Green, Bennie |
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1958 |
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Hackensack, Van Gelder Studio |
23.11.1958 |
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| Discograpy |
0000 |
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Blue Note 1734 |
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Can't We Be Friends |
I |
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Green, Bennie |
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1958 |
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Hackensack, Van Gelder Studio |
23.11.1958 |
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| Discograpy |
0000 |
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Blue Note 1735 |
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Moanin' |
I |
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Blakey, Art & The Jazz Messengers |
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1958 |
9:33 |
Rudy Van Gelder Studio, Hackensack, NJ |
30.10.1958 |
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| Deezer |
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Musik: Timmons, Bobby/Text: Hendricks, Jon |
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| Discograpy |
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Deezer |
ORIGINAL. Cover filtern. |
Blue Note 1735 |
B |
Moanin' (Part 2) |
I |
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Blakey, Art & The Jazz Messengers |
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1958 |
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Hackensack, Rudy Van Gelder Studio |
30.10.1958 |
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Musik: Timmons, Bobby/Text: Hendricks, Jon |
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| Discograpy |
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Blue Note 1736 |
A |
Dat Dere (Part 1) |
V |
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Blakey, Art & The Jazz Messengers |
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1960 |
8:46 |
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Musik: Timmons, Bobby |
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| 45cat |
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Blue Note 1736 |
A |
Blues March |
V |
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Blakey, Art & The Jazz Messengers |
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1958 |
6:17 |
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03/1959 |
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Musik: Golson, Benny |
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| 45cat |
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Deezer |
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Blue Note 1736 |
B |
Dat Dere (Part2) |
V |
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Blakey, Art & The Jazz Messengers |
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1960 |
8:46 |
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Musik: Timmons, Bobby |
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| 45cat |
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Blue Note 1736 |
B |
Along Came Betty |
V |
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Blakey, Art & The Jazz Messengers |
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1958 |
6:12 |
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03/1959 |
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Musik: Golson, Benny |
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| 45cat |
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Deezer |
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Blue Note 1737 |
A |
Autumn Leaves (Part 1) |
V |
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Cannonball Adderley's Five Stars |
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| Global Dog Prod. |
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Blue Note 1737 |
B |
Autumn Leaves (Part 2) |
V |
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Cannonball Adderley's Five Stars |
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| Global Dog Prod. |
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Blue Note 1738 |
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Somethin' Else |
V |
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Julian "Cannonball" Adderley |
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| Global Dog Prod. |
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Blue Note 1738 |
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Somethin' Else (Part 2) |
V |
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Julian "Cannonball" Adderley |
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| Global Dog Prod. |
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Blue Note 1739 |
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One For Daddy-O |
V |
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Julian "Cannonball" Adderley |
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| Global Dog Prod. |
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Blue Note 1739 |
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One For Daddy-O (Part 2) |
V |
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Julian "Cannonball" Adderley |
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| Global Dog Prod. |
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Blue Note 1740 |
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Come On Home |
V |
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Silver, Horace |
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5:31 |
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Quintet |
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| Global Dog Prod. |
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Deezer |
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Blue Note 1740 |
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Finger Poppin' |
V |
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Silver, Horace |
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4:49 |
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Quintet |
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| Global Dog Prod. |
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Deezer |
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Blue Note 1741 |
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Jucy Lucy |
V |
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Silver, Horace |
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Quintet |
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| Global Dog Prod. |
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Blue Note 1741 |
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Cookin' At The Continental |
V |
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Silver, Horace |
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4:53 |
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Quintet |
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| Global Dog Prod. |
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Deezer |
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Blue Note 1742 |
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Mellow D |
V |
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Silver, Horace |
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5:37 |
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Quintet |
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| Global Dog Prod. |
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Deezer |
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Blue Note 1742 |
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Swingin' The Samba |
V |
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Silver, Horace |
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5:19 |
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Quintet |
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| Global Dog Prod. |
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Deezer |
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Blue Note 1743 |
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Jinne Lou |
I |
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Three Sounds, The |
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1959 |
4:53 |
Hackensack |
11.02.1959 |
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tk.13 |
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Blue Note 4014 |
Musik: Harris, Gene |
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Harris, Gene (Piano); XSimpkins, Gene (Bass); Dowdy, Bill (Drums) |
| The Blue Note Label |
0089 |
Deezer |
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Blue Note 1743 |
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Besame Mucho |
I |
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Three Sounds, The |
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1959 |
4:01 |
Hackensack |
11.02.1959 |
|
tk.12 |
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Blue Note 4014 |
Musik: Velasquez, Consuelo |
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Harris, Gene (Piano); XSimpkins, Gene (Bass); Dowdy, Bill (Drums) |
| The Blue Note Label |
0089 |
Deezer |
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Blue Note 1744 |
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I Could Write A Book |
I |
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Three Sounds, The |
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1959 |
4:18 |
Hackensack |
11.02.1959 |
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tk.17 |
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Blue Note 4014 |
Musik: Rodgers, Richard/Text: Hart, Lorenz |
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Harris, Gene (Piano); XSimpkins, Gene (Bass); Dowdy, Bill (Drums) |
| The Blue Note Label |
0089 |
Deezer |
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Blue Note 1744 |
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Nothing Ever Changes My Love For You |
I |
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Three Sounds, The |
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1959 |
3:06 |
Hackensack |
11.02.1959 |
|
tk.5 |
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Blue Note 4014 |
Musik: Fisher, Marvin/Text: Segal, Jack |
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Harris, Gene (Piano); XSimpkins, Gene (Bass); Dowdy, Bill (Drums) |
| The Blue Note Label |
0089 |
Deezer |
COVER. Original filtern. |
Blue Note 1745 |
A |
I'm In The Mood For Love |
V |
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Eason, Leon |
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1959 |
|
Hackensack, Van Gelder Studio |
17.05.1959 |
|
tk.1 |
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Musik: McHugh, Jimmy/Text: Fields, Dorothy |
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| The Blue Note Label |
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COVER. Original filtern. |
Blue Note 1745 |
B |
Lazy River |
V |
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Eason, Leon |
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1959 |
|
Hackensack, Van Gelder Studio |
17.05.1959 |
|
tk.31 |
|
396099 |
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Musik + Text: Arodin, Sidney/Carmichael, Hoagy |
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| The Blue Note Label |
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COVER. Original filtern. |
Blue Note 1746 |
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Song Of The Islands |
V |
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Eason, Leon |
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| Global Dog Prod. |
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Blue Note 1746 |
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Because Of You |
V |
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Eason, Leon |
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| Global Dog Prod. |
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Blue Note 1747 |
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That's My Home |
V |
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Eason, Leon |
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| Global Dog Prod. |
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Blue Note 1747 |
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I'm Just A Gigolo |
V |
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Eason, Leon |
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| Global Dog Prod. |
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Blue Note 1748 |
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Dear John |
I |
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Quebec, Ike |
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6:54 |
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| Global Dog Prod. |
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Deezer |
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Blue Note 1748 |
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Blue Monday |
I |
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Quebec, Ike |
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5:06 |
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| Global Dog Prod. |
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Deezer |
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Blue Note 1749 |
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Buzzard Lope, The |
I |
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Quebec, Ike |
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| Global Dog Prod. |
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Blue Note 1749 |
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Blue Friday |
I |
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Quebec, Ike |
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5:05 |
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| Global Dog Prod. |
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Deezer |
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Blue Note 1750 |
|
Sister Sadie |
V |
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Silver, Horace |
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1959 |
6:18 |
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Musik + Text: Silver, Horace |
|
Quintet |
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| Global Dog Prod. |
|
Deezer |
ORIGINAL. Cover filtern. |
Blue Note 1750 |
|
Break City |
V |
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Silver, Horace |
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4:57 |
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Quintet |
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| Global Dog Prod. |
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Deezer |
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Blue Note 1751 |
|
Baghdad Blues, The |
V |
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Silver, Horace |
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| Global Dog Prod. |
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Blue Note 1751 |
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Blowin' The Blues Away |
V |
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Silver, Horace |
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4:44 |
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| Global Dog Prod. |
|
Deezer |
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Blue Note 1752 |
|
Mack The Knife |
V |
|
Donaldson, Lou |
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1959 |
5:18 |
Englewood Cliffs, NJ, Van Gelder Studio |
31.10.1959 |
|
tk. 4 |
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Musik: Weill, Kurt/Text: Brecht, Bertolt |
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| The Blue Note Label |
0000 |
Deezer |
COVER. Original filtern. |
Blue Note 1752 |
|
Nearness Of You, The |
V |
|
Donaldson, Lou |
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1959 |
4:43 |
Englewood Cliffs, NJ, Van Gelder Studio |
31.10.1959 |
|
tk.19 |
|
396188 |
00537275340 |
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Musik: Carmichael, Hoagy/Text: Washington, Ned |
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| The Blue Note Label |
0000 |
Deezer |
COVER. Original filtern. |
Blue Note 1753 |
|
Lou's Blues |
V |
|
Donaldson, Lou |
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3:44 |
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| Global Dog Prod. |
|
Deezer |
|
Blue Note 1753 |
|
Be My Love |
V |
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Donaldson, Lou |
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5:46 |
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| Global Dog Prod. |
|
Deezer |
|
Blue Note 1754 |
|
Black Coffee |
V |
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Pearson, Duke |
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| Global Dog Prod. |
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Blue Note 1754 |
|
Gate City |
V |
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Pearson, Duke |
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| Global Dog Prod. |
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Blue Note 1755 |
|
Taboo |
V |
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Pearson, Duke |
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| Global Dog Prod. |
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Blue Note 1755 |
|
Like Someone In Love |
V |
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Pearson, Duke |
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| Global Dog Prod. |
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Blue Note 1756 |
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Don't Blame Me |
I |
|
Three Sounds, The |
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| Global Dog Prod. |
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Blue Note 1756 |
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Tracy's Blue |
I |
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Three Sounds, The |
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| Global Dog Prod. |
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Blue Note 1757 |
|
Down The Track |
I |
|
Three Sounds, The |
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| Global Dog Prod. |
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Blue Note 1757 |
|
Robbin's Nest |
I |
|
Three Sounds, The |
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| Global Dog Prod. |
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Blue Note 1758 |
|
St. Thomas |
I |
|
Three Sounds, The |
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| Global Dog Prod. |
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Blue Note 1758 |
|
That's All |
I |
|
Three Sounds, The |
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| Global Dog Prod. |
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|
Blue Note 1759 |
|
Rack, The |
V |
|
Reece, Dizzy |
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| Global Dog Prod. |
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|
Blue Note 1759 |
A |
Rake, The |
V |
|
Reece, Dizzy |
|
|
1959 |
6:03 |
Englewood Cliffs, NJ |
19.11.1959 |
01.01.1960 |
tk.15 |
|
|
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|
|
Musik: Reece, Dizzy |
|
|
|
| 45cat |
|
Deezer |
|
Blue Note 1759 |
A |
Rebound, The |
V |
|
Reece, Dizzy |
|
|
1960 |
6:46 |
Englewood Cliffs, NJ |
19.11.1959 |
01.01.1960 |
tk.3 |
|
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|
|
Musik: Reece, Dizzy |
|
|
|
| 45cat |
|
Deezer |
|
Blue Note 1760 |
|
What's New |
V |
|
Jackie Mc Lean |
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| Global Dog Prod. |
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Blue Note 1760 |
|
116th And Lennox |
V |
|
Jackie Mc Lean |
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| Global Dog Prod. |
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Blue Note 1761 |
|
Blues Ville |
V |
|
Red, Sonny |
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| Global Dog Prod. |
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Blue Note 1761 |
|
Stay As Sweet As You Are |
V |
|
Red, Sonny |
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6:15 |
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| Global Dog Prod. |
|
Deezer |
|
Blue Note 1762 |
|
Alone Too Long |
V |
|
Freddie Redd |
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| Global Dog Prod. |
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Blue Note 1762 |
|
Blues In The Pocket |
V |
|
Freddie Redd |
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| Global Dog Prod. |
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Blue Note 1763 |
|
Here I Am |
V |
|
Byrd, Donald |
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8:21 |
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| Global Dog Prod. |
|
Deezer |
|
Blue Note 1763 |
|
Here I Am (Part 2) |
V |
|
Byrd, Donald |
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| Global Dog Prod. |
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Blue Note 1764 |
|
Fuego |
V |
|
Byrd, Donald |
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| Global Dog Prod. |
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Blue Note 1764 |
|
Amen |
V |
|
Byrd, Donald |
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| Global Dog Prod. |
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Blue Note 1765 |
|
What's New |
I |
|
Smith, Jimmy |
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|
1960 |
3:48 |
Englewood Cliffs, NJ, Van Gelder Studio |
04.01.1960 |
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| The Blue Note Label |
0000 |
Deezer |
|
Blue Note 1765 |
|
Makin' Whoopie |
I |
|
Smith, Jimmy |
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|
1960 |
|
Englewood Cliffs, NJ, Van Gelder Studio |
04.01.1960 |
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| The Blue Note Label |
0000 |
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|
Blue Note 1766 |
|
Mack The Knife |
I |
|
Smith, Jimmy |
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|
1960 |
4:55 |
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Musik: Weill, Kurt/Text: Brecht, Bertolt |
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| Global Dog Prod. |
|
Deezer |
COVER. Original filtern. |
Blue Note 1766 |
|
When Johnny Comes Marching Home |
I |
|
Smith, Jimmy |
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|
1960 |
7:55 |
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Musik: Traditional/Text: Gilmore, Patrick Sarsfield |
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| Global Dog Prod. |
|
Deezer |
COVER. Original filtern. |
Blue Note 1767 |
|
Alfredo |
I |
|
Smith, Jimmy |
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1960 |
4:30 |
Cincinnati |
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| Global Dog Prod. |
|
Deezer |
|
Blue Note 1767 |
|
I Got A Woman |
I |
|
Smith, Jimmy |
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|
1959 |
3:54 |
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Musik: Ray Charles/Text: Richard, Renald |
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| Global Dog Prod. |
|
Deezer |
COVER. Original filtern. |
Blue Note 1768 |
A |
See See Rider |
I |
|
Smith, Jimmy |
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|
1959 |
6:33 |
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Musik: Traditional/Text: Rainey, Ma/Arent, Lena |
|
Jimmy Smith At The Organ |
|
| www.ebay.de |
|
Deezer |
COVER. Original filtern. |
Blue Note 1768 |
B |
Come On Baby |
I |
|
Smith, Jimmy |
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|
1959 |
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Musik: Burrell, Kenny |
|
Jimmy Smith At The Organ |
|
| Global Dog Prod. |
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|
Blue Note 1769 |
|
Since I Fell For You |
V |
|
Kenny Burrell and Jimmy Smith |
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| Global Dog Prod. |
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Blue Note 1769 |
|
Motorin' Along |
V |
|
Kenny Burrell and Jimmy Smith |
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| Global Dog Prod. |
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|
Blue Note 1770 |
|
Up In Cynthia's Room |
V |
|
Parlan, Horace |
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6:17 |
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| Global Dog Prod. |
|
Deezer |
|
Blue Note 1770 |
|
C Jam Blues |
V |
|
Parlan, Horace |
|
|
1960 |
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|
414514 |
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Musik: Ellington, Duke |
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|
| Global Dog Prod. |
|
|
COVER. Original filtern. |
Blue Note 1771 |
|
Bags Groove |
V |
|
Parlan, Horace |
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| Global Dog Prod. |
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|
Blue Note 1771 |
|
There Is No Greater Joy |
V |
|
Parlan, Horace |
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| Global Dog Prod. |
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|
Blue Note 1772 |
|
Blue Moon |
V |
|
Donaldson, Lou & Three Sounds, The |
|
|
1959 |
3:04 |
Hackensack, Van Gelder Studio |
18.02.1959 |
|
tk. 11 |
|
1393756 |
00128632966 |
|
|
|
Musik: Rodgers, Richard |
|
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|
| The Blue Note Label |
0000 |
Deezer |
COVER. Original filtern. |
Blue Note 1772 |
|
Smooth Groove |
V |
|
Donaldson, Lou & Three Sounds, The |
|
|
1959 |
5:51 |
Hackensack, Van Gelder Studio |
18.02.1959 |
|
tk. 8 |
|
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|
Musik: Donaldson, Lou |
|
|
|
| The Blue Note Label |
0000 |
Deezer |
|
Blue Note 1773 |
|
Goose Grease |
V |
|
Donaldson, Lou |
|
|
|
6:07 |
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|
| Global Dog Prod. |
|
Deezer |
|
Blue Note 1773 |
|
Truth, The |
V |
|
Donaldson, Lou |
|
|
|
5:22 |
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|
| Global Dog Prod. |
|
Deezer |
|
Blue Note 1774 |
|
Blues For J.P. |
V |
|
Donaldson, Lou |
|
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| Global Dog Prod. |
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|
Blue Note 1774 |
|
Politely |
V |
|
Donaldson, Lou |
|
|
|
5:53 |
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|
| Global Dog Prod. |
|
Deezer |
|
Blue Note 1775 |
|
Chess Players (Part 2) |
V |
|
Blakey, Art & Jazz Messengers, The |
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| Global Dog Prod. |
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|
Blue Note 1775 |
|
Chess Players |
V |
|
Blakey, Art & Jazz Messengers, The |
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|
| Global Dog Prod. |
|
|
|
Blue Note 1775 |
A |
Chess Players, The (Part 1) |
V |
|
Blakey, Art & The Jazz Messengers |
|
|
1960 |
9:31 |
|
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|
Musik: Shorter, Wayne |
|
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|
| 45cat |
|
|
|
Blue Note 1775 |
B |
Chess Players, The (Part 2) |
V |
|
Blakey, Art & The Jazz Messengers |
|
|
1960 |
9:31 |
|
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|
Musik: Shorter, Wayne |
|
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|
| 45cat |
|
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|
Blue Note 1776 |
|
Greasy |
V |
|
Jackie Mc Lean |
|
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|
| Global Dog Prod. |
|
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|
Blue Note 1776 |
|
Greasy (Part 2) |
V |
|
Jackie Mc Lean |
|
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|
| Global Dog Prod. |
|
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|
Blue Note 1777 |
A |
Blue Streak |
V |
|
Reece, Dizzy |
|
|
1960 |
6:20 |
Englewood Cliffs, NJ |
12.05.1960 |
14.11.1960 |
tk.15 |
|
|
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|
| 45cat |
|
Deezer |
|
Blue Note 1777 |
A |
Ghost Of A Chance |
V |
|
Reece, Dizzy |
|
|
1960 |
|
Englewood Cliffs, NJ |
12.05.1960 |
14.11.1960 |
tk.10 |
|
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|
| 45cat |
|
|
|
Blue Note 1778 |
|
Wadin' |
V |
|
Parlan, Horace |
|
|
|
6:06 |
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|
| Global Dog Prod. |
|
Deezer |
|
Blue Note 1778 |
|
Borderline |
V |
|
Parlan, Horace |
|
|
|
6:08 |
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|
| Global Dog Prod. |
|
Deezer |
|
Blue Note 1779 |
|
One Mint Julep |
V |
|
Hubbard, Freddie |
|
|
1960 |
5:54 |
|
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|
|
|
735072 |
00546564233 |
|
|
|
Musik + Text: Toombs, Rudolph |
|
|
|
| Global Dog Prod. |
|
Deezer |
COVER. Original filtern. |
Blue Note 1779 |
|
Gypsy Blues |
V |
|
Hubbard, Freddie |
|
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|
| Global Dog Prod. |
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|
Blue Note 1780 |
|
Journey Into Melody |
V |
|
Turrentine, Stanley |
|
|
|
4:58 |
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|
| Global Dog Prod. |
|
Deezer |
|
Blue Note 1780 |
|
Look Out |
V |
|
Turrentine, Stanley |
|
|
|
7:12 |
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|
| Global Dog Prod. |
|
Deezer |
|
Blue Note 1781 |
|
Little Cheri |
V |
|
Turrentine, Stanley |
|
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|
| Global Dog Prod. |
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|
Blue Note 1781 |
|
Minor Chant |
V |
|
Turrentine, Stanley |
|
|
|
6:13 |
|
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|
| Global Dog Prod. |
|
Deezer |
|
Blue Note 1782 |
|
Good Old Soul (Part 1) |
I |
|
Brooks, Tina |
|
|
1960 |
|
|
|
14.11.1960 |
|
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|
| 45cat |
|
|
|
Blue Note 1782 |
|
Good Old Soul |
V |
|
Brooks, Tina |
|
|
|
8:07 |
|
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|
| Global Dog Prod. |
|
Deezer |
|
Blue Note 1782 |
|
Good Old Soul (Part 2) |
I |
|
Brooks, Tina |
|
|
1960 |
|
|
|
14.11.1960 |
|
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|
| 45cat |
|
|
|
Blue Note 1783 |
|
Theme For Doris |
V |
|
Brooks, Tina |
|
|
|
5:53 |
|
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|
| Global Dog Prod. |
|
Deezer |
|
Blue Note 1783 |
|
True Blue |
V |
|
Brooks, Tina |
|
|
not |
4:57 |
|
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|
| Global Dog Prod. |
|
Deezer |
|
Blue Note 1784 |
|
Strollin' |
V |
|
Silver, Horace |
|
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|
Quintet |
|
| Global Dog Prod. |
|
|
|
Blue Note 1784 |
|
Nica's Dream |
V |
|
Silver, Horace |
|
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|
Quintet |
|
| Global Dog Prod. |
|
|
|
Blue Note 1785 |
|
Where Are You |
V |
|
Silver, Horace |
|
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|
Quintet |
|
| Global Dog Prod. |
|
|
|
Blue Note 1785 |
|
Me And My Baby |
V |
|
Silver, Horace |
|
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|
Quintet |
|
| Global Dog Prod. |
|
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|
Blue Note 1786 |
|
Hipsippy Blues |
V |
|
Blakey, Art & Jazz Messengers, The |
|
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|
| Global Dog Prod. |
|
|
|
Blue Note 1786 |
|
Hipsippy Blues (Part 2) |
V |
|
Blakey, Art & Jazz Messengers, The |
|
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|
| Global Dog Prod. |
|
|
|
Blue Note 1786 |
A |
Hipsippy Blues (Part 1) |
V |
|
Blakey, Art & The Jazz Messengers |
|
|
1961 |
9:26 |
|
|
13.11.1961 |
|
|
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|
|
Musik: Mobley, Hank |
|
|
|
| 45cat |
|
|
|
Blue Note 1786 |
B |
Hipsippy Blues (Part2) |
V |
|
Blakey, Art & The Jazz Messengers |
|
|
1961 |
9:26 |
|
|
13.11.1961 |
|
|
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|
|
Musik: Mobley, Hank |
|
|
|
| 45cat |
|
|
|
Blue Note 1787 |
A |
Close Your Eyes (Part 1) |
V |
|
Blakey, Art & The Jazz Messengers |
|
|
1959 |
11:11 |
New York City |
15.04.1959 |
/ |
|
|
377031 |
00028535970 |
|
|
|
Musik + Text: Petkere, Bernice |
|
|
|
| The Blue Note Label |
0090 |
|
COVER. Original filtern. |
Blue Note 1787 |
B |
Close Your Eyes (Part 2) |
V |
|
Blakey, Art & The Jazz Messengers |
|
|
1961 |
11:11 |
New York City |
15.04.1959 |
/ |
|
|
377031 |
00028535970 |
|
|
|
Musik + Text: Petkere, Bernice |
|
|
|
| The Blue Note Label |
0090 |
|
COVER. Original filtern. |
Blue Note 1788 |
|
Chicken An' Dumplins |
V |
|
Blakey, Art & Jazz Messengers, The |
|
|
|
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|
|
| Global Dog Prod. |
|
|
|
Blue Note 1788 |
A |
Hi-Fly |
V |
|
Blakey, Art & The Jazz Messengers |
|
|
1960 |
8:00 |
|
|
19.12.1960 |
|
|
|
|
|
|
|
Musik: Weston |
|
|
|
| 45cat |
|
Deezer |
|
Blue Note 1788 |
B |
Chicken And Dumplins |
V |
|
Blakey, Art & The Jazz Messengers |
|
|
1960 |
7:26 |
|
|
19.12.1960 |
|
|
|
|
|
|
|
Musik: Bryant, Ray |
|
|
|
| 45cat |
|
Deezer |
|
Blue Note 1789 |
|
Paper Moon |
V |
|
Blakey, Art & Jazz Messengers, The |
|
|
|
|
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|
|
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|
|
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|
|
| Global Dog Prod. |
|
|
|
Blue Note 1789 |
A |
It's Only A Paper Moon |
V |
|
Blakey, Art & The Jazz Messengers |
|
|
1961 |
6:31 |
|
|
02/1961 |
|
|
1023894 |
00058855632 |
|
|
|
Musik: Arlen, Harold/Text: Harburg, Edgar Yispel |
|
|
|
| 45cat |
|
Deezer |
COVER. Original filtern. |
Blue Note 1789 |
B |
Lester's Left Town |
V |
|
Blakey, Art & The Jazz Messengers |
|
|
1961 |
6:24 |
|
|
02/1961 |
|
|
|
|
|
|
|
Musik: Shorter, Wayne |
|
|
|
| 45cat |
|
Deezer |
|
Blue Note 1790 |
|
Dat Dere |
V |
|
Blakey, Art & Jazz Messengers, The |
|
|
|
|
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|
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|
|
| Global Dog Prod. |
|
|
|
Blue Note 1790 |
|
Dat Dere (Part 2) |
V |
|
Blakey, Art & Jazz Messengers, The |
|
|
|
|
|
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|
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|
|
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|
|
|
|
| Global Dog Prod. |
|
|
|
Blue Note 1791 |
|
Loose Walk |
I |
|
Three Sounds, The |
|
|
|
4:55 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
| Global Dog Prod. |
|
Deezer |
|
Blue Note 1791 |
|
Li'l Darlin' |
I |
|
Three Sounds, The |
|
|
|
4:50 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
| Global Dog Prod. |
|
Deezer |
|
Blue Note 1792 |
|
I'm Beginning To See The Light |
I |
|
Three Sounds, The |
|
|
1960 |
2:28 |
|
|
19.12.1960 |
|
|
|
|
|
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Musik: Ellington/George/Hodges/James |
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| 45cat |
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Deezer |
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Blue Note 1792 |
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Tammy's Breeze |
I |
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Three Sounds, The |
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1960 |
4:27 |
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19.12.1960 |
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Musik: Harris |
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| 45cat |
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Deezer |
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Blue Note 1793 |
A |
On Green Dolphin Street |
I |
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Three Sounds, The |
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1960 |
5:32 |
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13.02.1961 |
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Musik: Kaper, Bronislaw |
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| 45cat |
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Deezer |
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Blue Note 1793 |
B |
Love For Sale |
I |
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Three Sounds, The |
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1960 |
6:35 |
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13.02.1961 |
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Musik: Porter, Cole |
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| 45cat |
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Deezer |
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Blue Note 1794 |
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Things Ain't What They Used To Be |
I |
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Three Sounds, The |
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1960 |
8:54 |
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| Global Dog Prod. |
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Deezer |
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Blue Note 1794 |
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Things Ain't What They Used To Be (Part 2) |
I |
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Three Sounds, The |
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1960 |
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| Global Dog Prod. |
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Blue Note 1899 |
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Yaba E |
V |
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Solomon Ilori |
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| Global Dog Prod. |
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Blue Note 1900 |
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Jojolo |
V |
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Solomon Ilori |
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| Global Dog Prod. |
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Blue Note 1900 |
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Follow Me To Africa |
V |
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Solomon Ilori |
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| Global Dog Prod. |
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Blue Note 1901 |
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Blue Bossa |
V |
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Henderson, Joe |
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1963 |
8:02 |
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Musik + Text: Dorham, Kenny |
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| Global Dog Prod. |
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Deezer |
ORIGINAL. Cover filtern. |
Blue Note 1901 |
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Record Me (Remember Me) |
V |
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Henderson, Joe |
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| Global Dog Prod. |
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Blue Note 1902 |
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Let's Get To The Nitty Gritty |
V |
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Silver, Horace |
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Quintet |
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| Global Dog Prod. |
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Blue Note 1902 |
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Silver's Serenade |
V |
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Silver, Horace |
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Quintet |
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| Global Dog Prod. |
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Blue Note 1903 |
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Sweet Sweetie Dee |
V |
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Silver, Horace |
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| Global Dog Prod. |
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Blue Note 1903 |
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Dragon Lady |
V |
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Silver, Horace |
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| Global Dog Prod. |
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Blue Note 1904 |
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When My Dream Boat Comes Home |
I |
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Smith, Jimmy |
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1963 |
3:00 |
Englewood Cliffs, NJ, Van Gelder Studio |
07.02.1963 |
10/1963 |
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1363486 |
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Musik + Text: Franklin, Dave/Friend, Cliff |
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| The Blue Note Label |
0000 |
|
COVER. Original filtern. |
Blue Note 1904 |
B |
When My Dream Boat Comes Home (Part 2) |
I |
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Smith, Jimmy |
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1963 |
3:00 |
Englewood Cliffs, NJ, Van Gelder Studio |
07.02.1963 |
10/1963 |
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1363486 |
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Musik + Text: Franklin, Dave/Friend, Cliff |
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| The Blue Note Label |
0000 |
|
COVER. Original filtern. |
Blue Note 1905 |
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Can Heat |
I |
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Smith, Jimmy |
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1963 |
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Englewood Cliffs, NJ, Van Gelder Studio |
07.02.1963 |
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| The Blue Note Label |
0000 |
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Blue Note 1905 |
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Matilda, Matilda |
I |
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Smith, Jimmy |
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1963 |
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Englewood Cliffs, NJ, Van Gelder Studio |
07.02.1963 |
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| The Blue Note Label |
0000 |
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Blue Note 1906 |
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Pork Chop |
I |
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Smith, Jimmy |
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1963 |
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Englewood Cliffs, NJ, Van Gelder Studio |
07.02.1963 |
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| The Blue Note Label |
0000 |
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Blue Note 1906 |
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Pork Chop (Part 2) |
I |
|
Smith, Jimmy |
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1963 |
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Englewood Cliffs, NJ, Van Gelder Studio |
07.02.1963 |
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| The Blue Note Label |
0000 |
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Blue Note 1907 |
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Cristo Redentor |
V |
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Byrd, Donald |
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| Global Dog Prod. |
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Blue Note 1907 |
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Elijah |
V |
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Byrd, Donald |
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| Global Dog Prod. |
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Blue Note 1908 |
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Blue Frenzy |
V |
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Hubbard, Freddie |
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| Global Dog Prod. |
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Blue Note 1908 |
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Mirrors |
V |
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Hubbard, Freddie |
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| Global Dog Prod. |
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Blue Note 1909 |
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Prayer Meetin' (Part 2) |
I |
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Smith, Jimmy |
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1963 |
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Englewood Cliffs, NJ, Van Gelder Studio |
08.02.1963 |
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| The Blue Note Label |
0000 |
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Blue Note 1909 |
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Prayer Meetin' |
I |
|
Smith, Jimmy |
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1963 |
5:43 |
Englewood Cliffs, NJ, Van Gelder Studio |
08.02.1963 |
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Musik + Text: Smith, Jimmy |
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| The Blue Note Label |
0000 |
|
ORIGINAL. Cover filtern. |
Blue Note 1910 |
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Red Top (Part 2) |
I |
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Smith, Jimmy |
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1963 |
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Englewood Cliffs, NJ, Van Gelder Studio |
08.02.1963 |
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| The Blue Note Label |
0000 |
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Blue Note 1910 |
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Red Top |
I |
|
Smith, Jimmy |
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1963 |
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Englewood Cliffs, NJ, Van Gelder Studio |
08.02.1963 |
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| The Blue Note Label |
0000 |
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Blue Note 1911 |
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Sidewinder, The |
V |
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Morgan, Lee |
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| Global Dog Prod. |
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Blue Note 1911 |
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Sidewinder (Part 2), The |
V |
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Morgan, Lee |
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| Global Dog Prod. |
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|
Blue Note 1911 |
A |
Sidewinder, The (Part 1) |
V |
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Morgan, Lee |
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1965 |
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| |
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Musik: Morgan, Lee |
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| Joel Whitburn's Pop Memories 1890-1954 |
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Blue Note 1912 |
|
Song For My Father |
V |
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Silver, Horace |
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1964 |
7:17 |
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Musik + Text: Silver, Horace |
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| Global Dog Prod. |
|
Deezer |
ORIGINAL. Cover filtern. |
Blue Note 1912 |
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Song For My Father (Part 2) |
V |
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Silver, Horace |
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| Global Dog Prod. |
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Blue Note 1913 |
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Que Pasa |
V |
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Silver, Horace |
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| Global Dog Prod. |
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Blue Note 1913 |
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Que Pasa (Part 2) |
V |
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Silver, Horace |
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| Global Dog Prod. |
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Blue Note 1914 |
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Brown Sugar |
V |
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Freddie Roach |
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1964 |
3:00 |
Englewood Cliffs, NJ |
19.03.1964 |
13.02.1965 |
1315 tk 8 |
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Musik: Harvey, Bill/Text: Forest, Earl |
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| 45cat |
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Blue Note 1914 |
|
Next Time You See Me |
V |
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Freddie Roach |
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1964 |
3:00 |
Englewood Cliffs, NJ |
19.03.1964 |
13.02.1965 |
1314 tk 4 |
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Musik: Freddie Roach/Text: Roach, Freddie |
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| 45cat |
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Blue Note 1915 |
|
Turnaround (Part 2), The |
V |
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Mobley, Hank |
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| Global Dog Prod. |
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Blue Note 1915 |
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Turnaround, The |
V |
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Mobley, Hank |
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| Global Dog Prod. |
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Blue Note 1916 |
|
Brother Isaac |
V |
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Byrd, Donald |
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| Global Dog Prod. |
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Blue Note 1916 |
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I've Longed And Searched For My Mother |
V |
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Byrd, Donald |
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| Global Dog Prod. |
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Blue Note 1917 |
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River's Invitation |
V |
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Turrentine, Stanley |
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| Global Dog Prod. |
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|
Blue Note 1917 |
A |
River's Invitation (Part 1) |
V |
|
Turrentine, Stanley |
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1965 |
2:55 |
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665811 |
00031785191 |
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|
Musik + Text: Mayfield, Percy |
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| Global Dog Prod. |
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|
COVER. Original filtern. |
Blue Note 1917 |
B |
River's Invitation (Part 2) |
V |
|
Turrentine, Stanley |
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1965 |
3:00 |
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Musik + Text: Mayfield, Percy |
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| 45cat |
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Blue Note 1918 |
|
Rumproller (Part 2), The |
V |
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Morgan, Lee |
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| Global Dog Prod. |
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Blue Note 1918 |
|
Rumproller, The |
V |
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Morgan, Lee |
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| Global Dog Prod. |
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Blue Note 1919 |
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I Want To Hold You Hand |
V |
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Green, Grant |
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| Global Dog Prod. |
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Blue Note 1919 |
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Corcovada |
V |
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Green, Grant |
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| Global Dog Prod. |
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Blue Note 1920 |
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Fat Judy |
V |
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Big John Patton |
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| Global Dog Prod. |
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Blue Note 1920 |
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Fat Judy (Part 2) |
V |
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Big John Patton |
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| Global Dog Prod. |
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Blue Note 1921 |
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Fungii Mama (Part 2) |
V |
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Mitchell, Blue |
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| Global Dog Prod. |
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Blue Note 1921 |
|
Fungii Mama |
V |
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Mitchell, Blue |
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| Global Dog Prod. |
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Blue Note 1922 |
|
Mamacita (Part 2) |
I |
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Dorham, Kenny |
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| Global Dog Prod. |
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Blue Note 1922 |
|
Mamacita |
I |
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Dorham, Kenny |
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| Global Dog Prod. |
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Blue Note 1923 |
|
Cape Verdean Blues |
V |
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Silver, Horace |
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| Global Dog Prod. |
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|
Blue Note 1923 |
|
Pretty Eyes |
V |
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Silver, Horace |
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| Global Dog Prod. |
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|
Blue Note 1924 |
|
African Queen |
V |
|
Horace Silver and J.J. Johnson |
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| Global Dog Prod. |
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Blue Note 1924 |
|
African Queen (Part 2) |
V |
|
Horace Silver and J.J. Johnson |
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| Global Dog Prod. |
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Blue Note 1925 |
|
I Cover The Waterfront |
I |
|
Smith, Jimmy |
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1967 |
3:36 |
Hackensack, Van Gelder Studio |
18.06.1956 |
|
tk.20 |
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Musik: Green, John W./Text: Heyman, Edward |
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| The Blue Note Label |
|
Deezer |
COVER. Original filtern. |
Blue Note 1925 |
|
I Can't Give You Anything But Love |
I |
|
Smith, Jimmy |
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|
1956 |
|
Hackensack, Van Gelder Studio |
18.06.1956 |
|
tk.21 |
|
652436 |
00495567203 |
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Musik: McHugh, Jimmy/Text: Fields, Dorothy |
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|
| The Blue Note Label |
|
|
COVER. Original filtern. |
Blue Note 1926 |
|
Ain't That Peculiar |
V |
|
Big John Patton |
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| Global Dog Prod. |
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|
Blue Note 1926 |
|
Amanda |
V |
|
Big John Patton |
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| Global Dog Prod. |
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Blue Note 1927 |
|
Sassy Mae |
I |
|
Smith, Jimmy |
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1963 |
|
Englewood Cliffs, NJ, Van Gelder Studio |
01.02.1963 |
|
tk.28 |
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|
| The Blue Note Label |
0000 |
|
|
Blue Note 1927 |
|
Bucket |
I |
|
Smith, Jimmy |
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1963 |
|
Englewood Cliffs, NJ, Van Gelder Studio |
01.02.1963 |
|
tk.38 |
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|
| The Blue Note Label |
0000 |
|
|
Blue Note 1928 |
|
Frown, The |
I |
|
Three Sounds, The |
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| Global Dog Prod. |
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|
Blue Note 1928 |
|
It Was A Very Good Year |
I |
|
Three Sounds, The |
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1967 |
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|
Musik + Text: Drake, Ervin |
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| Global Dog Prod. |
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|
COVER. Original filtern. |
Blue Note 1929 |
|
And Satisfy |
V |
|
Turrentine, Stanley |
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| Global Dog Prod. |
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|
Blue Note 1929 |
|
Walk On By |
V |
|
Turrentine, Stanley |
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|
1966 |
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|
Musik: Bacharach, Burt/Text: David, Hal |
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| Global Dog Prod. |
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|
COVER. Original filtern. |
Blue Note 1930 |
|
Cornbread |
V |
|
Morgan, Lee |
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|
9:00 |
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| Global Dog Prod. |
|
Deezer |
|
Blue Note 1930 |
|
Cornbread (Part 2) |
V |
|
Morgan, Lee |
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| Global Dog Prod. |
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|
Blue Note 1931 |
|
Ready Rudy |
V |
|
Pearson, Duke |
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| Global Dog Prod. |
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|
Blue Note 1931 |
|
Sweet Honey Bee |
V |
|
Pearson, Duke |
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| Global Dog Prod. |
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|
Blue Note 1932 |
|
Jody Grind (Part 2) |
V |
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Silver, Horace |
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| Global Dog Prod. |
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Blue Note 1932 |
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Jody Grind |
V |
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Silver, Horace |
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| Global Dog Prod. |
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Blue Note 1933 |
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Feeling Good |
V |
|
Turrentine, Stanley |
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1966 |
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Musik + Text: Bricusse, Leslie/Newley, Anthony |
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| Global Dog Prod. |
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COVER. Original filtern. |
Blue Note 1933 |
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What Could I Do Without You |
V |
|
Turrentine, Stanley |
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1966 |
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Musik + Text: Ray Charles |
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| Global Dog Prod. |
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COVER. Original filtern. |
Blue Note 1934 |
|
Reverend Moses |
V |
|
Donaldson, Lou |
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| Global Dog Prod. |
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Blue Note 1934 |
A |
Alligator Bogaloo |
V |
|
Donaldson, Lou |
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1967 |
6:55 |
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10/1967 |
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Musik + Text: Donaldson, Lou |
04.11.1967 |
Spielzeit der Single-Version 2:53 |
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| 45cat |
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|
ORIGINAL. Cover filtern. |
Blue Note 1934 |
B |
Rev. Moses |
V |
|
Donaldson, Lou |
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1967 |
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10/1967 |
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Musik + Text: Donaldson, Lou |
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Spielzeit der Single-Version 3:00 |
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| 45cat |
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Blue Note 1935 |
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Still I'm Sad |
I |
|
Three Sounds, The |
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| Global Dog Prod. |
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Blue Note 1935 |
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Makin' Bread Again |
I |
|
Three Sounds, The |
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| Global Dog Prod. |
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Blue Note 1936 |
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Spooky |
V |
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Turrentine, Stanley |
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1968 |
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Musik: Cobb, J. R./Middlebrooks, Harry/Text: Buie, Buddy/Shapiro, Mike |
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| Global Dog Prod. |
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|
COVER. Original filtern. |
Blue Note 1936 |
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Love Is Blue |
V |
|
Turrentine, Stanley |
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1968 |
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Musik: Popp, André/Text: Cour, Pierre |
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| Global Dog Prod. |
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|
COVER. Original filtern. |
Blue Note 1937 |
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Peepin' |
V |
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Donaldson, Lou |
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8:19 |
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| Global Dog Prod. |
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Deezer |
|
Blue Note 1937 |
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Humpback, The |
V |
|
Donaldson, Lou |
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5:25 |
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| Global Dog Prod. |
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Deezer |
|
Blue Note 1938 |
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Goin' Out Of My Head |
V |
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Mobley, Hank |
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| Global Dog Prod. |
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Blue Note 1938 |
|
Reach Out I'll Be There |
V |
|
Mobley, Hank |
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| Global Dog Prod. |
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Blue Note 1939 |
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Psychedelic Sally |
V |
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Silver, Horace |
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| Global Dog Prod. |
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Blue Note 1939 |
|
Serenade To A Soul Sister |
V |
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Silver, Horace |
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| Global Dog Prod. |
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Blue Note 1940 |
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Look Of Love |
V |
|
Turrentine, Stanley |
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| Global Dog Prod. |
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Blue Note 1940 |
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This Guy's In Love With You |
V |
|
Turrentine, Stanley |
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1968 |
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Musik: Bacharach, Burt/Text: David, Hal |
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| Global Dog Prod. |
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|
COVER. Original filtern. |
Blue Note 1941 |
|
Love Power |
V |
|
Donaldson, Lou |
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| Global Dog Prod. |
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Blue Note 1941 |
|
Midnight Creeper |
V |
|
Donaldson, Lou |
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1968 |
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Musik + Text: Donaldson, Lou |
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| Global Dog Prod. |
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|
Blue Note 1942 |
|
Elegant Soul |
I |
|
Three Sounds, The |
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| Global Dog Prod. |
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Blue Note 1942 |
|
Harper Valley P.T.A. |
I |
|
Three Sounds, The |
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| Global Dog Prod. |
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|
Blue Note 1943 |
|
Snake Bone |
V |
|
Donaldson, Lou |
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| Global Dog Prod. |
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|
Blue Note 1943 |
|
Say It Loud |
V |
|
Donaldson, Lou |
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| Global Dog Prod. |
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|
Blue Note 1944 |
|
Swahili Suite |
V |
|
Mitchell, Blue |
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| Global Dog Prod. |
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|
Blue Note 1944 |
|
Collision In Black |
V |
|
Mitchell, Blue |
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| Global Dog Prod. |
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|
Blue Note 1945 |
|
Think |
V |
|
Smith, Lonnie |
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|
1968 |
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|
Musik: Franklin, Aretha/Text: White, Ted |
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|
| Global Dog Prod. |
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|
COVER. Original filtern. |
Blue Note 1945 |
|
Son Of Ice Bag |
V |
|
Smith, Lonnie |
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| Global Dog Prod. |
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|
Blue Note 1946 |
|
Down And Out |
V |
|
Silver, Horace |
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| Global Dog Prod. |
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|
Blue Note 1946 |
|
Take A Little Love |
V |
|
Silver, Horace |
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| Global Dog Prod. |
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|
Blue Note 1947 |
|
Hey Chico |
V |
|
Morgan, Lee |
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| Global Dog Prod. |
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|
Blue Note 1947 |
|
Sweet Honey Bee |
V |
|
Morgan, Lee |
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| Global Dog Prod. |
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|
Blue Note 1948 |
|
When I Look Into Your Eyes |
V |
|
Turrentine, Stanley |
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| Global Dog Prod. |
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|
Blue Note 1948 |
|
Always Something There |
V |
|
Turrentine, Stanley |
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| Global Dog Prod. |
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|
Blue Note 1949 |
|
Hot Dog |
V |
|
Donaldson, Lou |
|
|
1969 |
10:45 |
|
|
|
BN 4216 |
|
|
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|
|
Musik: Donaldson, Lou |
|
Spielzeit der Single-Version 3:00 |
|
| 45cat |
|
Deezer |
|
Blue Note 1949 |
A |
Who's Making Love |
V |
|
Donaldson, Lou |
|
|
1969 |
6:35 |
|
|
|
BN 4213 |
|
362687 |
00039860945 |
|
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|
Musik: Banks, Homer/Jackson, Raymond/Text: Crutcher, Bettye/Davis, Don |
|
Song ist im Original von Johnnie Taylor aus dem Jahr 1968 |
|
| 45cat |
|
Deezer |
COVER. Original filtern. |
Blue Note 1950 |
|
Sittin' Duck |
I |
|
Three Sounds, The |
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|
2:43 |
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| Global Dog Prod. |
|
Deezer |
|
Blue Note 1950 |
|
Sugar Hill |
I |
|
Three Sounds, The |
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| Global Dog Prod. |
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|
Blue Note 1951 |
|
Midnight Cowboy |
V |
|
Morgan, Lee |
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|
1999 |
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|
Musik + Text: Barry, John |
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| Global Dog Prod. |
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|
COVER. Original filtern. |
Blue Note 1951 |
|
Popi |
V |
|
Morgan, Lee |
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| Global Dog Prod. |
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|
Blue Note 1952 |
|
Ghetto Summertime |
V |
|
Gale, Eddie |
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| Global Dog Prod. |
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Blue Note 1952 |
|
Black Rhythm Happening |
V |
|
Gale, Eddie |
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| Global Dog Prod. |
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|
Blue Note 1953 |
A |
Down Home Style |
I |
|
McDuff, Jack (Brother) |
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|
1969 |
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|
Blue Note 4591 |
Musik + Text: McDuff, Jack |
|
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|
| www.ebay.de |
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|
Blue Note 1953 |
B |
Theme From Electric Surfboard |
I |
|
McDuff, Jack (Brother) |
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|
1969 |
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|
Blue Note 4591 |
Musik + Text: McDuff, Jack |
27.12.1969 |
|
|
| Joel Whitburn's Pop Memories 1890-1954 |
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|
Blue Note 1954 |
|
H.N.I.C. (Part 2) |
V |
|
Mitchell, Blue |
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| Global Dog Prod. |
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|
Blue Note 1954 |
|
H.N.I.C. |
V |
|
Mitchell, Blue |
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| Global Dog Prod. |
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|
Blue Note 1955 |
|
Move Your Hand (Part 2) |
V |
|
Smith, Lonnie |
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| Global Dog Prod. |
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|
Blue Note 1955 |
|
Move Your Hand |
V |
|
Smith, Lonnie |
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| Global Dog Prod. |
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|
Blue Note 1956 |
|
Everything I Do Goin Be Funky |
V |
|
Donaldson, Lou |
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| Global Dog Prod. |
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|
Blue Note 1956 |
|
Minor Bash |
V |
|
Donaldson, Lou |
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| Global Dog Prod. |
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|
Blue Note 1957 |
|
Vibrator, The |
V |
|
Brother Jack Mc Duff |
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| Global Dog Prod. |
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|
Blue Note 1957 |
|
Oblighetto |
V |
|
Brother Jack Mc Duff |
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| Global Dog Prod. |
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|
Blue Note 1958 |
|
Hunk-O-Funk |
V |
|
Brother Jack Mc Duff |
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| Global Dog Prod. |
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|
Blue Note 1958 |
|
Mystic John |
V |
|
Brother Jack Mc Duff |
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| Global Dog Prod. |
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|
Blue Note 1959 |
|
Jump Back |
V |
|
Candido |
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| Global Dog Prod. |
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|
Blue Note 1959 |
|
Soul Limbo |
V |
|
Candido |
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|
5:48 |
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|
| Global Dog Prod. |
|
Deezer |
|
Blue Note 1960 |
|
Ain't It Funky Now (Part 2) |
V |
|
Green, Grant |
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| Global Dog Prod. |
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|
Blue Note 1960 |
|
Ain't It Funky Now |
V |
|
Green, Grant |
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|
1970 |
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|
Musik + Text: Brown, James |
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|
| Global Dog Prod. |
|
|
COVER. Original filtern. |
Blue Note 1961 |
|
Orange Peel |
V |
|
Wilson, Reuben |
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|
6:36 |
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|
| Global Dog Prod. |
|
Deezer |
|
Blue Note 1961 |
|
Knock On Wood |
V |
|
Wilson, Reuben |
|
|
1969 |
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|
Musik: Cropper, Steve/Text: Floyd, Eddie |
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|
| Global Dog Prod. |
|
|
COVER. Original filtern. |
Blue Note 1962 |
|
Ahunk Ahunk |
V |
|
Jones, Thad |
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| Global Dog Prod. |
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|
Blue Note 1962 |
|
Us |
V |
|
Jones, Thad |
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|
| Global Dog Prod. |
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|
Blue Note 1963 |
|
There's Much To Be Done |
V |
|
Silver, Horace |
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|
| Global Dog Prod. |
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|
Blue Note 1963 |
|
Show Has Begun, The |
V |
|
Silver, Horace |
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|
| Global Dog Prod. |
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|
Blue Note 1964 |
|
There's Much To Be Done |
V |
|
Silver, Horace |
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|
| Global Dog Prod. |
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|
Blue Note 1964 |
|
Show Has Begun, The |
V |
|
Silver, Horace |
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|
| Global Dog Prod. |
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|
Blue Note 1965 |
|
Time To Remember |
V |
|
Green, Grant |
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|
| Global Dog Prod. |
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|
Blue Note 1965 |
|
Sookie, Sookie |
V |
|
Green, Grant |
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|
| Global Dog Prod. |
|
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|
Blue Note 1966 |
|
Ummh (Part 2) |
V |
|
Hutcherson, Bobby |
|
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|
| Global Dog Prod. |
|
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|
Blue Note 1966 |
|
Ummh |
V |
|
Hutcherson, Bobby |
|
|
|
7:42 |
|
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|
| Global Dog Prod. |
|
Deezer |
|
Blue Note 1967 |
|
Theme From "Love Story" |
V |
|
Holmes, Richard 'Groove' |
|
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|
| Global Dog Prod. |
|
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|
Blue Note 1967 |
|
Don't Mess With Me |
V |
|
Holmes, Richard 'Groove' |
|
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|
| Global Dog Prod. |
|
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|
Blue Note 1968 |
|
Groove Alley |
V |
|
Jimmy Mc Griff |
|
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|
| Global Dog Prod. |
|
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|
Blue Note 1968 |
|
Black Pearl |
V |
|
Jimmy Mc Griff |
|
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|
| Global Dog Prod. |
|
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|
Blue Note 1969 |
|
Never Can Say Goodbye |
V |
|
Green, Grant |
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1971 |
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Musik + Text: Davis, Clitton |
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| Global Dog Prod. |
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|
COVER. Original filtern. |
Blue Note 1969 |
|
Does Anybody Really Know What Time It Is |
V |
|
Green, Grant |
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| Global Dog Prod. |
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Blue Note 1970 |
|
Make It With You |
V |
|
Donaldson, Lou |
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| Global Dog Prod. |
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Blue Note 1970 |
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Caterpillar |
V |
|
Donaldson, Lou |
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| Global Dog Prod. |
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Blue Note 1971 |
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Spanish Harlem |
V |
|
Humphrey, Bobbi |
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| Global Dog Prod. |
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Blue Note 1971 |
|
Sad Bag |
V |
|
Humphrey, Bobbi |
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| Global Dog Prod. |
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Blue Note 1972 |
|
Battle, The |
V |
|
Green, Grant |
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| Global Dog Prod. |
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Blue Note 1972 |
|
Battle (Part 2), The |
V |
|
Green, Grant |
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| Global Dog Prod. |
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Blue Note 1973 |
|
Emperor, The |
V |
|
Byrd, Donald |
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| Global Dog Prod. |
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|
Blue Note 1973 |
|
Emperor (Part 2), The |
V |
|
Byrd, Donald |
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| Global Dog Prod. |
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Blue Note 1974 |
|
Ain't No Sunshine |
V |
|
Humphrey, Bobbi |
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|
1971 |
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|
Musik + Text: Withers, Bill |
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| Global Dog Prod. |
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|
COVER. Original filtern. |
Blue Note 1974 |
|
Sad Bag |
V |
|
Humphrey, Bobbi |
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| Global Dog Prod. |
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|
Blue Note 1975 |
|
Acid, Pot Or Pills |
V |
|
Silver, Horace |
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| Global Dog Prod. |
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Blue Note 1975 |
|
I've Has A Little Talk |
V |
|
Silver, Horace |
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| Global Dog Prod. |
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|
Blue Note 1976 |
|
Rain Every Thursday |
V |
|
Hutcherson, Bobby |
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| Global Dog Prod. |
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|
Blue Note 1976 |
|
When You're Near |
V |
|
Hutcherson, Bobby |
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| Global Dog Prod. |
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|
Blue Note 1977 |
|
Chunky |
V |
|
Foster, Ronnie |
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| Global Dog Prod. |
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|
Blue Note 1977 |
|
Summer Song |
V |
|
Foster, Ronnie |
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|
1972 |
5:24 |
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| |
|
Musik + Text: Ronnie Foster |
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|
| Global Dog Prod. |
|
|
ORIGINAL. Cover filtern. |
Blue Note 1978 |
|
Cause And Effect |
V |
|
Silver, Horace |
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|
| Global Dog Prod. |
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|
Blue Note 1978 |
|
Horn Of Life |
V |
|
Silver, Horace |
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|
| Global Dog Prod. |
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|
Blue Note 1979 |
|
Baby |
V |
|
Williams, Joe |
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|
| Global Dog Prod. |
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|
Blue Note 1979 |
|
Bridges |
V |
|
Williams, Joe |
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|
| Global Dog Prod. |
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|
Blue Note 1980 |
|
Is This All |
V |
|
Humphrey, Bobbi |
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|
| Global Dog Prod. |
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|
Blue Note 1980 |
|
Lonely Town, Lonely Street |
V |
|
Humphrey, Bobbi |
|
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|
| Global Dog Prod. |
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|
|
Blue Note 1981 |
|
You Must Believe |
V |
|
Shaw, Marlena |
|
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|
| Global Dog Prod. |
|
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|
Blue Note 1981 |
|
Somewhere |
V |
|
Shaw, Marlena |
|
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|
| Global Dog Prod. |
|
|
|
Blue Note 1982 |
|
Listen Here |
V |
|
Harris, Gene |
|
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|
| Global Dog Prod. |
|
|
|
Blue Note 1982 |
|
Emily |
V |
|
Harris, Gene |
|
|
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|
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|
|
| Global Dog Prod. |
|
|
|
Blue Note 1983 |
|
Afro Party |
V |
|
Green, Grant |
|
|
|
|
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|
|
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|
|
|
|
|
|
|
|
|
| Global Dog Prod. |
|
|
|
Blue Note 1983 |
|
Father's Lament |
V |
|
Green, Grant |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
| Global Dog Prod. |
|
|
|